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অন্নপূর্ণার মন্দির (1954)
Character: N/A
Ramshankar is a poor man who lives with his family. He arranges his daughter's marriage with an old man. Soon, she returns home as a widow and Ramshankar realises his mistake.
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Uttar Falguni (1963)
Character: N/A
A story of love and sacrifice of a mother who did everything to protect her child ,even from her husband.
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Devi Chaudhurani (1974)
Character: Prafulla/ Devi Chaudhurani
Prafulla is beautiful and righteous but is mistreated by her in laws because of her poverty. Prafulla comes to a fortune by chance and is guided by Bhabani Pathak, a nationalistic religious leader to use this fortune in the cause of justice. She is trained rigorously and becomes a bandit queen wrapped in mystery and even fights back Colonial British forces to safeguard villagers.She becomes the legendary Debi Chowdhurani. Gradually incidents take such a turn that her erstwhile tormentors, i.e. her in laws come under her power and the movie ends with reconciliation.
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Fariyad (1971)
Character: N/A
Fariyad is a Bengali movie released on 05 November, 1971. The movie is directed by Bijoy Bose and featured Utpal Dutt and Suchitra Sen as lead characters.
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Grihadaha (1967)
Character: Achala
Based on the novel "Grihadaha" written by Sarat Chandra Chattopadhyay.
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জীবন তৃষ্ণা (1957)
Character: Shakuntala Roy
A philanderer, the only son of a wealthy doctor, is attracted to a poor orphaned artist. Her stepbrother loathes rich people, and would go to any extent to get money off them. What would happen if the roles reversed?
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বিপাশা (1962)
Character: Bipasha
Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.
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সদানন্দের মেলা (1954)
Character: Sheila Choudhury
Sadananda, a wanderer, brings about a positive change in the lives of everyone around him when he starts living in a renowned man's unoccupied mansion along with the family of a little girl, Runu.
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রাজলক্ষ্মী ও শ্রীকান্ত (1958)
Character: Rajlakshmi
Srikanta meets Pyaribai who is his childhood love Rajlakhsmi. Adapted from a noted novel 'Srikanta' of Sarat Chandra Chattopadhyay, the film focuses on social issues. Srikanta goes to his friend Mahendra Rao's celebration where he meets Piyaribai. Although he can not recognizes her but Piyari knows him well as Srikanta was her childhood love. Piyari reveals the past fact of how she becomes so from Rajlakshmi. She was forced by the wicked society, poverty and misfortune she had to take this profession
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Maraner Pare (1954)
Character: Tanima
Rai Bahadur Bhujanga Choudhury married Smritikana many years after the death of her first wife. Often she remembers the incidents in her previous life and she behaves in extremely unnatural way. Tanima (Suchitra Sen) is the daughter of Bhujanga from his first marriage. Tanima takes his stepmother Smritikana to the hospital for treatment. There Tanima fell in love with the Doctor Ashok (Uttamkumar) who was treating Smritikana. When she saw Dr. Ashok first time, Smritikana behaved in an weird way and she thought Ashok is his Son. Although in love with Tanima, Ashok refused to marry her because he himself is an orphan and doesn't know his parents. One day while Dr. Ashok was talking to his senior Dr (who looked after Ashok since his childhood) and Tanima, suddenly they heard some people chasing a thief (Gurudas). When the thief entered, Smritikana devi saw him and instantly recognized him as Gurudas. Then the story from her previous birth unfolded.
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সাঁঝের প্রদীপ (1955)
Character: N/A
A 1955 Bengali Drama Film directed by Sudhangshu Mukhopadhyay & written by Prabhabati Devi Saraswati.
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কমললতা (1969)
Character: Kamallata
Being an unwed mother, Kamal Lata had no option but to abort the child and move on with life. The man who left her comes back into her life, but she decides to stay in Vrindavan.
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প্রণয় পাশা (1978)
Character: N/A
A 1978 Indian Bengali Drama Film directed by Mangal Chakraborty.
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এটম বোম্ব (1954)
Character: N/A
A 1954 Indian Bengali Drama Film directed by Taru Mukhopadhyay.
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আমার দেশ (1962)
Character: N/A
Against the backdrop of the Indo-China war of 1962, Tapan Sinha made a short documentary meant to arouse patriotic feelings, called Aamar Desh.
