Excelentíssimos (2018)
Character: Himself
During 2016, a film crew embeds inside the Brazilian Congress while lawmakers plot to overthrow the country's elected president, Dilma Rousseff.
A Culpa Não é Nossa (2021)
Character: Himself
The Brazilian constitutional rupture is recurrent and lurking. In this documentary-essay, the Tupiniquim coup framework is revealed.
Democracia em Vertigem (2019)
Character: Self
A cautionary tale for these times of democracy in crisis—the personal and political fuse to explore one of the most dramatic periods in Brazilian history. With unprecedented access to Presidents Dilma Rousseff and Lula da Silva, we witness their rise and fall and the tragically polarized nation that remains.
O Processo (2018)
Character: Self
The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.
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