Červnové dny (1961)
Character: Sarka, Pavel's girl
The sincere and innocent amorous outburst of a mining apprentice clashes with the insensitive misunderstanding of adults...
Kdy brečí muži (1964)
Character: N/A
The story of a boy who finds himself in hospital.
Slečny přijdou později (1966)
Character: N/A
This forgotten detective story starring Svatopluk Beneš focuses on those ills of the past regime that were allowed to be glossed over - mainly the theft of socialist-owned property and illegal business. Criminals here come across illegal machinations in the hospitality industry, foreign guests are even offered sexual services... But the youth-friendly story unfolds lazily, unimaginatively, emphasizing an excess of dully delivered dialogue that replaces action and suspense.
Když má svátek Dominika (1967)
Character: N/A
Eight-year old Dominique has a name-day. Her parents have a gift for her, but only give it to her in the evening, when everybody has come home from work. Then she darts out, where her girlfriends are already waiting for her.
Ztracená tvář (1965)
Character: slečna z vykřičeného domu
It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.
Mučedníci lásky (1967)
Character: N/A
Three loosely-connected tales that represent different aspects of love: temptation, dreams, and adventure.
Alibi na vodě (1966)
Character: N/A
Miss Nováková reports to Major Tuma (Karel Höger) from the police about the disappearance of her roommate, the model Zuzana. Shortly afterwards, a film director named Konrád (Otomar Krejca) asks Tuma to cooperate on a new cinéma-vérité film describing the story of Zuzana's disappearance.
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