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Ekti Raat (1956)
Character: Santana
This film revolves with miscommunication and misunderstanding of two couples and their family which cause series of laughter. Sushavan Dutta and his wife, Anita, were invited at their relative Digbijay babu's house. While in journey Anita misses train and Sushavan has to journey with another lady Santana. Santana is the wife of famous political leader Shailesh. At night they take shelter as husband and wife in Gosaiji's hotel, Harimatar Panthashala because Gosaiji allows married couples only. Santana carries a puppy with her, which run away from the garden of the hotel and Sushovan has to chase it at night. When Anita's mother comes to know that Sushavan is untraced, she becomes angry and make chaotic situation.
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হারানো সুর (1957)
Character: Dr. Roma Banerjee
An amnesiac man escapes the hospital he has been admitted to and is aided by doctor Roma Banerjee, who takes him to her father's country house. While treating him she falls for him and he for her. They marry, but an accident makes him remember his life as a rich man in Calcutta and completely forget the time spent with Roma. Roma follows him to Calcutta.
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সাগরিকা (1956)
Character: Sagarika
The all-time favourite on-screen couple of the Bengali cinema not just created many memorable romantic moments but also shattered many taboos around romance, just like in the 1956 classic ‘Sagarika’. Made by the directorial group Agragami, its story follows a young talented lad Arun (Uttam Kumar) with a big dream of studying medicine abroad and the women he comes across. Arun, after being blind for a period, finally reunites with his love and life becomes all good.
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Surya Toran (1958)
Character: Anita
The story of a popular young writer and an idealistic young architect.
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Har Mana Har (1972)
Character: Neera
The story revolves around Pratima who pledges to destroy the relationship between Neera and Binu, as she loves Binu.
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অগ্নিপরীক্ষা (1954)
Character: Tapasi Banerjee
Love story of Tapasi and Kiriti in the backdrop of social and cultural conflict regarding marriages and progressiveness.
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হস্পিটাল (1960)
Character: Sarbari
Sarbari and Saibal are both successful doctors and in love. However, Saibal comes from an affluent family, while Sarbari has to provide for her poverty stricken family, including her invalid father.
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Datta (1976)
Character: Bijoya
Bijoya, the daughter of a zamindar, falls in love with a learned doctor, Naren.
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Alo Amar Alo (1971)
Character: Atashi Haldar
A rich industrialist and womanizer, Nirendra, has a poor woman, Atashi, kidnapped. In the struggle, she loses her memory. Atashi recovers in Nirendra's care and the two begin to fall in love.
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নবরাগ (1971)
Character: Reena
Reena was a very honest/beautiful and tomboy type village girl who lived with her grandfather in East Bengal. She developed a very close relationship with her simple style of living. But Partition of India creates problems for them. Reena had to came to Kolkata in her maternal uncles home . But here she faced a totally different scenario. The lifestyles were too different. She was not able to adjust properly. In a social gathering a local Entrepreneur Mr. Bagchi observed it but he began to like Reena. After a while they got married together. Then they were blessed with a child . But Reena was not all comfortable with her child’s value system and psychology. So a complication was born between them. This is a story of different perspectives who forced to live life together bonded in a relationship.
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পথে হল দেরী (1957)
Character: N/A
Poor but brilliant doctor Jayanta (Uttam Kumar) and Mallika (Suchitra Sen), the grand-daughter of one of the richest men in Darjeeling, fall head over heels in love. Mallika's grandfather is not amused and tries to break up the affair when Jayanta goes abroad to study for a higher degree. Will true love conquer all?
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চন্দ্রনাথ (1957)
Character: Soroju
Feeling lonely after his father's death, Chandranath meets and falls in love with a poor widow's daughter during his travels. Later, secrets from her past come to haunt him.
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ত্রিযামা (1956)
Character: Swarupa
Swarupa, an introvert, fails to express her love to Kushal, who falls for Nabola, a rich and beautiful woman. However, things take a sharp turn when greedy Nabola leaves him for a wealthier man.
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শিল্পী (1956)
Character: Anjana
A poor guy named Dhiman (Uttam Kumar) found a shelter in a rich man house but eventually fell in love with his daughter, Anjana (Suchitra Sen). Despite trying to make a name for himself by painting and sculpting, Dhiman and Anjana went through all kinds of turmoil to be together.
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গৃহপ্রবেশ (1954)
Character: N/A
A 1954 Bengali Romantic Drama Film directed by Ajoy Kar, featuring Mahanayak Uttam Kumar & Mahanayika Suchitra Sen.
