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Alors on danse (2022)
Character: Danseuse Flash-Mob (uncredited)
After thirty years of marriage, Sandra finds out that her husband is having an affair with his best friend. She immediately leaves him and has no choice but to seek refuge in her childhood home, where her sister Danie still lives. The sisters couldn’t be more different. Danie, a stubborn single with a dog and the heart of a social justice warrior vs. Sandra, a bourgeois housewife with decades of a secure lifestyle on a posh vineyard behind her. Their cohabitation starts out rocky to say the least… But with the help of close buddies Roberto and Lucien, Danie coaxes Sandra into joining their local dance troupe, and reconnect with the greatest joy and talent of her youth. Through their shared passion for dance and the solidarity of the troupe’s other dancers, the sisters embark on a fresh life path. Because, really, it’s never too late... even to fall in love again.
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Eiffel (2021)
Character: Bougeoise
The French government is asking Gustave Eiffel to design something spectacular for the 1889 Paris World Fair, but he simply wants to design the subway—until he crosses paths with a mysterious woman from his past.
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Illusions perdues (2021)
Character: Bourgeoise
Lucien de Rubempré, a young, lower-class poet, leaves his family's printing house for Paris. Soon, he learns the dark side of the arts business as he tries to stay true to his dreams.
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Les Yeux de sa mère (2011)
Character: Traveler
A writer suffering from a lack of inspiration sneaks his way into the lives of a star television journalist and his lead ballerina daughter to write, unbeknownst to them, a non-authorized biography. Meanwhile, in Brittany, twenty-year-old Bruno, who lives with his parents, doesn't yet know the consequences that this story will have on his existence...
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Camille redouble (2012)
Character: Serveuse cantine scolaire (uncredited)
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve's party that she falls into an ethylic coma and she finds herself... propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and... be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?
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Portrait de la jeune fille en feu (2019)
Character: Peasant Woman (uncredited)
On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.
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Le Grand Bain (2018)
Character: Cocktail Hostess (uncredited)
40-year-old Bertrand has been suffering from depression for the last two years and is barely able to keep his head above water. Despite the medication he gulps down all day, every day, and his wife's encouragement, he is unable to find any meaning in his life. Curiously, he will end up finding this sense of purpose at the swimming pool, by joining an all-male synchronised swimming team.
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J'accuse (2019)
Character: Washerwoman (uncredited)
In 1894, French Captain Alfred Dreyfus is wrongfully convicted of treason and sentenced to life imprisonment at the Devil’s Island penal colony.
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Chocolat (2016)
Character: Spectator
Chocolat the clown, the first black stage performer in France, goes from anonymity to fame after forming an unprecedented duo with fellow performer Footit in the very popular in Belle Epoque Paris. But easy money, gambling, and discrimination take their toll on their friendship and Chocolat's career.
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Le retour du héros (2018)
Character: Vendeuse fromage
France, 1809. Captain Neuville is called to the front, leaving his future bride heartbroken. Her sister decides to write letters on his behalf to cheer her up.
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