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ケーフェイ 偽の妹 (1999)
Character: N/A
8mm film by Yukiyasu Shimada. Performed by Shimada and Ichigo-chan. Shooting assistance by Kenji Onishi.
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地下水 -短縮版- (1996)
Character: N/A
With a curious eye, he saw a UFO passing over the neighbor's roof, and strange things began to happen around him. The taste of the tap water changed, his clock kept getting wrong, his lover's behavior was strange, acquaintances and friends were acting oddly, and people in town started giving him strange looks. There must be something going on, he thought, and he became paranoid about the events happening unseen. Had the stress built up inside him diminished his ability to distinguish between fantasy and reality?
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Eiga-gokko (2004)
Character: N/A
A documentary that centers on filmmaker Mikio Yamazaki, exploring his artistic vision and his feelings towards 8mm film, the primary medium of his work.
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怪談新耳袋殴り込み！劇場版＜沖縄編＞ (2011)
Character: N/A
The documentary version of "Kaidan Shin Mimibukuro" titled "Kaidan Shin Mimibukuro Nagurikomi!" series. "Gekijō-ban Kantō-hen" takes viewers inside a haunted place in Okinawa that still bears the scars of the Pacific War!
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怪談新耳袋殴り込み！劇場版＜関東編＞ (2011)
Character: N/A
The documentary version of "Kaidan Shin Mimibukuro" titled "Kaidan Shin Mimibukuro Nagurikomi!" series. "Gekijō-ban Kantō-hen" takes viewers into the magical mountains of Tanigawa-dake, where the largest number of people have been lost in Japan, and into the sea of trees at Mt.
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銀鉛画報会 (2011)
Character: N/A
This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema. Blending two genres, the science film and the personal film, and benefiting from the participation of multiple generations of cineastes, it is a reflection upon the original cinematic experience.
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Haikei, Ôgi Chikage-sama (2006)
Character: N/A
Kenji Murakami seeks out legendary wildman director Kenji Onishi and arranges a meeting with director Yoko Oguchi. The meeting turns unexpectedly intense...
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オバケを換金する産業 (2017)
Character: N/A
This work is a confession of the genre of video-through horror docs and its terminal situation. In a bleak location, the film expresses the resignation and apathy of young people
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進化 (2010)
Character: N/A
Nakagawa shot “Coming Future” on the nights of December 24 and 25, 2009, in Shibuya, making it his location for an idealized Bohemia in the heart of Tokyo. Interesting interviews/discussions with Kenji Murakami, Nobuhiro Yamashita, Kenji Onishi, Tetsuaki Matsue and more... By far the most interesting sequence is with Kenji Onishi (“A Burning Star”). Wielding a super-8 camera, Onishi documents his own interview, taking random shots of street-life and buildings. He leavens his monologue with statements bordering between cliché and outré. “A movie that aims to make a message is boring.”
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PRAGUE (2003)
Character: N/A
A man fingering the girl before killing her. Camera cuts to blue sky and cat. A man choking his girl. Onishi at his usual with framing, extreme close-ups, expectations and black inserts.
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夏に生れる (1998)
Character: N/A
In the summer of 1998, the filmmaker went home to Takasaki to film the birth of his brother and sister-in-law's child. Days go by and the child is still to be born. With time on his hands and no one to talk to, the filmmaker finds the phone number for a telephone date club, and calls up with an earnest de- sire: I'd like to talk to a girl. While following the conventions of film-diary form, at some point the filmmaker falls into a times pace tunnel of false memory.
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地下水 (1996)
Character: N/A
With a curious eye, he saw a UFO passing over the neighbor's roof, and strange things began to happen around him. The taste of the tap water changed, his clock kept getting wrong, his lover's behavior was strange, acquaintances and friends were acting oddly, and people in town started giving him strange looks. There must be something going on, he thought, and he became paranoid about the events happening unseen. Had the stress built up inside him diminished his ability to distinguish between fantasy and reality?
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