Ineko Arima

Personal Info

Known For

Acting

Known Credits

1.456

Gender

Female

Birthday

03-Apr-1932

Age

(94 years old)

Place of Birth

Osaka, Japan

Also Known As
  • Seiko Nakanishi
  • Инэко Арима

Ineko Arima

Biography

Ineko Arima (born April 3, 1932) is a revered Japanese film actress. With a career spanning from 1957 to the present, Arima has graced the silver screen under the guidance of legendary directors like Yasujirō Ozu and Kon Ichikawa. Her notable filmography includes roles in Late Chrysanthemums, Black River, Tokyo Twilight, Equinox Flower, and Love Under the Crucifix, showcasing her remarkable talent. Beyond film, she has also made her mark on television, notably in NHK Taiga dramas like Ten to Chi to and Tokugawa Yoshinobu. Arima's contributions have been recognized with honors in Japan, including the Medal with Purple Ribbon (1995) and the Order of the Precious Crown (2003).


Credits

酔っぱらい天国 酔っぱらい天国 (1962) Character: N/A
A father and son are both heavy drinkers. However, the son dies in an accident at a bar, leaving behind a fiance…. A unique social satire that focuses on why people drink alcohol.
抱かれた花嫁 抱かれた花嫁 (1957) Character: N/A
The proprietress of a long-established sushi restaurant in Asakusa is a war widow who has raised three children. A film that lightheartedly depicts a generational battle between a mother who is anxious about the issue of an heir and her modern children.
春を待つ人々 春を待つ人々 (1959) Character: Akiko Tanigawa
This drama centers on an elderly politician and depicts how humans can return to their true selves when they are freed from selfish desires and self-interest.
泉 泉 (1956) Character: N/A
A botanist woos the secretary of an industrialist whose company threatens the local water supply.
充たされた生活 充たされた生活 (1962) Character: Junko Asakura
A woman becomes dissatisfied with her marriage and joins a political theater troupe to protest the U.S. Security Pact.
夢のまにまに 夢のまにまに (2008) Character: N/A
Recently appointed dean at a film school, Kimuro Hajime develops a special concern for one of his students, Daisuke. The brash, headstrong young man is fixated on with the Second World War. He feels a sense of frustration at the irrational sacrifice of young people's lives during the war six decades earlier. Daisuke finds that he can vent his frustrations to Kimuro, who experienced the war firsthand. Kimuro's wife, Emiko, is also troubled by memories of the war. She lost a loved one in the war and has never gotten over it. And Kimuro himself also has something from the past that he has yet to face. He believes that the burden of his unresolved past will eventually be the death of him. When Daisuke's neurosis causes him to quit school, life changes for all three of them.
都会の横顔 都会の横顔 (1953) Character: Toshiko
A motley cast of characters, including a human billboard and a shoeshine girl, help a 5 year old girl after she is separated from her mother on the crowded streets of Ginza.
雲がちぎれる時 雲がちぎれる時 (1961) Character: N/A
A provincial bus driver plans to marry his conductress, but one night he glimpses the woman he once loved, which throws him into turmoil.
伊津子とその母 伊津子とその母 (1954) Character: Itsuko Iba
An elderly woman devoted to her foster-daughter searches for a good husband for her.
かあちゃんしぐのいやだ かあちゃんしぐのいやだ (1961) Character: Mother
Yoshiuki and his older brother Yoshihisa are in school. They live with their mother, who struggles to make ends meet while their father is in the hospital with tuberculosis.
胸より胸に 胸より胸に (1955) Character: Shizuko Miyajima
Japanese drama
無法松の一生 無法松の一生 (1965) Character: Yoshiko Yoshioka
A poor rickshaw driver finds himself helping a young woman and her son after the woman's husband dies suddenly.
泉へのみち 泉へのみち (1955) Character: Hatano Kyoko
Kyoko is a new writer for the women's magazine "Josei no tomo" female reporter. One day, the magazine receives a letter from a reader, Ume, who, in order to support their ill father at home, was compelled to trade her body to her employer at a factory. Harboring her own grudge against her father for abandoning her and her mother, Kyoko determines to not only write about the factory girl for the magazine but also save Ume in the process. However, Kyoko's investigation forces her to confront a harsh reality while also grappling with the sudden news of her estranged father's own illness and desire to reunite.
大根と人参 大根と人参 (1965) Character: N/A
