Frank Silvera

Personal Info

Known For

Acting

Known Credits

7.804

Gender

Male

Birthday

24-Jul-1914

Age

(110 years old)

Place of Birth

Kingston, British West Indies [now Kingston, Jamaica]

Also Known As
  • Frank Alvin Silvera

Frank Silvera

Biography

​From Wikipedia, the free encyclopedia.   Frank Silvera (July 24, 1914 – June 11, 1970) was an American actor and theatrical director. Silvera was born in Kingston, Jamaica the son of a mixed race Jamaican mother, Gertrude Bell and Spanish Jewish father, Alfred Silvera. His family emigrated to the United States when he was six-years old, settling in Boston. Silvera became interested in acting and began performing in amateur theatrical groups and at church. He graduated from English High School of Boston and then studied at Boston University, followed by the Northeastern Law School. Silvera left Northeastern Law School in 1934, when he was cast in Paul Green's production of Roll Sweet Chariot. He next joined the New England Repertory Theatre where he appeared in productions of MacBeth, Othello and The Emperor Jones. He also worked at Federal Theatre and with the New Hampshire Repertory Theatre. In 1940, Silvera made his Broadway debut in a small role in Big White Fog. His career was interrupted in 1942, when he enlisted in the United States Navy during World War II. He was assigned to Camp Robert Smalls, where he and Owen Dodson were in charge of entertainment. Silvera directed and acted in radio programs and appeared in USO shows. Honorably discharged at the war's end in 1945, he joined the cast of Anna Lucasta and became a member of the Actors Studio. In 1952, Silvera made his film debut in the western, The Cimarron Kid. Because of his strongly Latin appearance, he was cast in a variety of ethnic roles in films and television. He was cast as General Huerta in Viva Zapata! which starred Marlon Brando. Silvera also portrayed the role in the stage production, which opened at the Regent Theatre in New York City on February 28, 1952. He appeared in two films directed by Stanley Kubrick, Fear and Desire (1953) and Killer's Kiss (1955). Silvera made guest appearances in numerous television series, mainly dramas and westerns, including Studio One in Hollywood, Alfred Hitchcock Presents, Bat Masterson, Thriller, Riverboat, The Travels of Jaimie McPheeters, The Untouchables, and Bonanza. In 1962 he portrayed Dr. Koslenko in The Twilight Zone episode "Person or Persons Unknown", opposite Richard Long. That year, he also played Minarii, a Polynesian man in the 1962 film Mutiny on the Bounty, again starring Marlon Brando. In 1963, Silvera was nominated for a Tony Award for Best Actor in a Play for playing Monsieur Duval in The Lady of the Camellias. In 1964, Silvera and Vantile Whitfield founded the Theatre of Being, a Los Angeles-based theatre dedicated to providing black actors with non-stereotypical roles. One of their first projects was producing The Amen Corner by African-American writer James Baldwin. Silvera and Whitfield financed the play themselves and with donations from friends. It opened on March 4, 1964 and would gross $200,000 within the year, moving to Broadway in April 1965. Beah Richards won critical acclaim for her performance as the lead. Silvera was killed on June 11, 1970, after accidentally electrocuting himself while repairing a garbage disposal unit in his kitchen sink. Description above from the Wikipedia article Frank Silvera, licensed under CC-BY-SA, full list of contributors on Wikipedia.


