Amelita Vargas

Personal Info

Known For

Acting

Known Credits

0.3125

Gender

Female

Birthday

15-Jan-1928

Age

(98 years old)

Place of Birth

Havana City, Cuba

Also Known As
  • Amelia Graciela Vargas Ipaneca
  • Amelia Vargas

Amelita Vargas

Biography

Amelia Graciela Vargas Ipaneca was a Cuban actress, vedette and dancer nationalized from Argentina.


Credits

¡Qué rico el mambo! ¡Qué rico el mambo! (1952) Character: himself
A rumbera falls in love with a dentist who wants to sing boleros despite her father's opposition.
La procesión La procesión (1960) Character: N/A
The pilgrimage to the Basilica of Our Lady of Luján causes the meeting of people of different classes.
Novio, marido y amante Novio, marido y amante (1948) Character: Violeta Locatelli
A young woman marries an older man on a whim; the marriage is not consummated. She falls in love with her husband's son.
La mujer del león La mujer del león (1951) Character: N/A
A banker's mistress falls in love with a colorful writer, but to hide the situation from him, she pretends to be the banker's daughter, which causes many complications, until the situation is cleared up for the good of the young couple.
¡Qué hermanita! ¡Qué hermanita! (1951) Character: N/A
The admirer of a singer does her best to see him and be with him.
Piantadino Piantadino (1950) Character: N/A
An insurance broker and his misadventures for trying to finalize a policy.
Foto estudio Luisita Foto estudio Luisita (2019) Character: Herself
The celebrities who visited Luisita Escarria's photo studio in Buenos Aires for decades are countless. Sol, a young photographer, discovers there more than 25,000 unpublished negatives, an archive of incalculable value that opens a window through which to look at the true artistic epicenter of Argentinean popular culture…
Cómo se hace una película argentina Cómo se hace una película argentina (1948) Character: N/A
Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.
Ritmo, amor y picardía Ritmo, amor y picardía (1955) Character: Margarita
A grumpy father has an attitude change when a young man who marries one of his daughters alters the home lifestyle.
Venga a bailar el rock Venga a bailar el rock (1957) Character: N/A
A group of young people organizes a music festival.
Luces de candilejas Luces de candilejas (1958) Character: Amnerys
Three supposed brothers ( a bolero singer, a tango singer and a mabo singer) are called for a musical magazine.
Un hombre solo no vale nada Un hombre solo no vale nada (1949) Character: Diana Beltrán
An employee progresses in the factory where he works by having his wife pass by an attractive Cuban singer.
Los tres mosquiteros Los tres mosquiteros (1953) Character: Delfina
A young provincial and two comedians replace the main actors in the theatrical performance of The Three Musketeers.
La secta del trébol La secta del trébol (1948) Character: Tamara
A writer gets involved in a police case related to some jewelry belonging to a Chinese sect.
Cleopatra era Cándida Cleopatra era Cándida (1964) Character: Berta, cuñada de Florencio
Cándida marries a widowed millionaire. She is in full exercise of being the housewife, when her husband's daughter arrives, with the company of Amelita Vargas with 2 purposes: to find out what her father is hiding and that she marry him..
Música, alegría y amor Música, alegría y amor (1956) Character: Laura / Sisebuta Segunda Rodríguez
A young bohemian who dreams of succeeding as a painter will eventually succeed as a singer.
Miguitas en la cama Miguitas en la cama (1949) Character: Kikí Cienfuegos
A young woman must alternately live with her separated parents and while her mother gives her a severe upbringing, her father amuses her with his carefree life.
Con el diablo en el cuerpo Con el diablo en el cuerpo (1947) Character: N/A
Young newlywed girl about to embark on her honeymoon persuades older family friend to assist her in an extensive search for her missing husband. A road-trip full of comical misadventures ensues.
El fantasma de la opereta El fantasma de la opereta (1955) Character: N/A
A killer stalks chorus girls.
Romeo y Julita Romeo y Julita (1954) Character: N/A
A couple rents a department that turns out to be owned by another person.
Arroz con leche Arroz con leche (1950) Character: N/A
A runaway bride poses as a married woman and mother of twins to woo a suitor who only falls in love with married women.
La mano que aprieta La mano que aprieta (1953) Character: N/A
Spanish horror comedy from 1953.
La obertura La obertura (1977) Character: N/A
A man is kidnapped when he is mistaken for another and his wife tries to collect a large life insurance but he reappears alive.
Escuela de sirenas y tiburones Escuela de sirenas y tiburones (1955) Character: Sirena Linfor
Mistakes, songs and intrigues in a mixed boarding school.
Cuando besa mi marido Cuando besa mi marido (1950) Character: N/A
A high society woman discovers a fiery romantic letter in a raincoat pocket seemingly written by a rumba dancer to the woman’s doctor husband. He tries to cover by saying that the letter is addressed to a more conservative friend of his, leading to rumours of his friend’s (supposed) incredible passion becoming intriguing to the local women, even the Doctor’s own jealous wife.



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