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Dastaan (1972)
Character: N/A
Dastaan is a 1972 film produced and directed by B. R. Chopra. The film stars Dilip Kumar, Sharmila Tagore, Prem Chopra, Bindu, Sachin, Iftekhar, I. S. Johar and Madan Puri. The film's music is by Laxmikant Pyarelal.
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Mazdoor (1983)
Character: N/A
A laborer-turned-businessman faces challenges after the marriage of his children.
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Dharm Adhikari (1986)
Character: Dharamraj
The compelling story of honest and ethical Dharamraj of Nand Gaon village, whose very name instills fear amongst wrong-doers. Ironically, the very man whose family has been administering justice for four generations, must now distance himself against his very own brother, Prakash; wife, Savitri; and daughter, Aarti, while the villagers, headed by Chaudhry and Shastri, charge him of having an illicit and extra-marital affair with a widow.
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Leader (1964)
Character: Vijay Khanna
Vijay Khanna is a law graduate-cum-tabloid editor he falls in love with Princess Sunita, while general election are underway. Vijay becomes a murder accused of a political leader. Gradually the couple tries to expose a criminal-politician nexus. (From wikipedia)
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Jugnu (1947)
Character: N/A
Suraj and Jugnu fall in love while studying at the same college
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Anokha Milan (1972)
Character: N/A
When malicious rumours about Tara's molestation starts spreading, Ghana, her close friend, ends up killing a man and lands in prison. In a bid to rescue him, Tara marries an alcoholic policeman.
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Anokha Pyar (1948)
Character: N/A
Love triangle has a flowerseller and a doctor's daughter both in love with a struggling writer.
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Ghar Ki Izzat (1948)
Character: N/A
Chandra, an upcoming lawyer, meets and falls in love with Roopa, a poor woman. After the wedding, Roopa is ill-treated by her in-laws and, unable to stand up to his family, Chandra takes to drinking.
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Paigham (1959)
Character: Ratan Lal
Widowed Mrs. Lal lives with her two sons, Ram and Ratan; an unmarried daughter, Sheela; Ram's wife, Parvati and her children. While Ram is employed in a mill, Ratan is studying engineering in Calcutta. When Ratan returns, he is offered a job at the same mill, falls in love with a Typist named Manju, much to chagrin of Malti, the daughter of the mill-owner, Sewakram. When Ratan finds out that Sewakram has been defrauding the employees, he decides to form a union, a move that is opposed by Ram, who is very devoted and loyal to Sewakram.
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Naya Din Nai Raat (1974)
Character: Narrator (uncredited)
Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter named Guddi; a drunken lout in a brothel; Dr. Kruparam, a psychiatrist, who admits her in his mental hospital; a dreaded bandit who has killed his tormentor, cut him into pieces and fed them to birds, and who still on a killing spree; Pandit Gorakhnath who lives a double life - as a priest and as a smuggler; a leper Dhanraj, who once was a very wealthy man, but is now shunned by everyone; a transvestite stage actor; and a hunter who saves Sushma's life by shooting dead a man-eating lion. As things spiral out of control for Sushma, there is yet one more male she has to meet, and it is this meeting that will change her life even more.
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मुसाफिर (1957)
Character: Raja Sr.
The story is about a house consisting of three families who live in it. It is three stories linked by the house.
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Qila (1998)
Character: Jagannath Singh/Judge Amarnath Singh
When an abusive landowner is murdered, his twin brother sets out to find the killer but quickly discovers that everyone, it seems, wanted him dead.
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Shikast (1953)
Character: Ram Singh
After a seven year absence, Dr. Ram Singh returns to his village intending to sell his land and go back to the city. He finds that the peasants are being mistreated by the local landlord and the landlord's sister, Sushma.
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मिलन (1946)
Character: Ramesh
A young law student is forced into an arranged marriage though he is in love with somebody else. Following the wedding the drama focuses on the bride's mistaken identity and the search for her husband.
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फुट पाथ (1953)
Character: Noshu
Tired of poverty, Noshu takes to black-marketing. Soon, he realises that his act has hurt everyone around him, including his brother and his sweetheart. Although he tries to make amends, it may be too late.
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Hulchul (1951)
Character: N/A
Kishore loves Asha, whose father raised him like a son, and sets out to earn money to wed her in great pomp. However, fate has other plans as it lands him in jail under a false charge.
