|
Rubikon (2022)
Character: Hannah Wagner
The company soldier Hannah and the scientists Gavin and Dimitri are researching an algae project on board the Rubikon space station, which is supposed to permanently supply humanity with oxygen and food. But suddenly the earth disappears below them in a brown, toxic fog and all contact is broken off - are they the last survivors of humanity? Should they initiate the safe station, dare the return flight and thereby risk their lives?
|
|
|
Ein ganzes Leben (2023)
Character: Marie
When Andreas arrives in the remote valley in the Austrian Alps, he is only about four years old - nobody knows for sure. He grows up to become a skilled farmhand and, as a young man, joins a work crew that builds one of the first mountain railroads, bringing light and noise to the valley along with electricity. He also finds the love of his life in Marie, but their happiness is short-lived. Only many years later, when Andreas embarks on his final journey, she is with him once again. And in amazement Andreas looks back at all the years that lie behind him.
|
|
|
Der Taucher (2019)
Character: Lena
Paul, a famous composer living in Ibiza, is accused of having seriously mistreated his ex-partner Irene.
|
|
|
Bosanski lonac (2023)
Character: Xandra
Faruk Sego, a failed Bosnian writer facing deportation from Austria, must prove that he has made a cultural contribution to Austrian society. His last chance is an off-theatre troupe that can stage a play he wrote as a young man. Faruk's reluctant return to the theatre will force him to realise what is truly important in life.
|
|
|
Undine (2020)
Character: Nora
Undine is a historian and tour guide at the Berlin City Museum specializing in urban development, while Christoph is an industrial diver. Linked by a love of the water, the two form an intense bond, which can only do so much to help Undine overcome the considerable baggage of her former affair.
|
|
|
L'Animale (2018)
Character: Carla
Riding on their tuned-up bikes, Mati and her posse of male friends intimidate their neighborhood and harass the girls. In their village, they rule. But when her closest pal Sebastian falls in love with Mati and her enemy Carla unexpectedly turns into a friend, Mati is in danger of losing her standing among her male friends. Meanwhile Mati’s parents have a decision to make: What's more important, appearances or reality?
|
|
|
Blind ermittelt: Blutsbande (2019)
Character: Carola Molden
The blind former chief inspector Alexander Haller has experience with kidnappings. This time he is in an unfamiliar position: His sister Sophie was kidnapped while visiting the theater with Niko. The assumption that it is about 50,000 euros, which Haller's private driver owes the betting mafia, turns out to be the wrong track. The hostage takers are asking for 750,000 euros and seem to be well informed about the Hallers ...
|
|
|
Vier (2022)
Character: Ulli Herzog
Flooding in Krumau am Kamp: three infant bodies, two girls and a boy, are found in the basement of the Trummler family's farm, which has long been uninhabited. The children were suffocated immediately after birth and buried on the spot. A dark reputation precedes the Trummlers – the word "cursed" is used more than once, after the daughter's disappearance without a trace...
|
|
|
Mermaids Don't Cry (2023)
Character: Karo
Annika dreams of having a synthetic mermaid fin -- expensive fun for the supermarket cashier who longs for distraction from the worries of her everyday life.
|
|
|
Les Fantômes (2024)
Character: Nina
Hamid is part of a secret group pursuing the Syrian regime’s fugitive leaders. His mission takes him to France, on the trail of his former torturer whom he must confront.
|
|
|
Gegen das Schweigen - Machtmissbrauch bei Theater und Film (2024)
Character: Self - Interviewee
Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?
|
|