|
|
|
|
|
সাঁঝবাতি (2019)
Character: Mini
Sulekha, a lonely elderly woman, misses her son who lives in a different country but finds comfort in the company of her caretakers.
|
|
|
অসম্পূর্ণ (2023)
Character: N/A
Asampurno is a story of a middle income Bengali couple with their daughter Pari. The film explores the profound impact of abolishment of Section 377.
|
|
|
আদিম (2023)
Character: N/A
This is the story of a couple in their 30s facing a year-long struggle to revive their physical intimacy.
|
|
|
মিনি (2022)
Character: Richa
The story aims to throw light on the real essence of friendship where age can’t be a boundary. It’s a refreshing tale of a young and hot fashion designer aunt Titli (Mimi Chakraborty) and her school going mischievous niece Mini (Ayanna Chatterjee).
|
|
|
OCD (2026)
Character: N/A
When her unpunished childhood abuser returns, Shweta confronts her past through a dangerously precise plan for revenge.
|
|
|
Kaalipotka (2026)
Character: Minoti
In a gritty urban jungle, four women - Srima, Rani, Rinku, and Minoti - are drawn into chaos after Minoti's husband's freak accident. A cover-up spirals into deceit, murder, and revenge as ex-con Rana and the police hunt them.
|
|
|
নানা হে (2025)
Character: Chapa
While researching for her college project, Anindita meets Bagharoo, a former Gambhira artist disheartened by its decline. As she uncovers its lost glory, she forms a deep connection with the folk art and inspires Bagharoo to reclaim his passion.
|
|
|
বিজয়নগরের হীরে (2026)
Character: Rinku Sanyal
When a man embarks on a relaxing trip with his nephew, it quickly turns into a dangerous game of life and death as they find themselves in the middle of a mystery involving a rare diamond.
|
|
|
বেলাইন (2024)
Character: N/A
An old, single man leads a retired and lonely life but enjoys it as much as possible. Everything changes when he receives a wrong number phone call, creating a window into the lives of a girl and her live-in partner.
|
|
|
কেউ বলে বিপ্লবী, কেউ বলে ডাকাত (2026)
Character: N/A
A biopic of Ananta Singha. Some calls him dacoit, some calls him a rebellion. This adaptation gives the viewer a chance to know him as a whole, a person and as a revolutionary communist leader.
|
|
|
#Homecoming (2022)
Character: Piya
A group of "friends" and "misfits", who had formed a popular yet short-lived youth theatre group, reunite for the first time after seven years on an eventful Durga Pujo night at their old rehearsal space, a bungalow which is about to be converted into Kolkata's first five-star heritage hotel by the Ganges.
|
|
|
হোক কলরব (2026)
Character: N/A
Inspired by a real-life tragedy, the story explores the shocking death of a fresher allegedly caused by ragging at a city university hostel, reopening wounds and igniting urgent conversations about abuse, accountability, and a system that failed to protect its own.
|
|
|
|
|
জ্যেষ্ঠপুত্র (2019)
Character: Rai
A popular movie star, the eldest son of his parents, returns to his ancestral village for his father's funeral, only to unearth long-hidden complexities within his family.
|
|
|
একান্ত ব্যক্তিগত বিষয় (2026)
Character: N/A
Swarna is a dedicated high school science teacher who relocates to a conservative suburban town with her same-sex partner, Driti. They attempt to build a quiet life together, blending into the community while keeping their relationship private. However, their world is completely upended when one of Swarna's high school students discovers personal, intimate photos of her on social media. The discovery quickly leaks, placing Swarna under intense public and institutional scrutiny.
|
|
|
মায়া সত্য ভ্রম (2026)
Character: Shreshtha
Two disappearances unsettle Kolkata’s Prafullanagar: Totoro, the young son of Sub-Inspector Sanjay Konar, and Sara Nilson, a Swedish researcher studying shamans. Their fates intertwine around one enigmatic man, Trilokdarshi Baba. Once known as Tilu, a boy haunted by violence and visions of death, Trilok grows into a mystic who seems to perceive the boundaries between the living and the beyond. As Sanjay’s search unfolds, the line between truth and faith begins to dissolve.
|
|