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Hay que bañar al nene (1958)
Character: N/A
A married couple with three daughters abandons the idea of divorce when a supposed son of the husband appears.
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La patrulla chiflada (1952)
Character: N/A
As stowaways, the "Big Five of Good Humor" arrive in Casablanca. There they will launch themselves in defense of four girls kidnapped by a man, about to be sold to the harem of an Arab sheikh.
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La doctora quiere tangos (1949)
Character: Rosita
Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.
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Vidalita (1949)
Character: N/A
In 1830, a young orphan lady poses as a man in order to meet the expectations of her uncle.
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La patota (1960)
Character: Profesora
A philosophy teacher is raped by her night school students.
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Primero yo (1963)
Character: N/A
A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake.
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El hombre señalado (1957)
Character: N/A
This relentlessly realistic Argentine production was released in the U.S. as The Marked Man. The title character is a poverty-stricken janitor who suddenly wins an enormous sum in the National lottery. Spending money before he actually collects it, the janitor is appalled to discover that his wife has inadvertently sold the winning ticket to a door-to-door peddler. The ticket was hidden in the band of an old straw hat, which passes through several hands as the janitor frantically searches for the precious headgear. What might have been handled as a farce by another director is transformed into a stark, utterly credible urban tragedy by director Francis Laurie.
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Un viaje al más allá (1964)
Character: N/A
A young woman from Lima, tormented by the dream of a previous life, repeats it again when she meets a man.
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El seductor (1950)
Character: Elena
A train stops for a break in the station of a small town. That random moment allows the railway chief to fall in love with a beautiful passenger, who ends up wrapping him in a complex police plot.
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Filomena Marturano (1950)
Character: N/A
Filomena, a former prostitute in her 40s, tricks a wealthy shopkeeper to marry her and support her three children.
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Cuando besa mi marido (1950)
Character: N/A
A high society woman discovers a fiery romantic letter in a raincoat pocket seemingly written by a rumba dancer to the woman’s doctor husband. He tries to cover by saying that the letter is addressed to a more conservative friend of his, leading to rumours of his friend’s (supposed) incredible passion becoming intriguing to the local women, even the Doctor’s own jealous wife.
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En cuerpo y alma (1953)
Character: N/A
Two boys who love basketball come into the confrontation, already big, for the love of a woman.
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