Ozračeni (1976)
Character: Boutin
After a 1958 accident at the Vinca nuclear institute, six workers are irradiated and wind up becoming the first receivers of a bone marrow transplant in the world.
Stardom (2000)
Character: French Intellectual #5
A young girl is plucked from small-town obscurity and thrust into the spotlight of the glamorous world of super-models.
Charles et Lucie (1979)
Character: Un inspecteur
An old and poor couple, Charles and Lucie, scrape by working as a concierge and an untalented antique dealer, respectively. But one day, their dreary daily routine is disrupted by the surprising news that they have inherited a luxurious house in the South of France.
La vie est un roman (1983)
Character: N/A
In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.
Adolphe (2002)
Character: Le valet de chambre
Twenty-year old Adolphe finds himself drawn irresistibly to Ellénore, a married woman who is ten years his senior. Although she initially repels her young suitor’s unwanted advances, Ellénore soon yields to his charms and the two embark on a passionate love affair.
Le Dernier Été (1997)
Character: N/A
The story of Georges Mandel, an anti-Nazi French parliamentarian who refused to abdicate to the Vichy regime.
Guerres civiles en France (1978)
Character: Zouave (segment "La semaine sanglante")
Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.
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