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Phir Kab Milogi (1974)
Character: Teja Singh
Sapna, the daughter of a wealthy businessman likes Rajesh, a simple man. Her father wants her to marry Randhir, a notorious womanizer and drunkard. Will Sapna ever accept Randhir?
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Dil Diya Dard Liya (1966)
Character: Shankar / Rajasahab
A kind-hearted, widowed landlord, Thakur, lives a wealthy lifestyle with his son, Ramesh; daughter, Roopa; and an adopted child, Shankar. Ramesh hates Shankar and often abuses him. Years pass by, Thakur has passed away, and all three children have grown up. While Ramesh visits a stunningly attractive Courtesan, Tara, drinks alcohol, and continues to abuse and mercilessly beat Shankar, who bears this in silence as he and Roopa are in love with each other. When Ramesh finds out that Roopa wants to wed Shankar, he has him severely beaten and thrown off a cliff. He then arranges Roopa's marriage with another wealthy man, Satish, while he continues to romance Tara and even signs over his entire estate and home to her name.
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Jwar Bhata (1944)
Character: Jagdish
Film starring Ruma Guha Thakurta, Aga Jaan and Vikram Kapoor
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Arzoo (1950)
Character: Badal
Badal is mistakenly presumed to be dead. Kamini, his love, is heartbroken and is married off to Thakur. Badal returns and not knowing the truth, is filled with vengeance for Kamini.
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Shaheed (1948)
Character: N/A
A freedom fighter faces opposition from both his father and an ambitious police officer.
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संघर्ष (1968)
Character: Kundan S. Prasad / Bajrangi
Bhavani Prasad is a powerful thug, who masquerades as a priest. His son Shankar refused to follow his path so he wants his grandson Kundan to carry on the legacy. When his son protests, in a fit of rage, Bhavani gets Shankar killed and passes the buck to his cousin Naubat Lal. When Naubat Lal spills the beans he gets him killed as well, which deepens the family feud.
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Ram Aur Shyam (1967)
Character: Ram/Shyam
Abused by an oppressive brother-in-law Gajendra (Pran), Ramchandra (Dilip Kumar) runs away from home, and ends up in a small village where he is mistaken for Shyamrao (also Dilip Kumar), and must accept Ganga (Leela Mishra) and his new name or face severe exorcism. Meanwhile, Shyamrao is mistaken for Ramchandra by Anjana (Waheeda Rehman) and her dad (Nazir Hussain). When Gajendra finds out, he is enraged and attempts to beat the stuffing out of the person he thinks is his brother-in-law, but Shyamrao refuses to be abused or beaten, and all of a sudden things start changing in the household as well as in the community. It is not long before Gajendra finds out about the truth, and plans an ugly death for Shyamrao, and all those opposed to him.
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आन (1952)
Character: Jai Tilak
A poor farmer conquers the love of an Indian princess, whose brother wants to kill their father to become king.
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Insaniyat (1955)
Character: N/A
A once loyal soldier faces many challenges after turning into a rebel.
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Izzatdaar (1990)
Character: Brahm Dutt
Brahm Dutt (Dilip Kumar) is set up and framed for a murder for which he is jailed, because of his scheming son-in-law, Raghuvaran (Indrajeet Sabharwal). His Daughter Sonu (Swapna) is also killed at the hands of Raghuvaran, when Raghuvaran slaps and tries to molest Mohini (Madhuri Dixit), when she confronts him about his evil deeds. Brahm Dutt avenges the death of his daughter and the years spent in prison. Against this backdrop, Vijay (Govinda) is a man who works for the underworld after he is shot as a child. After finding love with Mohini, he changes his ways and joins up with Brahm Dutt to take revenge as he too has been wronged by the same group of villains.
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मुगल-ए-आज़म (1960)
Character: Prince Salim
In the 16th century, when Prince Salim falls in love with a beautiful courtesan named Anarkali, Emperor Akbar's disapproval leads to a battle between father and son.
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कोशिश (1972)
Character: Himself (Cameo)
A romantic drama which tells the story of a 20 year relationship between Hari and Aarti - a deaf-mute couple who try to live their lives to the fullest despite their handicaps.
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अमर (1954)
Character: N/A
A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.
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Kranti (1981)
Character: Sanga/Kranti
The film takes place in 19th Century British India and is the story of the fight for independence from the British in the years spanning from 1825 to 1875. It tells the story of two men who led the war against British Rule, Sanga and Bharat both of whom call themselves Kranti.
