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L'Amour autour de la maison (1947)
Character: N/A
In an isolated house, in Brittany, live two sisters around whom gravitate a whole series of strange characters. Between the eruption of the vagrant voyeur and that of the couple in love, the youngest kills her eldest and goes mad.
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Le Beau Voyage (1947)
Character: N/A
She dragged out a more than mediocre life in the port of Antwerp; he is a renowned pianist-virtuoso. These two solitary beings, totally different, meet by chance on a liner and gradually realize that they complement each other harmoniously.
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Ballerina (1950)
Character: N/A
A young dancer, disappointed with her debut on stage, has three dreams: fame in dancing at the Paris Opera, wealth through her marriage to an important jeweler, and love in the person of a petty hood. Disappointed even in her dreams, the ballerina takes refuge in her art.
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Clara de Montargis (1951)
Character: N/A
Renaud, a young student who is camping alone at the moment, has a dream one night, in which the woman of his dreams appears. When he wakes up the next morning, he cannot believe his eyes: the creature of the dream is there by the side of the road, in the flesh! The woman accepts to drive Renaud to Montargis but it is only after she has dropped him off there that he realizes that what he experienced for her was love at first sight. He then decides not to return to Paris but to try and find the wonderful stranger in Montargis. He discovers that the woman's name is Clara and that she is the member of a drama company.
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Charmants Garçons (1957)
Character: Maître d'hôtel of the relay
The charming Lulu, a cabaret singer and dancer, has no shortage of admirers. When she decides to get married, she sets her heart on Robert, a young industrialist, but he is already married. Disappointed, she sets out in search of the ideal man.
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Peloton d'exécution (1945)
Character: N/A
An Alsatian, head of a section of the Gestapo, is actually spying on behalf of the French and dismantling a Nazi network. His activities are brought to light by the Germans and he owes his life only to the intervention of a young woman.
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La Plus Belle Fille du monde (1951)
Character: Impresario (uncredited)
In order to please Martineau, a wealthy industrialist, cynical Gabory accepts to organize a rigged beauty contest whose winner will be Françoise, Martineau's young mistress. However, there are other comely contestants among whom Christiane, the daughter of a general, Jackie, an unemployed actress, Colette, the daughter of a distiller and Marie, a secretary engaged to serious-minded construction foreman Robert. So, will things turn out exactly the way Martineau and Gabory want them...?
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Paméla (1945)
Character: N/A
During the Directory, a handful of royalists tried to get the Dauphin Louis XVII to escape from the Temple.
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Le Cap de l'Espérance (1951)
Character: (uncredited)
Lyria, a faded beauty who runs a seedy waterfront bar, is madly in love with Bob, a crooked attorney. Bob can't bring himself to confess his love for Minnie, the pretty daughter of Simon, a safe cracker. In order to run away with her, Bob, one of the masterminds of a big-time robbery, betrays his friends. But Lyria, who has found out what is happening, makes Minnie fall into a deadly trap.
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La Femme en rouge (1947)
Character: (uncredited)
Two paintings are stolen. Amateur private detective Roland Gautier investigates.
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L’homme qui revient de loin (1950)
Character: N/A
A man, after a fight, believes he has killed his cousin, and hides the body. The dead man had only passed out, but when he regained consciousness, he became amnesiac. When she sees him again, the woman who loved him takes him for a ghost.
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Tous peuvent me tuer (1957)
Character: (uncredited)
The holdup of the bank is a success. All happened according to plan. Now, Cyril Gad and his four accomplices must secure an alibi. What better place than a prison cell? As a result the five gangsters have themselves arrested on minor charges and start waiting until they are released. Unfortunately three of them die mysteriously, another one is openly murdered. The only man still alive, Tony, is scared. Easy to understand why...
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Pattes blanches (1949)
Character: (uncredited)
An eccentric man endangers himself when he makes advances toward the girlfriend of a saloon keeper.
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Une histoire d'amour (1951)
Character: Brigadier (uncredited)
Catherine, 18, loved Jean, a young accountant, who loved her in return. And yet, one morning, two policemen find their dead bodies on a stretch of waste ground. The case is obvious: the two young people have killed themselves. But why? Chief Inspector Ernest Plonche, feeling upset, decides to investigate personally.
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Le Dernier Sou (1946)
Character: N/A
Pierre risks being taken advantage of by an agency that sets up financial scams, he escapes thanks to Marcelle, the secretary of the director of the agency, who is a childhood friend. She does her best to keep the young man away from the scams of his boss. However, the director, in love with Marcelle and jealous of Pierre, succeeds in trapping and ruining him. Marcelle will then denounce him to the police, but before being arrested he will kill her.
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La nuit est mon royaume (1951)
Character: (uncredited)
After an accident, Raymond has gone blind. His family treats him like a child, but fortunately a nun comes to his rescue. She works in a center where blind people learn to read using the Braille alphabet.
