José Otal

Personal Info

Known For

Acting

Known Credits

0.0805

Gender

N/A

Birthday

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Age

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Place of Birth

NO INFO PROVIDED

Also Known As
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José Otal

Biography

NO BIOGRAPHY AVAILABLE


Credits

Fortín alto Fortín alto (1941) Character: N/A
Set in 1874, the son of a mitrista accompanies a herd of cattle whose sale will allow to buy weapons.
Poncho blanco Poncho blanco (1936) Character: N/A
A teacher who has secluded herself in a small town is harassed by a commissioner.
¡Segundos Afuera! ¡Segundos Afuera! (1937) Character: N/A
An office worker must replace a twin brother who is a boxer.
Los caballeros de cemento Los caballeros de cemento (1933) Character: N/A
A group of homeless people pose as millionaires and occupy a luxurious house.
Cita en la Frontera Cita en la Frontera (1940) Character: N/A
Two middle-aged brothers fall in love with a tango singer they have met in a gambling hall, after she is stranded in their border mining town, causing them to turn against each other.
¡Gaucho! ¡Gaucho! (1942) Character: N/A
A gaucho flees from justice for murdering a man with whom his girlfriend was betraying him. He settles in a place where he falls in love with a woman, also desired by the local commissioner.
Huella Huella (1940) Character: N/A
In 1840, a caravan of carts headed from Buenos Aires to Córdoba carrying merchandise, ammunition and prisoners, against the background of the struggles between the Unitarians and the Federalists.
El conventillo de la paloma El conventillo de la paloma (1936) Character: N/A
The romance between Paloma, the daughter of the owner of La Paloma tenement, and the handsome Villa Crespo.
Boina blanca Boina blanca (1941) Character: N/A
The film narrates events of the Revolution of the Park, carried out by radical sympathizers on July 26, 1890. There is a secondary plot with the romance of a girl who, despite being in love with her father's godson, must contract a marriage with a banker that fails.
Confesión Confesión (1940) Character: Maldonado
Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.
Hogar, dulce hogar Hogar, dulce hogar (1941) Character: Juan Esteban
A capricious lady resigns herself to work as the host of a female radio program where she sings jingles and gives advice on cooking and gardening, putting aside her love of police novels, but she will find herself involved in a murder.
El matrero El matrero (1939) Character: N/A
A gaucho unjustly accused of murder becomes a dangerous nomad.
Una mujer de la calle Una mujer de la calle (1939) Character: N/A
This is the story of a woman who returns to her neighborhood after a long absence and leaving behind dubious company. Her arrival causes misfortunes and revives dark forgotten feelings.



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