One day a company executive learns that his younger brother, whom he recommended, embezzled company funds. To save the situation he withdraws his life savings and gives money to his younger brother. He then suddenly disappears…
愛人 愛人 (1953) Character: Asano
Comedy about a 50-something movie director, his new bride, a classical dancer, and his adult son and daughter and their loves.
坊っちゃん 坊っちゃん (1958) Character: Madonna
1958 Shochiku adaptation of Natsume's novel.
赤い陣羽織 赤い陣羽織 (1958) Character: N/A
The humorous tale of Jimbei, a miller, and his wife Osen who live in complete happiness. But Osen's beauty attracts numerous would-be lovers among whom is the local governor, a timid creature, who is dominated by his high-born and beautiful wife, who dresses in a scarlet battle-tunic, a sign of his family's military merit around which he fabricates fantastic tales of his prowess in war. During the traditional festival when the villagers are released from observance of all social customs and restrictions, it is permissible for any man to attempt win the favors of the one he loves. However, the timid but romantic governor goes to the length of having the miller arrested to clear the way for his seduction of Osen. But Osen fights off his advances with an old hunting gun and dashes out of the mill. Jimbei, meanwhile, has escaped from jail and dashes home to finds the governor in his bed. Convinced that his wife has been violated, he decides to take an eye for an eye.
浪花の恋の物語 浪花の恋の物語 (1959) Character: Umegawa
Chubei, the adopted son of an Osaka courier, falls desperately in love with the courtesan Umegawa. To prevent a wealthy client from purchasing her, he steals money from his employer to buy her freedom himself. Now hunted criminals, the lovers flee toward Yamato, pursued by the law.
白い崖 白い崖 (1960) Character: N/A
1960 Toei film.
わが愛 わが愛 (1960) Character: Kiyo Mizushima
Story of a romance between a middle-aged journalist and a young woman.
娘三羽烏 娘三羽烏 (1957) Character: Chiyo Aihara
Japanese romantic comedy film.
はだかっ子 はだかっ子 (1961) Character: N/A
A touching story about a young boy, Genta, who bravely takes on life's challenges in hopes of finding a better life for himself and his sickly mother.
波の塔 波の塔 (1960) Character: Yoriko Yuuki
Based on the novel of the same name by Seichô Matsumoto.
わたしの凡てを わたしの凡てを (1954) Character: Ayaki Rui
The daughter of a former Miss Universe winner finds success as a fashion model in Tokyo following the death of her fiancé.
告白的女優論 告白的女優論 (1971) Character: Isaku Makiko
In this intricately layered Japanese film, the nature of actresses and what they gain from acting is explored. The lives of three actresses are laid bare, and scenes from their lives are woven in and out of interviews with each of them. Each of them has experienced a traumatic event which contributes to their particular enjoyment of becoming someone else in dramatic roles.
黒い河 黒い河 (1957) Character: Shizuko
A love triangle develops between a benevolent student, his innocent girlfriend, and a cruel petty criminal, all as a point of diagnosis of a social disease that had Japan slowly succumbing to lawlessness during the post-War era.
女性に関する十二章 女性に関する十二章 (1954) Character: Sanshi Seneri
Minako, a ballerina who has been dating since her school days, and Koheta, a banker. It was Koheta who was finally about to get married as a result of his promotion, but just then, a big change occurs in Minako's body..
彼岸花 彼岸花 (1958) Character: Setsuko Hirayama
Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a coworker and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.
母の初恋 母の初恋 (1954) Character: N/A
A melodrama based on the novel by Yasunari Kawabata, telling about the tragic fate of a mother and daughter who are attracted to the same man.
人間の條件 第1部純愛篇/第2部激怒篇 人間の條件 第1部純愛篇/第2部激怒篇 (1959) Character: Shunran Yô
After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.
徳川家康 徳川家康 (1965) Character: 於大
In turbulent 16th-century Japan, the leaders of a minor fief have their child taken from them as a political hostage. His mother and his clan endure years of tribulations until he can return.
ゼロの焦点 ゼロの焦点 (1961) Character: Hisako Tanuma
One week into newlywed Teiko Uhara's marriage, her husband, Kenichi, leaves on a short business trip and never returns. Teiko travels across Japan to search for him, and along the way discovers some surprising facts about her husband's past. With only a pair of old photographs among his belongings to go off of, Teiko tries to figure out what has happened to him.