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L'Étrange Madame X (1951)
Character: Cabinetmaker (uncredited)
Irène is the unhappy wife of a wealthy publisher, Jacques Voisin-Larive, who cares about her no more than a beautiful piece of furniture. Her meeting with Étienne, a young cabinetmaker with whom she falls in love, turns her dismal existence upside down. Not wanting to reveal her condition to her lover, she pretends to be a modest maid, employed by the Voisin-Larive. At the end of a weekend spent with her lover, Irène discovers that she is pregnant. The fragile balance of their existence is suddenly broken. Taking the initiative, she reveals her affair to Jacques and tells him about her desire to divorce. But her husband has no intention of giving her back her freedom...
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Miroir (1947)
Character: (uncredited)
Portrait of a two-faced man. By day he is rich, brilliant and respectable financial officer Lussac; at night, he becomes "Mirror", a ruthless gang leader in Marseilles.
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Le ciel est à vous (1944)
Character: N/A
The strength of a couple's fascination with airplanes and flight is to the detriment of their family.
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Manon (1949)
Character: (uncredited)
Port of Marseille, France, recently liberated from the German yoke. Caught as stowaways aboard a ship, Manon, a young woman who was accused of collaborating with the Nazis, and Robert, a freedom fighter who saved her from reprisals, tell the captain about the many challenges they have had to face in order to survive.
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L'Amour d'une femme (1953)
Character: Lulu, l'adjoint d'André
Marie, a young doctor, settles down on the Ouessant Island. She will be able to win the diffidence of the local population but she will have to fight for her independence after falling in love with an Italian engineer.
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Les Caves du Majestic (1945)
Character: (uncredited)
Maigret is called to the high-class Hotel Majestic to investigate a body. The wife of a wealthy American has been killed - but to Maigret's surprise she has a gun in her purse. He begins to follow up the handful of clues that could explain her secret life and her demise.
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La Soif des hommes (1950)
Character: N/A
During the colonial period in Algeria, Sergeant Bouvard helps Broussole and his two daughters, Alise and Julie, settle in Hassi Ben Okba. Demobilized, he plants vines with them. Seduced by Julie's charms, he nevertheless marries Alise because she owns the land. He protects Julie from all her lovers but cheats on Alise with Adèle, a settler's wife. Unable to bear it any longer, he runs away with Julie to Oran. The death of his father brings him back to Bou-Okba. He stays with Alise until the day when, selling his wine in Oran, he is taken over by his passion. It is Julie who will tell him to resume married life and start a family of settlers.
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Sans laisser d'adresse (1951)
Character: (uncredited)
A woman in Paris hires a taxi driver to locate her ex-lover, father to her newborn child, who left her without leaving an address.
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Les amants de Brasmort (1951)
Character: N/A
Jean Michaut is a bargeman who lives near an old barge cemetery named "Bras-Mort". He is in love with Monique, the daughter of a wealthy boat owner. The girl returns his affection which goes against her family's class prejudices. Her family prove willing to do anything to separate the lovers, but, Monique will not buy in. On the contrary, she leaves her intolerant family to live with Jean among simple, more tolerant bargemen.
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Cécile est morte (1944)
Character: (uncredited)
Cecile, a young girl who goes to the offices of the Judicial Police several times in a row to complain about nightly visits to the apartment she occupies with her aunt, is not taken seriously by the police until she the day she is found murdered.
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Premier de cordée (1944)
Character: N/A
A screen adaptation of the well-known novel by Roger Frison-Roche about the harsh lives of mountain guides and their families in the French Alps, near Chamonix and the French/Swiss/Italian borders... Like his father, Zian Servettaz is a dedicated mountain man. His Italian-born wife Bianca does not adjust well to his mountain village in France, and to the ever life-threatening dangers presented by his mountain guiding and climbing. She briefly returns to Italy and to her family. However, after Zian's insistence and trip to Italy, she returns to mountain life in the French Alps. Once back there, events will unfold, changing their lives as well as those of other mountain people forever.
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Maya (1949)
Character: (uncredited)
Based on a venerable Legend of the Sea, the story concerns a pliable prostitute named Bella (Romance) who is all things to all men. No matter what sort of woman her client wants, she will become that woman -- at least for the night. When a middle-aged man named Jean insists that Bella is his long-lost sweetheart, she plays along, hoping to escape her sordid lifestyle. The emotional tragedy that follows is meant to explain how Bella became "Maya," the living embodiment of Lost Souls.
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Knock (1951)
Character: (uncredited)
Saint-Maurice, an ordinary peaceful village, lived healthily so much so that the local doctor's practice was scant. But that was before Dr. Parpalaid retired and was replaced by a charlatan by the name of Knock. A real genius this one, for he soon managed to persuade everyone that they were ill. And not only didn't they resent him but they even loved their physician, who made a fortune and brought prosperity to the village by turning it into a big hospital.
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