Aparna Ghose

Personal Info

Known For

Acting

Known Credits

0.1112

Gender

Female

Birthday

NO DOB PROVIDED

Age

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Place of Birth

NO INFO PROVIDED

Also Known As
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Aparna Ghose

Biography

Aparna Ghosh is a Bangladeshi actress, theater artist and model. She won Bangladesh National Film Award for Best Supporting Actress for her role in the film Mrittika Maya.


Credits

Darpan Bishorjon Darpan Bishorjon (2016) Character: Bokul
A discovery of a mirror creates much chaos and confusions within the superstitious populace of a village.
Sutopar Thikana Sutopar Thikana (2015) Character: Sutopa
Woman in South Asian region always remain dependent on their Father, Brother, Husband or, Son in their different stages of life. They never achieve their own home, own address. The story is portraying womanhood of South Asia and depicts the life of Sutopa who never thinks out of that. Finally comprehend when she lost every shelter and found herself on running train where her destination is unknown. Her Own Address is an artistic vision illustrate a human story which appealing to the equality, freedom of souls and antidiscrimination.
To be Continued To be Continued (2017) Character: N/A
Iftakher Ahmed Fahmi's feature-length directorial debut.
Believe It Or Not Believe It Or Not (2017) Character: N/A
Will be added
পাত্র চাই পাত্র চাই (2010) Character: N/A
Will be added
সোনার ডিম সোনার ডিম (2015) Character: N/A
will be added
হাবিলদার হাতেম হাবিলদার হাতেম (2012) Character: N/A
Will be added
Mrittika Maya Mrittika Maya (2013) Character: Fahmida
Khirmohon is an old man and a potter by profession. All his life, he has struggled to keep his head above water and now is the owner of his own pottery house and a banyan tree. His two sons Satten and Nikhil stay in the city and prefer urban life. They have no interest in their father's business and want to sell up his life's work for financial gain. The silver lining in Khirmohon's life is his granddaughter Poddo, who is an eye catching dusky beauty. They stay in their village house with another person named Boishakh, who was adopted by Khirmohon when he was just a mere child. Boishakh is a passionate character, who is loyal to Khirmohon and is more interested in keeping the pottery business afloat then Khirmohon's own sons. There is a spark between Poddo and Boishakh, but it is not expressed. The story moves forward with Boishakh trying to protect the business from going into ruins by unwanted invaders and village politics.
ভুবন মাঝি ভুবন মাঝি (2017) Character: Farida
A Journey of 4 decade with love and passion. Things will arrive as certain threat while characters are moving through a real history. End turn to endless.
Vitamin-T Vitamin-T (2014) Character: Tanisha
A couple of friends found a bag full of 10 lakh taka in a CNG cab. They immediately start spending all the money until they realized that it belongs to a hooligan named Jobbar. They couldn't return the money, so they flee off.
থার্ড পারসন সিঙ্গুলার নাম্বার থার্ড পারসন সিঙ্গুলার নাম্বার (2009) Character: N/A
A woman breaks with traditional Muslim culture by living with her boyfriend before getting married, but when the relationship ends, she must face the harsh consequences of being an outcast in her community.
Made in Chittagong Made in Chittagong (2023) Character: Noorjahan
Solaiman and Noorjahan did not had good impression towards each other from their first meeting. Since then whenever they meet, they end up fighting. This hampered their personal life as well. Finally they fell for each other, but will they be able to be together?
মেঘমল্লার মেঘমল্লার (2014) Character: Asma
A touching story of a simple man caught up in the terror of 1971 Bangladesh.
Gondi Gondi (2020) Character: N/A
How friendship is meaningful in our life? Does it has any barrier by thought? Age, Color, race or religion? Let's make friendship universal -a circle free for better humanity.
বৈশাখী হাওয়া বৈশাখী হাওয়া (2019) Character: Neela
Boishakhi Hawa is a Bangladeshi television fiction written by Mehrab Zahid and created by Uday Bangali, which aired on Bangla Vision.



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