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Así es la vida (1977)
Character: Ernesto Salazar
Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.
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Capitán Veneno (1943)
Character: N/A
A widow who lives with her two daughters, takes care of an officer who hates women. They will change him.
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¡Olé torero! (1949)
Character: Manuel
Manuel is a friendly taxi driver in Buenos Aires that helps its beginnings to a famous Spanish bullfighter dubbed "The Carthusian". He travels to Spain to marry a young Sevillian, rich and beautiful, and Manuel accompanies him on the trip, as administrator. During the voyage dies "The Carthusian" afflicted with a terrible disease, and before dying makes him promise to his friend Manuel to comfort Soledad, his fiancee. But to get to Seville is confused with the bullfighter.
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Cuando los hombres hablan de mujeres (1967)
Character: N/A
Three stories told in a Turkish bathhouse: two braggarts are mocked by a starlet; two Boca Juniors fans and love-hate for two River Plate fan girls; a man, father of 8 daughters, seeks the boy despite his wife.
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Chingolo (1940)
Character: Chingolo
A vagabond saves the child of a rich family. They adopt him and try to impose to him their values and protocols.
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Mi esqueleto (1959)
Character: Natalio Santos
Believing that he is about to die, a man sells his skeleton for science.
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Fantoche (1957)
Character: Jacinto
An ex-crack who lives off the memory of a goal that he scored against the Uruguayans lives in Montevideo an adventure with a young millionaire.
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Loco lindo (1936)
Character: Miguelito Andrade
A warehouse employee travels to Buenos Aires with the purpose of rescuing the young woman he is in love with from a gang of criminals.
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Payaso (1952)
Character: N/A
A professional clown takes advantage of another clown, who is simple and naif, to take over his place and conquer the heart of a young lady.
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Un tipo de sangre (1960)
Character: N/A
A man whose blood type is hard to obtain gets possession of a coat where pickpocketers hide their stolen goods.
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El hijo de papá (1933)
Character: N/A
Film directed and scripted by John Dalton at the beginning of his stay in Argentina. Alton decided to make an independent project under the name of Alton Films, and summoned Luis Sandrini to star it. The result was catastrophic and all copies of the film were destroyed, therefore it is considered to be totally lost.
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Cómo se hace una película argentina (1948)
Character: N/A
Institutional short film planned and directed by Arturo S. Mom for the First Argentine Film Festival in Mar del Plata. The film shows the technical process by which an Argentine film is produced and emphasizes the professionalism and power of the national film industry. In this way, the story explains in a pedagogical way what is a script, a frame, a camera, a set sketch and a projected background, among others, and how a scene and the soundtrack of a film are recorded.
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El canto cuenta su historia (1976)
Character: Self
A parade of musical paintings that includes fragments of Argentine films and a Proartel television program that Channel 13 broadcast in 1965.
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El castillo de los monstruos (1964)
Character: El Profesor
A professor stays in a mysterious castle where all kinds of strange beings live, such as the Wolf Man, the Rubber Boy, the Legless Man, the Living Torso, among others.
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La valija (1971)
Character: Osvaldo Oliva
The story of a middle-class married couple who really loves each other, but who are unable to transmit their feelings, while the routine corrodes their relationship.
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Peluquería de señoras (1941)
Character: Nicéforo Mistón / Tom Mix
A neighborhood hairdresser suddenly becomes a boxing champion and abandons his girlfriend to get engaged to a star.
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Kuma-Ching (1969)
Character: Cacho Spumarella
A bellicose Eastern power organizes a complicated plan to obtain the services of Professor Diego de Alcántara, a Spanish atomic scientist and father of Lola, a famous singer.
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¡Al diablo con este cura! (1967)
Character: Padre Francisco Lambertini
Quirky but lovable priest is transferred to a new parish, and discovers that his flock all need stern talkings-to.
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Los dos rivales (1944)
Character: Oscar Gorosito
Two reporters from rival newspapers compete to win over women and investigate a gang of criminals.
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El Profesor Hippie (1969)
Character: Profesor Héctor 'Tito' Montesano
Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.
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Frutilla (1980)
Character: Él mismo
A girl arrives in Buenos Aires from Catamarca and fulfills her dream of being an actress.
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La danza de la fortuna (1944)
Character: N/A
A millionaire woman marries her young butler in articulo mortis and he wastes the whole fortune but she ends up recovering. The marriage will experience certain vicissitudes until they reach their dance of fortune.
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El hombre virgen (1956)
Character: Pío
A man tries to cheat on his wife, but even though he stops earlier, everyone believes that he was unfaithful.
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Riachuelo (1934)
Character: N/A
A thief ends up in the Riachuelo zone and after a revealing event, he stops stealing and starts working.
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Amor último modelo (1942)
Character: N/A
The daughter of a fashion house owner falls in love with the designer of a competitor business.
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La suerte llama tres veces (1943)
Character: N/A
When a man agrees to join a gang of criminals, his life becomes a complicated labyrinth that he will have to leave in order to be saved.
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El diablo andaba en los choclos (1946)
Character: Filoteo "Filo" Tortosa
Country boy moves to Buenos Aires, falls upward into a prestigious career. Meanwhile two idle-class playboys are running practical jokes on him that interfere with his personal life.
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El cañonero de Giles (1937)
Character: Lorenzo
A town football player becomes a figure for his strange gift of gaining strength by listening to the barking of a dog.