惜春鳥 惜春鳥 (1959) Character: Midori
Five longtime friends get back together, but are disappointed to find that their bonds are not as strong as they once were.
夜の鼓 夜の鼓 (1958) Character: Otane, Hikokurô's wife
Following a yearlong attendance upon his shogun in Edo, samurai Hikokuro makes a long-awaited return to his home and doting wife, Dane. Initially greeted by the effusive welcome of his family, spiteful whispers also reach his ear about an adulterous affair carried on, in his long absence, between his wife and a famous drummer. With Hikokuro’s honor imperiled by rumor, his family insists on a formal investigation into the veracity of the gossip. Through the combined testimony of many witnesses, a tale unwinds around the visits of a traveling musician hired to tutor the family heir, the spurned attentions of the man who started the rumor, and the ultimate truth behind the accusations. The conclusion of events prove as much an indictment of bushidō as it is of the reluctant parties involved. Adapted from a 1706 play by Chikamatsu Monzaemon and based on a true case.
葬式の名人 葬式の名人 (2019) Character: Mysterious Woman
Alumni of Ibaraki High School learn that one of their classmates is killed in an accident on the tenth anniversary of their graduation, necessitating an unexpected reunion and “on-campus funeral”. They spend a strange night together, during which the secrets of his life are revealed and they rededicate themselves to his memory, with a new outlook on life.
武士道残酷物語 武士道残酷物語 (1963) Character: Maki, Shuzo's wife
After a salary-man's fiancée attempts suicide, he recounts his gruesome family history which saw generations of his ancestors suffer and sacrifice themselves for the sake of their cruel lords.
生きてはみたけれど・小津安二郎伝 生きてはみたけれど・小津安二郎伝 (1983) Character: Self
An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..
お吟さま お吟さま (1962) Character: Gin Sama
A tea master and his daughter Ogin are both Christians in feudal Japan. Ogin falls in love with a married feudal prince who shares her faith. When the Shogun bans Christianity, the situation worsens.
ひまわり娘 ひまわり娘 (1953) Character: Setsuko Fujino
Young Setsuko Fujino begins a new job at Tokyo Chemical Company. She likes her boss, Ippei Hitachi, and enjoys serving him tea, despite the fact that her fellow workers think the women employees should not have to act in such a servile manner. When the women go on strike over the issue, Setsuko finds herself caught in the middle. When the heir to the company, Ryosuke Tanabe, proposes marriage to Setsuko, she is honored, but realizes that her real affection is for Hitachi.
大忠臣蔵 大忠臣蔵 (1957) Character: N/A
Chushingura has been made into a movie several times before, but this time it will be presented in a widescreen version with all natural colors and a new look. Written by Masato Ide and directed by Tatsuo Osone. This is a magnificent scroll of images that depicts on a grand scale the triumph of the Genroku era that shook the citizens of Edo, the peaceful capital of Japan. The top stars of the film, shinpa, shingeki, and kabuki worlds at the time of production were lavishly cast, and a huge budget was invested to create a large set for this highly acclaimed and moving epic.
結婚期 結婚期 (1954) Character: N/A
Urban love comedy in which Koji Tsuruta, who works for the Tokyo Metropolitan Government's Parks and Greenery Department, plays love shepherd to a number of women, including his true love, Inako Arima.
森と湖のまつり 森と湖のまつり (1958) Character: Tsuruko Sengi
A drama about relations between Japanese immigrants and the indigenous Ainu on Hokkaido, the most northerly island of Japan. From a novel by Taijun Takeda.
晩菊 晩菊 (1954) Character: Sachiko
What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved, and become a wealthy money-lender, spending her days coldly collecting debts. Even her best friends, fellow Geisha Tomi, Nobu, and Tamae, are now indebted to her. For all of them, the glamour of their young lives has passed; Tomi and Tamae have disappointing children. Kin has two former lovers who still pursue her; one she wants to see, and the other she doesn't. But even the one she remembers fondly, when he shows up, proves less than satisfactory.
風花 風花 (1959) Character: Sachiko Inui
After surviving the double suicide pact she made with her lover, a woman gives birth to their child.
東京暮色 東京暮色 (1957) Character: Akiko Sugiyama
Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.



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