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Contos da Morte (2016)
Character: N/A
Tales of Death is a project that has united 12 directors of Independent Cinema from various parts of Brazil, in the challenge of creating short films of the most varied genres and styles, where death is the main theme.
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De Gravata e Unha Vermelha (2014)
Character: Himself
Several characters realize their personal way to build their own identity from the choice of genre. Transsexual, transgender, crossdressing – the defining of terminologies different ways of looking at yourself are constantly rising, portraying a universe of possibilities, expanding the boundaries of the possible and permitted.
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Sem Vergonha (2024)
Character: N/A
Since her historic participation in the International Song Festival in 1972, in a performance that would earn her the Honorable Mention award, Maria Alcina has become one of the most beloved figures in Brazilian music.
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Navalha na Carne (1997)
Character: N/A
The story of three characters in a brothel room: the prostitute Neusa Sueli, the gigolo Vado and the homosexual Veludo speak of their lives and expose their marginality.
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Abrindo o Armário (2018)
Character: N/A
Abrindo o Armário dives into the process of liberation and conquests of the gay movement in Brazil. Through interviews, archival images and artistic performances, the film shows how homosexuals from different generations faced resistance, conquered spaces and fought for the right to construct a political, social and collective identity.
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Dzi Croquettes (2009)
Character: Self
A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.
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Perigo Negro (1992)
Character: Cabeleireiro
Loosely based on an Oswald de Andrade screenplay, "Perigo Negro" is a segment of anthology film "Oswaldianas" which deals with a uprising soccer player who has his career spoiled by a unscrupulous gambler
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Hopekillers (2019)
Character: Mikha'el
Vampires rule the world for thousand years disguised as wealthy humans, while humanity has been relegated to middle-class, poor and miserable. Hopekillers use the suffering within the human blood to process their technology.
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Betão Ronca Ferro (1970)
Character: N/A
Betão is a countryman who works in a circus, selling peanuts. His daughter also works there, and becomes the circus's greatest attraction. But she decides to marry a rich man, and another circus comes to town, putting his employment in danger.
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