Paco Martínez Soria

Personal Info

Known For

Acting

Known Credits

0.6386

Gender

Male

Birthday

18-Dec-1902

Age

(124 years old)

Place of Birth

Tarazona, Zaragoza, Aragón, Spain

Also Known As
  • Paco Martinez Soria

Paco Martínez Soria

Biography

Although he was born in Tarazona, he was only five when his family moved to Barcelona, where he went to school. He worked as a clerk and then as a salesperson. At the same time he participated in performances of local theatre groups in Gràcia. During the Spanish Civil War he left his work and focused on theatre as an amateur actor. In 1938 he debuted in Teatro Fontalba with the theatre company of Rafael López Somoza with the work Antonio pasó el infierno (Antonio goes to hell). Two years later he founded his own theatre company with which he worked during the 1940s from Teatro Urquinaona and in the 1950s from Talía theatre. In 1934 he collaborated as an extra in the black and white comedy Sereno with director Ignacio F. Iquino. He continued working with Iquino in eleven more films. He got his first leading role in 1938 in the comedy Paquete, el fotógrafo público número uno (Paquete, the number one public photographer). He continued playing supporting roles in many films until 1944 when he returned to theatre as an actor and entrepreneur. His name achieved some fame between 1942 and 1944, when he was named director and first actor in the theatre company of Teatro de la Zarzuela. He returned to cinema in the rolesstudd in 1950s. In 1965 he was very successful with the film La ciudad no es para mí (The city is not for me) directed by Pedro Lazaga. From that moment on, his screen character as an affectionate country bumpkin did not cease to appear in films until his death with his friend Pedro Lazaga.