Credits

The Young Loner The Young Loner (1968) Character: Carlos
A young migrant worker is injured in an accident and ends up at a ranch to recover. He runs away, but realizes that his heart is not in traveling and that he needs to settle down, so he returns to a job as shepherd at the ranch.
Crowded Paradise Crowded Paradise (1956) Character: Papa Diaz
A Puerto Rican immigrant anxiously awaits his wedding day, but his fiancé's racist landlord intervenes.
The Lonely Night The Lonely Night (1954) Character: The Narrator
After Caroline Cram finds herself in an analyst's office, she starts groping for the truth about her hopelessness, fears, loneliness and anxieties. A fact and fiction documentary financed by the U. S. Public Health Service and endorsed by the National Association for Mental Health and the National Institute for Mental Health.
Death Tide Death Tide (1955) Character: Eric
A ship with a cargo full of diamonds gets taken over by pirates.
Bezoek aan Picasso Bezoek aan Picasso (1950) Character: Commentator
In this short 20 minute black and white Belgian documentary, the director, Paul Haesaerts, visualised Pablo Picasso’s flow of imagination when the Spanish painter drew on large glass plates in front of the camera – like a live show of a greatest artist in performing a few masterstrokes that outlines a dove, bull, flower, man or woman and whatnot. (This technique of filming his painting from the other side of the glass plates precedes The Mystery of Picasso (1956), another famous documentary film on Picasso). (via http://www.kubrickians.com/2012/07/08/visite-picasso-1949-paul-haesaert/)
Mutiny on the Bounty Mutiny on the Bounty (1962) Character: Minarii
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a strict discipline. When they arrive at Tahiti, it is like a paradise for the crew, something completely different than the living hell aboard the ship. On the way back to England, officer Fletcher Christian becomes the leader of a mutiny.
The Miracle of Our Lady of Fatima The Miracle of Our Lady of Fatima (1952) Character: Council Administrator Arturo dos Santos
In 1917, three shepherd children living just outside Fatima, Portugal have visions of a lovely lady in a cloud. The anticlerical government wishes to squelch the Church; reports of religious experiences are cause for serious concern. Yet the children stand by their story, and the message of peace and hope the Lady brings. In the last vision, attended by thousands of people, the Lady proves her reality with a spectacular miracle that is seen by everyone present. Based on actual events at Fatima in the summer of 1917.
The Appaloosa The Appaloosa (1966) Character: Ramos
A man tries to recover a horse stolen from him by a Mexican bandit.
The St. Valentine's Day Massacre The St. Valentine's Day Massacre (1967) Character: Nick Sorello
Chicago February 14th 1929. Al Capone finally establishes himself as the city's boss of organised crime. In a north-side garage his hoods, dressed as policemen, surprise and mow down with machine-guns the key members of Bugs Moran's rival gang. The film traces the history of the incident, and the lives affected and in some cases ended by it.
Killer's Kiss Killer's Kiss (1955) Character: Vincent Rapallo
Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.
Viva Zapata! Viva Zapata! (1952) Character: Huerta
The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Díaz in the early 20th century.
Perilous Voyage Perilous Voyage (1976) Character: Gen. Salazar
A South American guerrilla, whose revolution is faltering, hijacks a ship carrying arms and holds all of the passengers hostage.
Che! Che! (1969) Character: Goatherd
Biography of Argentinian revolutionary Ernesto "Che" Guevara, who helped Fidel Castro in his struggle against the corrupt Batista regime, eventually resulting in the overthrow of that government and Castro's taking over of Cuba. The film covers Guevara's life from when he first landed in Cuba in 1956 to his death in an ambush by government troops in the mountains of Bolivia in 1967.
Beah: A Black Woman Speaks Beah: A Black Woman Speaks (2004) Character: Self (voice)
Beah: A Black Woman Speaks is a 2003 documentary about the life of Academy Award nominated actress Beah Richards. Directed by Lisa Gay Hamilton, it won the Documentary Award at the AFI Los Angeles International Film Festival in 2003.
Valdez Is Coming Valdez Is Coming (1971) Character: Diego
Old Mexican-American sheriff Bob Valdez has always been a haven of sanity in a land of madmen when it came to defending law and order. But the weapon smuggler Frank Tanner is greedy and impulsive. When Tanner provokes a shooting that causes the death of an innocent man and Valdez asks him to financially compensate the widow, Tanner refuses to do so and severely humiliates Valdez, who will do justice and avenge his honor, no matter what it takes.
Fear and Desire Fear and Desire (1953) Character: Mac
After their airplane crashes behind enemy lines, four soldiers must survive and try to find a way back to their battalion. However, when they come across a local peasant girl the horrors of war quickly become apparent.