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Jogan (1950)
Character: Vijay
An atheist falls in love with a married devout woman who has forsaken materialistic life.
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सौदागर (1991)
Character: Veer Singh
Two childhood friends have become bitter enemies. So much so, in fact, that they have divided their territories and sworn to kill anyone who crosses the boundary. Against this backdrop, their grandchildren fall in love and when their romance surfaces, the rivalry between is rekindled. The two young lovers are told never to see each other again, on pain of death ... when they get together, it's too late for their grand family ..
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Vidhaata (1982)
Character: Shamsher Singh / Sobhraj
When a Police inspector is killed by a band of thugs, his grieving father Samsher Singh seeks justice. Pratap Singh has left behind a pregnant widow, who dies in chidbirth, leaving Samsher to bring up the child Kunal. The transformation of Samsher Singh (a locomotive engine driver) into Sobhraj, multi millionaire and owner of a vast network of business. Kunal is brought up by Abu Baba, a servant of Sobhraj to be honest, upright, and very independent minded. Durga, the daughter of a former employee of Sobhraj, who is serving time and Kunal fall in love. This not acceptable to his grandfather, though Abu Baba approves of the relationship. Disaster strikes when an attempt is made to separate the lovers. The life of Samsher Singh alias Sobhraj begins to unravel from here. How Kunal's ethical upbringing by his foster-father, and his financial and business circumstances of his grandfather meet in a titanic conscience clash and how he resolves matters is at the nexus of the plot.
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आज़ाद (1955)
Character: Azaad / Abdul Rahim Khan / Kumar
After her widower dad, Kedarnath, passes away, Shobha goes to live with his friend, Charandas, and his wife, Shanta, who had their son go missing as a child. Years later Shobha is now matured and Charandas scouts for a suitable groom. A wealthy man, Sunder, would like to marry Shobha, but the family detests him.
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Uran Khatola (1955)
Character: N/A
When a plane crashes the pilot is saved by the beautiful Soni and the two fall in love, unfortunately, however, the local queen also falls in love with him.
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दाग (1952)
Character: N/A
Shankar and Paro love each other, but their relationship is strained by his drinking problem and Paro's sudden wealth.
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Yahudi (1958)
Character: Marcus
In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.
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देवदास (1955)
Character: Devdas Mukherjee
Childhood sweethearts grow up in a small village with a love-hate relationship which changes to love when they mature.
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दुनिया (1984)
Character: Mohan Kumar
Framed for a crime he didn't commit, Mohan Kumar loses his wife, son and freedom, then he emerges from prison, vowing revenge.
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मेला (1948)
Character: Mohan
A convicted murderer is released from prison. His only possession is a broken figurine - the last token of his love. The tragic story of how he came to be incarcerated and the significance of the figurine is the subject of this tale of star-crossed lovers whose destiny is moulded by society's rigid rules and the villainy of a scoundrel.
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Mashaal (1984)
Character: Vinod Kumar
Vinod Kumar, an honest man, tries to expose the malpractices of influential politician-cum-gangster, SK Vardhan through his newspaper, Mashaal. A chain of events changes Vinod's life - from an honest journalist to a gangster.
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Guddi (1971)
Character: Self (shooting of "Phir Kab Milogi (1974)") (uncredited)
A teenage girl will not accept her family's attempt to arrange a marriage for her, as her heart is currently too full of love for the movies and heartthrob actor "Dharmendra."
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Aadmi (1968)
Character: Rajesh / Raja Saab
Rajesh, is very insecure and possessive almost to the point of an obsession. He introduces Meena to his close and best friend, Dr. Shekhar, and soon gets formally engaged to Meena. Thereafter, Rajesh and Meena have an automobile accident, in which Rajesh becomes paralyzed and must be confined in a wheelchair. It is then that Rajesh finds out that Shekhar and Meena are having an affair, and the old murderous and possessive hatred, that he had managed to conceal, surfaces again - and this time will it will be Shekhar's turn.
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मधुमती (1958)
Character: Anand / Deven
Two men take shelter in a derelict mansion situated in the countryside during a storm. One of the men suddenly becomes aware that he once visited this mansion in a past life; he recounts a story about when he was Anand, a painter, who fell in love with a tribal girl named Madhumati.
