|
|
|
Le Partant (1969)
Character: N/A
In the Saint-Lazare metro and station, a young man dreams of getting away from the dullness and everyday life. Colored snapshots of postcards, metro stations or signs, symbolizing distant destinations, mingle with black and white images of reality in a sort of invitation to travel.
|
|
|
|
|
Pop Age (1966)
Character: Self
Report on the young people of the yéyé period and pop music. Jerk at the Palladium, Beatles, press clippings, questions about the impact of fashion (long hair and accoutrements) and modernity, youth, change, freedom.
|
|
|
|
|
Lettre à mon frère Guy Gilles, cinéaste trop tôt disparu (1999)
Character: Self
Posthumous tribute paid by actor Luc Bernard to his older brother, director Guy Gilles ( 1938 - 1996 ). Documentary composed of interviews with some of his brother's friends and some actors from his main films, excerpts of which we see.
|
|
|
Midi minuit (1970)
Character: Walerian Kostrowitzki
A woman marries into a family of insane psychopaths in this bizarre French horror film with strong sadomasochistic overtones.
|
|
|
Chanson de gestes (1966)
Character: N/A
Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.
|
|
|
Quatre nuits d'un rêveur (1971)
Character: Gangster
Jacques, a young man with artistic aspirations, spends four nights wandering Paris with a young woman, whom he rescued from suicide.
|
|
|
Le Clair de terre (1970)
Character: Pierre Brumeu
The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.
|
|
|
Le Jardin qui bascule (1975)
Character: Karl
Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover ...
|
|
|
Le Crime d'amour (1982)
Character: N/A
To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.
|
|
|
Proust, l'art et la douleur (1971)
Character: Self
From Venice to Illiers, a journey into the memory of Proust. Freely intersperses documentary language with fiction, embodied in the figure of a visitor in search of the places and faces that Proust loved, from the Illiers-Combray of his childhood to the longed-for Venice that he never got to know.
|
|
|
L'Amour à la mer (1966)
Character: N/A
During her holiday in Brest, a young Parisian falls in love with a sailor. But autumn comes and the two lovers have to part. They write to each other. Will their love resist at a distance, each living his life, him in Brest with his friends, she in Paris who keeps waiting for him? An impossible love story and the cross-portrait of two cities, Paris and Brest, between the realism of the color images and the poetry infused by the sepia black and white images, lives to the rhythm of the nostalgia of the two lovers...
|
|
|
Au pan coupé (1968)
Character: Jean Doit
Jeanne looks back on her love for Jean. The melancholic young man wouldn't accept the world as it was, always wishing to depart. She doesn't know that he's dead.
|
|
|
Nuit docile (1987)
Character: Jean
Jean is a successful painter who leaves his mistress, though he stops intermittently to phone her with explanations. Sometimes she is responsive but other times hangs up on him. Meanwhile, a 16-year-old male prostitute with whom Jean had a brief homosexual affair stalks the painter.
|
|
|
Absences répétées (1972)
Character: Guy
François Naulet turns his bedroom into an island of drugs, loneliness and despair.
|
|
