Francesca Comencini

Personal Info

Known For

Directing

Known Credits

0.2993

Gender

Female

Birthday

19-Aug-1961

Age

(65 years old)

Place of Birth

Roma, Italy

Also Known As
  • NO INFO PROVIDED

Francesca Comencini

Biography

Born in Rome in 1961, she is a director and screenwriter who studied philosophy at La Sapienza University before interrupting her studies to move to Paris, where she lived for eighteen years and where her three children were born. Her debut film, Pianoforte (1984), won the De Sica Award at the Venice International Film Festival. Since then, she has worked tirelessly across documentary and fiction, tackling themes that continually question reality and its conflicts, including Carlo Giuliani, Boy (2002), I Like to Work (Mobbing) (2004), In fabbrica (2007), and The White Space (2009). In the following years, he directed several episodes of TV series such as Gomorrah and Django. In 2024, he released The Time It Takes, an autobiographical film dedicated to his father, Luigi Comencini, which premiered at the Venice Film Festival and won the Nastri d’Argento awards for Best Film and Best Screenplay.


Credits

Filmer le désir - Voyage à travers le cinéma de femmes Filmer le désir - Voyage à travers le cinéma de femmes (2000) Character: Self
The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.
Les Français vus par Les Français vus par (1988) Character: Self (Segment "Pèlerinage à Agen")
In 1988, Figaro magazine asked a few famous directors to direct a series of short movies to celebrate the 10 years of the revue. The movies have been released for the French revolution bicentenary. Includes: Werner Herzog's Les Gaulois, David Lynch's The Cowboy and the Frenchman, Andrzej Wajda's Proust contre la déchéance, Luigi Comencini's Pèlerinage à Agen, Jean-Luc Godard's Le dernier mot.
Di me cosa ne sai - Inchiesta su un grande mistero italiano Di me cosa ne sai - Inchiesta su un grande mistero italiano (2009) Character: Self
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
Cinecittà, de Mussolini à la Dolce Vita Cinecittà, de Mussolini à la Dolce Vita (2021) Character: Self
Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.
Registe Registe (2014) Character: Francesca Comencini
Registe, talking on a blade is an Italian documentary about the Italian Cinema signed by women and about the pioneer of the Silent Cinema Elvira Notari (1875-1946) plays by Maria De Medeiros. The directors interviewed are the most important Italian women directors: Lina Wertmüller, Cecilia Mangini, Francesca Archibugi, Francesca Comencini, Wilma Labate, Cinzia Th Torrini, Roberta Torre, Antonietta De Lillo, Giada Colagrande, Donatella Maiorca, Ilaria Borrelli and others.
Pèlerinage à Agen Pèlerinage à Agen (1988) Character: Herself
Christina and Francesca Comencini go on a pilgrimage to Agen, France to find the places where there Dad Luigi Comencini spent his childhood.



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