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Bombai Ka Babu (1960)
Character: N/A
A man on the run pretends to be the long-lost son of a wealthy family. To complicate matters, he falls in love with the woman who is supposed to be his sister.
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সবার উপরে (1955)
Character: Rita Mukherjee
Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.
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চাওয়া পাওয়া (1959)
Character: Manju Chowdhury
Rajat, a young man, meets Manju, a rich girl whose father is looking for her. Though Rajat initially slyly tells her father her whereabouts, he ends up falling in love with her.
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Priyo Bandhabi (1975)
Character: Sreemati
A woman runs away from her husband and is helped out by a homeless man.
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Sandhya Deeper Sikha (1964)
Character: Jayanti Bannerjee
Jayanti is a woman full of life but unfortunately, she loses her husband in a war within a year of their marriage. In immense pain and completely shattered, she forgets how to live life the way she did before.
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मुसाफिर (1957)
Character: Shakuntala Verma
The stories of three sets of people, linked by their connection to an old suburban house in Calcutta- An orphaned young woman who desperately wants her husband to make up with his estranged parents so that she may belong to a family once more, a wayward young man desperate to find a job to support his aged father and his widowed sister-in-law, and a shadowy neighbourhood ‘madman’
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ইন্দ্রানী (1958)
Character: Indrani
Indrani Mukherjee the only daughter of a staunch brahmin in a village studies at Kolkata and stays in a girls' hostel. She meets Sudarshan Dutta, who had a brilliant career as a student and is doing his PhD. They fall in love, and Indrani wants to get married with him as soon as possible. She goes back to her village and informs her father of her intention to get married, Indrani's father takes umbrage as Sudarshan is not a Brahmin and also unemployed. Sudarshan too warns Indrani that he won't be able to provide for her. Indrani marries Sudarshan and is tormented at Sudarshan's house by his mother and sisters in law because of several emotional strains at play. To avoid further complications at home, Indrani gets a job as a teacher in Dinajpur. One day, after a heated exchange between two people that started their journey fiercely loving and trusting one another, Sudarshan leaves Indrani and goes in search of a job elsewhere.
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ওরা থাকে ওধারে (1954)
Character: N/A
In post-partition Bengal, a clash of cultures between neighbors ignites a turbulent yet tender tale of rivalry, love, and unexpected alliances.
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ममता (1966)
Character: Devyani - Pannabai / Suparna
The son of a wealthy family, Monish falls in love with Deviyani, a girl from a considerably less privileged background. When Monish leaves to study abroad, the lovers plan to reunite, but desperate financial straits force Deviyani into a marriage with a philandering drunk instead. Deeply unhappy, she flees, taking her infant daughter with her and vanishing into thin air. Does fate have more than misery in store for the unfortunate Deviyani?
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সপ্তপদী (1961)
Character: N/A
During WWII an army doctor is brought a drunken Anglo-Indian woman, whom he'd once loved, for treatment.
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সাপ মোচন (1955)
Character: Madhuri
Young Mahendra belongs to a family of musicians, but once the family is cursed by their teacher. Mahendra's elder brother becomes blind and to avoid the same fate he goes to Kolkata and lives in the house of his father's friend Umeshchandra. He gets romantically involved with Umeshchandra's daughter Madhuri. Madhuri tries to make Mahendra modern and pursue his musical career. Despite his good singing ability, Mahendra refuses to accept this due to his family values. He leaves their home and takes shelter in Kolkata. But the curse strikes him also and he falls seriously ill.
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সাড়ে চুয়াত্তর (1953)
Character: Romola
The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.
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चम्पाकली (1957)
Character: Rajo
A tale of sublime love and love's supreme sacrifice.
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Aandhi (1975)
Character: Aarti Devi
J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman.
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देवदास (1955)
Character: Parvati Chakraborty / Paro
Childhood sweethearts grow up in a small village with a love-hate relationship which changes to love when they mature.
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সাত পাকে বাঁধা (1963)
Character: Archana Basu
A young girl, Archana, falls in love with Sukhendu, an educated young man. Her father gladly accepts Sukhendu as his son-in-law. But Sukhendu’s income and nature come in way of this marriage.
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দীপ জ্বেলে যাই (1959)
Character: Radha
A nurse at a psychiatric ward gets a bit too involved in the well-being of a patient.
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