Stamatis Kokotas

Personal Info

Known For

Acting

Known Credits

0.2785

Gender

Male

Birthday

23-Mar-1937

Age

(89 years old)

Place of Birth

Athens, Greece

Also Known As
  • Stamatis Kokkotas
  • Σταμάτης Κόκοτας
  • Σταματης Κοκοτας

Stamatis Kokotas

Biography

Stamatis Kokotas (Greek: Σταμάτης Κόκοτας, 23 March 1937 – 1 October 2022) was a Greek popular singer. Born in Athens, the son of a doctor, Kokotas moved to Paris to study medicine, where he became friend of Stavros Xarchakos, who introduced him to the music and contributed to launch his career. He had his breakout in 1966 with the hit "Στου Όθωνα τα χρόνια" ("In the days of King Otto"). Other major hits include the songs "Oniro απατηλό" ("Illusory dream") and "Γιέ μου" ("My son"). His collaborations include Dimos Moutsis, Antonios Katinaris, Giorgos Hatzinasios, Apostolos Kaldaras, Giorgos Zampetas and Giannis Spanos. Kokotas died after a four year battle with cancer on 1 October 2022, at the age of 85.


Credits

Γιάννης Σπανός: Πίσω απ' τη μαρκίζα Γιάννης Σπανός: Πίσω απ' τη μαρκίζα (2024) Character: Himself
A discovery of the incredible musical journey of Yannis Spanos, setting off from small-town Kiato to major collaborations in Paris, and ultimately his huge success in Greece. With rare documents and interviews and through the eyes of a devoted fan, we explore why Spanos chose to stay behind the scenes, letting his music steal the spotlight.
Διπλοπεννιές Διπλοπεννιές (1966) Character: musician
One day, while Grigoris is working and singing at a construction site, a conductor, Vangelis, and two bouzouki musicians happen to pass by. They listen, enchanted by his limpid voice, and suggest that he becomes a member of their orchestra. Thus, the newly-wed day laborer gets a second job at Mr. Lefteris’ night club. His wife, Marina, soon joins him at the club, and, before long, she too goes on stage, cuts capers and charms everyone. Her success, however, has a negative impact on the couple’s relationship, since Marina’s admirers as well as those of Grigoris’, turn one away from the other.



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