|
|
|
Oswaldianas (1992)
Character: N/A
Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.
|
|
|
Máquina do Desejo (2021)
Character: Self
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
|
|
|
Musika (1989)
Character: N/A
MUSIKA is a small experiment about cinema, sound and the city. Freely inspired by the character Lulu from expressionist theatre
|
|
|
Policarpo Quaresma, Herói do Brasil (1998)
Character: Adelaide
Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.
|
|
|
Paulo Autran – O Senhor dos Palcos (2017)
Character: Dramatic Reading
A portrait of the evolution of theater in the 20th century and a deep reflection on the art of acting through the career of Paulo Autran (1922-2007), one of the greatest actors in Brazil.
|
|
|
Galáxia Albina (1992)
Character: N/A
A liberal interpretation of the book Galáxias, one of the most important works by the great contemporary Brazilian poet Haroldo de Campos, written between 1963 and 1976 and published in 1986. Bressane considers this work of poetry the Portuguese Finnegan's Wake. The video is a disorganized system of images: an exploration of colors, quotes and sudden inspirations created by the words. A sequence of epiphanies, rigorous in their images. The films cited act as cinematographic scenery, conferring a sense of drama to the movements of the actresses and the readings of the poems.
|
|
|
Lótus (2006)
Character: Letícia
Fabio and Leticia live a marriage crisis. He suspects that she cheats on him, and starts to chase her into a journey through the city night.
|
|
|
Infernalário: Logodédalo – Galáxia Dark (1993)
Character: Actress
"They are combinations of fragments. There are no stories, it is possible to mount these fragments in many ways. »Cine-eye or cine-voice-eye. The text of the Galaxies goes straight to the image. »A text rewritten for the eye» (H. de Campos).
A short film that is more than experimental and that is based on a dark aesthetic that takes from the work of poet Haroldo de Campos its "dark matter" to combine it with the filmmaker's rarefied images and the puppet-like markings of actresses Bete Coelho and Mariana de Moraes.
|
|
|
Cidade Oculta (1986)
Character: Dancer
After seven years in jail, Anjo meets up with his former accomplice, now head of a criminal organization. The former detainee finds himself embroiled with an underworld star, Shirley Sombra, and finds enmity with a corrupt police officer.
|
|