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দুর্বার গতি পদ্মা (1971)
Character: N/A
The film brings to the screen the determination of the common man of Bangladesh to stand up to tyranny and win his priceless liberty back.
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Kohinoor (1960)
Character: Rajkumar Dhivendra Pratap Bahadur Chandrabhan
Rajkumar Dhivendra Pratap Bahadur is the new king. Veer Singh's wife, who raised Dhivendra, wants him to marry Rajkumari Chandramukhi of Rajgarh, and her father is also for it. The trouble is, people keep falling in love with Dhivendra and with Chandramukhi, and it will take plenty of swashbuckling to untangle the mess.
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बाबुल (1950)
Character: Ashok
Two fathers, one poor and the other rich, hope that a wealthy postmaster will wed one of their daughters.
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गंगा जमुना (1961)
Character: Gungaram
Widowed Govindi lives a poor lifestyle in Haripur along with two sons, Gungaram and Jumna. While Jumna is studious, Gungaram is the opposite, but has a good heart and decides to use his earnings to ensure his brother gets a decent education. After her employer, Hariram, accuses Govindi of theft, the shock kills her. After her passing, Gungaram works for Hariram while Jumna goes to the city to study and becomes a police officer. His first assignment is in Haripur, where he will be forced to confront Gungaram, who is now is the leader of a dreaded band of killer bandits.
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शक्ति (1982)
Character: DCP Ashwini Kumar
A policeman's son becomes a criminal after a childhood incident creates a rift between them.
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Gopi (1970)
Character: N/A
Unorthodox, honest, simple-minded, and unemployed Gopi is blamed for a theft he did not commit, and gets thrown out of his home by his elder step-brother.
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Karma (1986)
Character: Vishwa Pratap Singh
When senior police inspector Vishwa Pratap Singh arrests Dr. Michael Dang, the leader of the international terrorist group PSO, the group blast the jail Dang is lodged in killing huge numbers of inmates including two of Vishwa's sons and his daughter-in-law; with Dang escaping in the process. Vishwa, who now calls himself Dada Thakur, is determined to put an end to Dang and his PSO gang. He enlists three death row inmates, Baiju Thakur, Johnny and former terrorist Khairuddin Kisti, Thakur personally trains to become disciplined fugitive hunters, and sets out to avenge his family's slaughter.
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अंदाज़ (1949)
Character: Dilip
Nina is a rich and spoiled girl. Dilip accidentally meets her and starts liking her, not knowing that she is already engaged.
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Sangdil (1952)
Character: Shankar
In this loose adaptation of Charlotte Brontë's Jane Eyre, childhood sweethearts Kamla and Shankar are separated and grow up in different worlds. The girl is brought up to be a priestess, while the boy becomes a dejected thakur, turned vindictive by life's injustices. Fate inevitably brings them together again, but Kamla does not know about her beloved's secret.
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नया दौर (1957)
Character: N/A
Shankar lives in a remote village in rural India with his mother and sister, Manju, and drives a horse-carriage for a living. The main employer in the region is a kind-hearted businessman Maganlal. When Maganlal announces that he would like to undertake a religious pilgrimage, his son, Kundan, takes over and wants to cut back on labor and mechanize the business - thus leading to loss in jobs
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Sagina (1974)
Character: Sagina Mahato
Sagina a factory laborer,an aggressive, honest and lovable character who was the first to fight against the tyranny of the British bosses in the Tea gardens of North-Eastern India.
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Sagina Mahato (1971)
Character: N/A
After instigating a strike over the improper dismissal of a fellow worker, Sagina Mahato unwittingly finds himself lauded as a champion of worker's rights.
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तराना (1951)
Character: Dr. Motilal
After a plane crash, Dr. Motilal (Dilip Kumar) is left stranded in a small village, where he is given shelter by a blind old man called Surdas and his playful, young daughter Tarana (Madhubala). During the course of his stay, Motilal falls for the charms of the innocent Tarana.
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Kanoon Apna Apna (1989)
Character: Collector Jagatpratap Singh
A loyal government official fights to uphold his dignity when a group of goons try their best to taint his reputation. To do this, he uses his methods of justice.
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बैराग (1976)
Character: Kailash / Bholenath 'Bhola' / Sanjay
Dilip Kumar in Triple Role
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Deedar (1951)
Character: N/A
A traumatized and blind young man makes a living singing, and searching for his childhood sweetheart.
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