The Greatest Story Ever Told The Greatest Story Ever Told (1965) Character: Caspar
From his birth in Bethlehem to his death and eventual resurrection, the life of Jesus Christ is given the all-star treatment in this epic retelling. Major aspects of Christ's life are touched upon, including the execution of all the newborn males in Egypt by King Herod; Christ's baptism by John the Baptist; and the betrayal by Judas after the Last Supper that eventually leads to Christ's crucifixion and miraculous return.
Guns of the Magnificent Seven Guns of the Magnificent Seven (1969) Character: Lobero
In this third remake of legendary Japanese director Akira Kurosawa's hugely influential The Seven Samurai, the seven gunslingers (George Kennedy, Michael Ansara, Joe Don Baker, Bernie Casey, Monte Markham, Fernando Rey and Reni Santoni) liberate Mexican political prisoners, train them as fighters and assist them in a desperate attack on a Mexican fortress in an attempt to free a revolutionary leader.
Heller in Pink Tights Heller in Pink Tights (1960) Character: Santis
Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She's also the object of the attentions of Mabry, a gunslinger who's owed money by the richest man in Bonanza.
Key Witness Key Witness (1960) Character: Det. Rafael Torno
An average Los Angeles citizen witnesses a gang murder when he stops to use a telephone. When he presents himself to the LAPD as the only person willing to identify the culprits, he opens himself up to a campaign of intimidation from the gang involved.
The Cimarron Kid The Cimarron Kid (1952) Character: Stacey Marshall
Audie Murphy comes into his own as a Western star in this story. Wrongly accused by crooked railroad officials of aiding a train heist by his old friends the Daltons, he joins their gang and becomes an active participant in other robberies. Betrayed by a fellow gang member, Murphy becomes a fugitive in the end. Seeking refuge at the ranch of a reformed gang member, he hopes to flee with the man's daughter to South America, but he's captured in the end and led off to jail. The girl promises to wait.
Uptight Uptight (1968) Character: Kyle
Black militants building up an arsenal of weapons in preparation for a race war are betrayed by one of their own.
The Mountain Road The Mountain Road (1960) Character: Colonel Kwan
In 1944, in eastern part of China, U.S.Army Major Baldwin and his volunteer team of demolition engineers are left behind the retreating Chinese forces. Their task is to slow down the Japanese advance into eastern China by blowing up bridges, roads, airfields and munitions dumps. They start by blowing up an American airfield and ammo dump. They receive the order to destroy a vital bridge over a mountain pass.The team uses a few army trucks to move around. At the bridge, they encounter a Nationalist Chinese Army unit in charge of guarding the bridge. Thanks to an American soldier who speaks some Chinese, Major Baldwin requests the permission, from the Chinese commander, to blow up the bridge.The Chinese colonel agrees but asks the American Major to do him a favor by also destroying a munitions dump located at some distance away.He also requests that Madame Sue-Mei Hung, the widow of a Chinese colonel, be transported by the American demolition team to the nearest major town.
Toys in the Attic Toys in the Attic (1963) Character: Henry Simpson
Julian Berniers returns from Illinois with his young bride Lily Prine to the family in New Orleans. His spinster sisters Carrie and Anna welcome the couple, who arrive with expensive gifts. The sisters hope Julian will help with their expenses, and he tells them that while his profitable factory went out of business, he did manage to save money. It turns out that Julian pulled off a real estate scam and took off with the money. Carrie is obsessed with her brother. Her jealousy of Lily pushes her to discover the shady land deal for herself and she does everything she can to wreck their marriage.
Crime and Punishment USA Crime and Punishment USA (1959) Character: Lt. Porter
Believing he can elude justice, a California law student murders an elderly pawnbroker, then matches wits with the detective on the case.
The Fighter The Fighter (1952) Character: Paulino
A boxer, in Mexico, sets out to avenge the murder of his family by using the money from his winnings to purchase weapons.
Hombre Hombre (1967) Character: Mexican Bandit
John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.
The Stalking Moon The Stalking Moon (1968) Character: Major
While moving a group of Apaches to a Native American reservation in Arizona, an American scout named Sam Varner is surprised to find a white woman, Sarah Carver, living with the tribe. When Sam learns that she was taken captive by an Indian named Salvaje ten years ago, he attempts to escort Sarah and her half-Native American son to his home in New Mexico. However, it soon becomes clear that Salvaje is hot on their trail.



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