Credits

La montaña sin ley La montaña sin ley (1953) Character: Tío Pistola
Spanish Zorro adaptation
El difunto es un vivo El difunto es un vivo (1941) Character: Luquitas - El amigo
An animals' collectionist is despised by his wife so that he decide to comeet suicide, but the notice about the death of his brother, a pianist who lives abroad makes him change his mind. He makes his family think that he has commited suicide and some days after announce the arrival of his brother and he impersonate him. His wife recibes him with an affection that he was unaware to.
El hombre de los muñecos El hombre de los muñecos (1943) Character: Don Eduardo
A son of the Marquise of Seven Almenas is robbed by a crook and deposited in Melchor's house, who sells dolls in the street. The administrator of the Marquise discover the whereabouts of the child and goes to pick him up, but Melchior gives him one of his children, thinking that will ensure the future. Over the years, Melchior, widower, enters as a steward in the house of the marquise where the alleged 'marquis' live splendidly.
Fantasía española Fantasía española (1953) Character: Sueve
Two adventurers without economic resources create an amateur theater company and want to succeed, posing as aristocrats. The project aims to fill the theater with their performances and, thus, to satisfy their debts.
La danza del corazón La danza del corazón (1952) Character: Jaime Miravall
On her journey to a provincial capital, Elena falls for the director of the Company of Zarzuela and leaves with him, despite opposition from his father. But the guilt of having abandoned him pursues her constantly to the point to shake their relationship.
Almas en peligro Almas en peligro (1952) Character: Borracho
Two boys are sent to reform school under the guidance of Father Fernando, a young and dedicated priest.
El abuelo tiene un plan El abuelo tiene un plan (1973) Character: Leandro Cano
Leandro Cano, grandfather of many grandchildren, coincides in the clinic of Dr. Bolt with Elena, a lady already advanced in years. The doctor makes every effort to make them meet, and thus overcome their feelings of loneliness.
El difunto es un vivo El difunto es un vivo (1956) Character: Rosendo Prado / Fulgencio Prado / Padre / Madre
Rosendo has an annoying habit: trying to fix everything that breaks at home. Suffering continues scorns from his wife and his horrible mother, decides to appear dead and then come back as his twin brother and thus win back the love of his family with the help of his friend Luquitas.
Don erre que erre Don erre que erre (1970) Character: Don Rodrigo Quesada
Don Rodrigo goes to the bank and when he is going to take his money there is a robbery. Then the bank refuses to give him his money back (257 pesetas, a small amount of money) with the argument that the money was robbed to him, not to the bank. He will fight against the bank till the last consequences.
¡Se armó el belén! ¡Se armó el belén! (1969) Character: Don Mariano
An old priest, who has old ideas, is intended to exercise the apostolate in a neighborhood in the suburbs of Madrid. There the revolutionary climate and anti-religious character of the congregation thwarts all his attempts to attract them. The Archbishop admonishes him and asks to renew his methods, using the example of a young priest of a modern parish. The old priest tries to apply in his environment what he has seen in the parish model, setting off a chain of events.
Es peligroso casarse a los 60 Es peligroso casarse a los 60 (1981) Character: Mariano
A confirmed bachelor, over his sixties, is finally decided to marry, with the primary objective of having a son to inherit his business of coaches for tourists. Held the wedding, descendants don't arrive, but what comes into the house of the protagonist is an 18-year-old daughter of a distant childhood sweetheart willing to impose other points of view about everything.
La tía de Carlos La tía de Carlos (1982) Character: Fermín Recuero/Falsa tía de Carlos
The father of his girlfriend does not want her to spend a few days with Carlos, so he needs a companion. Therefore, he asks a friend to pretend to be his aunt. This will create endless trouble and confusion, especially when the real aunt of Charles arrives.
El calzonazos El calzonazos (1974) Character: Juan
Don Juan Alcántara is ruined. He does not dare to confess it to the family, since the unanimous opinion of those who know him is that he is a weakling. His lack of character is remedied by his doctor - pretend that he is suffering from schizophrenia.
¡Vaya par de gemelos! ¡Vaya par de gemelos! (1978) Character: Lucas / Pedro / Tío Lucas
Pedro and Lucas are two twin brothers, residents of Tarazona, whom fortune smiles very differently. Luke is married to the owner of a modest supermarket and works as dependent, porter and whatever is needed ... Moreover, unlike his brother, he has never left the village. Instead, Pedro is married to the richest chocolate maker in the place, lives like a king and often travels to Madrid. But to justify his travels he has invented an illegitimate son who lives there studying architecture and that his wife wants to protect, giving him all the money he needs. The plan goes perfect until love complicates things.
Abuelo made in Spain Abuelo made in Spain (1969) Character: Marcelino
A widow shepherd who lives at the Aragonese Pyrenees sees how his three young daughters, Cándida, Visi, and Nieves, go to Madrid to find a better life and leave him alone. There they all get married, have sons and forget their father. One day, Marcelino receives a letter from Cándida, who wants him to stay with her family for some time. What she really wants is some help from her father, as she's not able to take care of her ten daughters and her upcoming child. Marcelino goes to Madrid, but, once there, he only finds an unknown, frantic and hostile world, and also three unhappy daughters...
El precio de la risa El precio de la risa (2017) Character: Himself (archive footage)
The life of Paco Martínez Soria (1902-1982), one of the most famous and beloved Spanish actors, both on stage and screen; a comedian, a theatrical producer, an idol for the masses. A celebration of the uncommon gift of making people laugh.
El turismo es un gran invento El turismo es un gran invento (1968) Character: Benito Requejo
After a vacation to a seaside resort, a Spanish mayor attempts to modify his small rural town for tourists in an attempt to make money.
Hay que educar a papá Hay que educar a papá (1971) Character: Severiano Paredes
A young woman who wants to marry an earl's son wants to refine the habits of their parents, people from a village that has been enriched in the overnight by selling their land.
Boda accidentada Boda accidentada (1943) Character: Profesor
Kitty, niece of a Marchioness, is betrothed to Don Candido, a wealthy manufacturer of preserves. Nico, an old friend of Candide who is completely ruined, arrives to the fashion hotel in which both are. Nico falls in love with Kitty, but, unlike the other men who court her, treats her with indifference. The girl, wounded in his pride, it is interested to Nico. Just before the wedding, Don Candido leaves claimed by its industrial businesses, and instructs his friend to take care of his bride. Nico and Kitty end up falling in love. Don Candido back the same day fixed for the wedding.
El alegre divorciado El alegre divorciado (1976) Character: Ramón Pozuelo
Ramón y Socorro, a 50-year-old couple, owners of a tavern, embarks on a long trip to Mexico to attend the wedding of their son, Carlos, with Gloria, the daughter of an important Mexican businessman. Upon arriving in Mexico, Ramón discovers that in this country there is a divorce. Fed up with his wife, he decides to divorce without taking into account that he will soon pay the consequences of this act.
Estoy hecho un chaval Estoy hecho un chaval (1977) Character: Juan Esteban
Juan, a 65-year-old accountant, is going to be a father. At the same time, he's going to retire. Needing extra money, he tries all kinds of jobs, with no success. But his wife saves the day, with her embroidery which sells well in Germany.
El padre de la criatura El padre de la criatura (1972) Character: Eduardo Contreras
Eduardo and Antonia are a mature couple excited about their daughter expecting their first grandchild. But life will change completely when some laboratory tests confirm that it is Antonia who is pregnant and not her daughter. This unexpected situation strongly influences the character of Eduardo, who begins to live what he calls a "second youth".
Un enredo de familia Un enredo de familia (1943) Character: Samuel
Two families that hate each other coudn't hinder the marriage of their firstborns. From this relationship born two pair of twins. Unfortunately their parents die and each family take in one pair of twins. Time pass trough, the twins find each other and many questions need to be solved.
¿Qué hacemos con los hijos? ¿Qué hacemos con los hijos? (1967) Character: Antonio Martínez
The driver Antonio, boasts of his sons: John, who shares his work as a taxi driver, Luisa, ladies hairdresser, Antonito, studying to be a lawyer, and Paloma, to be a housewife. But Antonio does not know that their children are not exactly as he thinks. The day Antonio finds out, confronts his wife and children and suffers a big disappointment. Since then no one in the family speaks to Antonio, and he believes that it is best to let them see for themselves that they made a mistake, but this does not result, since each will see their problems increased.
La ciudad no es para mí La ciudad no es para mí (1966) Character: Agustín Valverde
Agustin, a widower who lives in a village in Aragon, where he is much loved by all neighbors, is lonely and decides to go to the big city, where his son, a famous doctor, lives with his wife and daughter. Agustineis received by his children with great coolness, as he does not fit in the environment in which they operate. The life of his son, his daughter-in-law, and even the maid is too sad for this simple town man.
Deliciosamente tontos Deliciosamente tontos (1943) Character: N/A
A young couple who doesn´t know each other prepare their wedding in order to receive an inheritance. As time pass through their life together makes true love appear.



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