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Yo tengo fe (1974)
Character: N/A
Palito Ortega recreates his own biography in this film. The most significant events in the singer's life and his personal struggle to achieve success are portrayed through the story of Martín Ríos. A humble boy from the countryside, born into a poor and large family in Tucumán, travels to the capital with the intention of becoming the most popular singer of his time. Despite adversity, Martín will not be deterred in his struggle to achieve success and love.
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Los Tres Berretines (1933)
Character: Eusebio
The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.
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Me casé con una estrella (1951)
Character: N/A
A humble boy who works in a theater company must become the husband of an actress so that she can get her son back.
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La cigarra no es un bicho (1963)
Character: Serafín Maffei, el taxista
The vicissitudes of six different couples who arrive at a hostel in Buenos Aires called La Cigarra and are quarantined because of a supposed bubonic plague, causing all kinds of inconveniences and entanglements as a result of this forced coexistence.
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Juan Globo (1949)
Character: N/A
A humble boy can not be a sailor as he wishes, for lack of documents, and works as a driver for an old woman.
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En mi casa mando yo (1968)
Character: Esteban Rossi
Tormented by the messy and frivolous life of his family, a father is forced to move away from home.
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Chafalonias (1960)
Character: Ángel Fossatti
After his wife's death, widower begins to learn details about a double life she led.
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Argentinísima II (1973)
Character: Self
Argentinísima II is a film filmed in Argentine colors directed by Fernando Ayala and Héctor Olivera according to their own script that premiered on June 21, 1973 and whose main actors were Ginamaría Hidalgo, Eduardo Falú, Jaime Dávalos and Raúl Barboza. The continuation was planned for 1974 as Argentinísima III with a plot by Jaime Dávalos, but since problems with the title and intellectual property could not be overcome, it was not made.
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Don Juan Tenorio (1949)
Character: Don Juan Retama
A retired actor decides to donate his savings to his nephew and move to an old house, there he meets an old love.
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La casa grande (1953)
Character: Pascual Vascolini
A man and his con man brother, who adores his mother, has a dream of seeing the family reunited.
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Bartolo tenía una flauta (1939)
Character: N/A
A capricious rich woman has fun while humiliating a poor musician, who becomes famous thanks to his compositions, and in an accusation of plagiarism he manages to ridicule the her.
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La culpa la tuvo el otro (1950)
Character: Víctor Valdez / Sincerato Cuesta / tía de Víctor Valdez
The adventures of a movie stuntman when the actor he was supposed to replace is murdered.
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El canillita y la dama (1936)
Character: N/A
A street newspaper vendor pretends to be the son of a rich man and falls in love with his supposed sister.
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Bicho raro (1965)
Character: N/A
The brother-in-law of a provincial teacher tries to take away the land on which he had built a school.
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¡Secuestro sensacional! (1942)
Character: Juan Martínez
After a 14 years old girl runs away from home, her family believes she's been kidnapped and a young man with good intentions is accused.
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El Profesor Tirabombas (1972)
Character: Profesor Horacio 'Tito' Montesano
The students of a school create a big mess for their favorite teacher to return to school.
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El ladrón (1947)
Character: Plácido López
Bank employee is tempted to make use of banknotes scheduled for destruction.
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Cuando los duendes cazan perdices (1955)
Character: Eulogio Soto
Eulogio Soto lives with his mother. To please her, he tries to locate her brother because she will have to undergo a delicate eye operation and he fears that he will never be able to see her face again. The youngest son, who does not know who his real family is, lives in a luxurious mansion. In the search for his lost brother, Eulogio will be "found" by a woman who, like a goblin, makes life impossible for him to help him by all means.
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El seductor (1950)
Character: Mínimo / Miguel
A train stops for a break in the station of a small town. That random moment allows the railway chief to fall in love with a beautiful passenger, who ends up wrapping him in a complex police plot.
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¡Tango! (1933)
Character: Berretín
¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.
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El Profesor Patagónico (1970)
Character: Profesor Héctor 'Tito' Montesano
After filming the hippie professor Luis Sandrini filmed this sequel to the above, following the sanctions imposed on it by Professor Horacio Montesano, sending him to Patagonia to a secondary school. Among the supporting cast is the famous singer Piero (he even play many of their good songs).
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¡Qué linda es mi familia! (1980)
Character: Viejo
A rebel son decides not to follow in his father's footsteps in order to follow his own dreams of fame and popularity.
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La muchachada de a bordo (1936)
Character: Juan Roquete
A boy who is doing compulsory military service in the navy has a confrontation with a superior over the love of a woman.
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Mi amigo Luis (1972)
Character: N/A
The story is based on the cadets of the Military College and their relationship with an older officer (1st Lieutenant) whom they see as a father.
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El más infeliz del pueblo (1941)
Character: Pantaleón Cordero Manso
A shy man marries the daughter of a local warlord, works as a municipal chief of staff, witnesses numerous injustices and rebels himself.
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La fiesta de todos (1979)
Character: N/A
Documentary about Argentina's victory in the 1978 FIFA World Cup, held in that country during its last dictatorship.
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La casa de los millones (1942)
Character: Fortunato Rico
A capricious "new rich" makes her employees suffer with her moods, until she hires a poor servant that can make her open up.
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Palabra de honor (1939)
Character: Pitango
To save the daughter of a condemned man, an ice cream man pawns his word of honor.
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Hoy le toca a mi mujer (1973)
Character: N/A
In the wake of the husband's infidelity, a mature marriage faces separation. But his daughter, in complicity with the boyfriend and the father, hatch a plan to make friends with them.
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