Elchin Azizov

Personal Info

Known For

Acting

Known Credits

1.1389

Gender

Male

Birthday

13-Aug-1975

Age

(51 years old)

Place of Birth

Baku, Azerbaijan SSR, USSR

Also Known As
  • «Parni iz Baku»
  • Эльчин Азизов
  • Elçin Əzizov
  • Elçin Yaşar oğlu Əzizov
  • «Парни из Баку»

Elchin Azizov

Biography

Elchin Azizov (Azerbaijani: Elçin Əzizov, Elchin Yashar ogly Azizov) is an Azerbaijani opera baritone, From 1992 to 2001, he was a member of the Parni iz Baku team of the Russian TV show KVN. Since 2008, he has been a soloist at the Bolshoi Theater in Moscow. Azizov was born in 1975, in Baku. He studied at the Azerbaijan State University of Culture and Arts and obtained his diploma as movie stage director. He continued his studies at the opera studio at the Baku Music Academy (with Azad Aliyev, conductor), and at the Mozarteum University in Salzburg (with Richard Miller and Alessandro Misciasci). There after he was a member of Galina Vishnevskaya's Opera Centre in Moscow, with Badri Maisuradze. Since 2008, Azizov has been a soloist at the Bolshoi Theater in Moscow. In 2015, Azizov is expected to make his debut at both Metropolitan Opera in New York City as Ibn-Hakia in Tchaikovsky's Iolanta and Opéra de Montréal as Nabucco in Verdi's Nabucco.


Credits

Царская невеста Царская невеста (2018) Character: N/A
The Tsar's Bride - an opera in four acts by Nikolai Rimsky-Korsakov based on the drama by Lev Mey. This is a play about love - passionate, hot, searing and even burning everything around him. About the Russian soul, in the depths of which will always be a place for cleanliness, poetry, sacrifice and charity. At the same time, it is a play about the terrible years in the history of Russia, when the government was in a complete chaos, and the man became a helpless toy in its hands.
Кавказ Кавказ (2007) Character: Head of the Shipping Company
War breaks out in the Caucasus. 75-year-old Maria loses her son in the war. She and her daughter-in-law Sofia have been living in the Caucasus for 12 years. When famine strikes, they want to move to Russia. The women decide that they must go to Moscow. Maria takes her little dog and Sofia her small suitcase, gets on the train and sets off. In the next compartment, photojournalist Alexander is also traveling. Sofia and Alexander love each other. Maria realizes at one of the stations near Volgograd that she cannot live without the Caucasus. She writes a letter to Sofia and leaves the train with her dog...
Попугай Club Попугай Club (2014) Character: N/A
A story about modern Moscow with familiar streets, places and characters. The main characters will check the entire set of stereotypes about metropolitan life for authenticity, as well as make a lot of discoveries.
Однажды на Кавказе Однажды на Кавказе (2007) Character: Policeman
Kazbek Daglarov is the director of the boarding house "Lastochka". Yaramazov is busy drilling his well, and the minister is passing on unnecessary information about him to Fatima Khanum. Finally, Fatima Khanum sets a condition for Kazbek. If the girls' track and field team from Krasnodar come to stay at the boarding house, she will fire Kazbek. Kazbek, who is in such a difficult situation, calls on his friends for help. And Kazbek's loyal friends save him from this predicament.
Иоланта/Замок герцога «Синяя борода» Иоланта/Замок герцога «Синяя борода» (2015) Character: Ibn-Hakia
Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.
The Metropolitan Opera: Samson et Dalila The Metropolitan Opera: Samson et Dalila (2018) Character: Abimélech
A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.



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