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नौ दो ग्यारह (1957)
Character: Surjit
A sleep suspense thriller, from Vijay Anand (his directorial debut), Nau Do Gyarah is the story of Madan (Dev Anand) on his way to Bombay to inherit his uncle's estate. On the way, he picks Raksha (Kalpana Kartik), who has run away from home, rather than be married to a man she does not like. On reaching Bombay, Madan finds his uncle dead, and the estate taken over by Kuldeep, his aunt's nephew. The new will is missing. Madan has to find out, what really happened to his uncle and the missing second will. S. D. Burman's compositions embellish this fast paced and stylish thriller.
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फागुन (1958)
Character: N/A
The new owners of Deepak Mahal meet with its caretaker, Mattu, who narrates the story of its' former owners: Bijondra - the only child of a wealthy Hindu Brahmin Zamindar; and Banani - the only child of a single father, Banjara Sardar Tinkari. Starting with the move to evict the Banjaras from his father's property, flute-playing Bijondra meets with and falls in love with pretty dancer, Banani - leading to being asked to leave by his enraged father; while Banani's father plans her marriage to Banjara Madhal.
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Mere Humsafar (1970)
Character: Mittal
Raju is his real name but due to his unhealthy and unkempt manner of living, he is called "Junglee" by everyone in his village, all save for ex-convict Ustad Anwar who has served time for murder, and his father. When Raju's dad passes away, the local money-lender gives him an ultimatum to either re-pay the loan or he will take possession of his house and land. Raju decides to hitch a ride to Bombay, get a job, save some money, buy a couple of bullocks, till his land and re-pay the money-lender. No one gives him a ride, so he stows away in the back of a fruit-laden truck, which has one more stowaway, a run-away gypsy named Tarna. Both of them meet, fall in love, promise to help and marry each other. After the truck ride, they board a goods train bound for Bombay, but during the journey both get separated. A few months Raju finds out that Tarna is now known as Meenakshi, a movie actress.
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Ek-Hi-Rasta (1956)
Character: N/A
Amar and Malti live an idyllic, loving life with their son Raja. However, Amar makes enemies in his job and is killed, forcing Malti to remarry.
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औलाद (1968)
Character: Munim Ram Lal
Mamta lives a poor lifestyle with her husband, Dinu, and two sons, Mohan, and Sohan. When Ram Lal, the wealthy Zamindar, Kanta Prasad Gupta's Munim, comes to them to take Sohan to Mrs. Sharda Gupta for ten days, they reluctantly permit him to do so. After 10 days, Gupta himself approaches them and begs them to let his wife keep Sohan for life. They tearfully agree. Then Mohan gets into trouble, and Dinu scolds him, only to find out that Mohan has run away from home. A search proves futile, and the couple continue to live a childless life. Now 17 years later, Mamta is seriously ill, and asks Dinu to bring Sohan back. Dinu goes to the Zamindar's house where he meets a young man who identifies himself as the real son, Suraj, and informs him that Sohan has been asked to leave. A devastated Dinu loses his memory and roams listlessly on the streets of Calcutta, unable to remember anything.
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Nagin (1954)
Character: N/A
Two Adivasi tribes are in conflict for the local economic rights. The daughter of the Nagi tribe's chief, Mala (Vyjayanthimala) vows to kill the son of the Ragi tribe's chief, Sanatan (Pradeep Kumar) as revenge. Trespassing the enemy territory, she is mesmerized by music of a flute (played by the musician Kalyanji Virji Shah). Coming closer, she finds out that the singer is Sanatan. They fall in love, but find it difficult to appease the enmity between the two tribes and to resist the attempts of the villain Prabir (Jeevan) to marry Mala.
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Balak (1969)
Character: Anokhilal
Ever since his birth, Deepak has been led to believe that he has brought nothing but bad luck to everyone around him. His dad passes away on the day of his birth, shortly thereafter his mom...
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Kali Ghata (1951)
Character: N/A
After his brother gets married to his former lover, a playboy meets a French archeologist and his daughter as they are studying the Ellora Caves.
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Hawa Mahal (1962)
Character: N/A
Hawa Mahal is a 1962 Hindi drama film starring Bela Bose,Helen, Jeevan, Murad. Two sisters, Neelampari and Champakali, living in Patal Lok, are given the task of gathering 100 souls. However, Champakali falls in love with a human being. This enrages Neelampari who then banishes Champakali from the kingdom.
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Ghar Ki Izzat (1948)
Character: N/A
Chandra, an upcoming lawyer, meets and falls in love with Roopa, a poor woman. After the wedding, Roopa is ill-treated by her in-laws and, unable to stand up to his family, Chandra takes to drinking.
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Badrinath Yatra (1967)
Character: Shivanand Deshmukh
Due to her son's, Devdutt's arrest, Satyavati is unable to take the Badrinath Yatra. Subsequently, he starts to frequent a brothel to visit with a courtesan, Chandravati, and virtually refuses to do anything with his pregnant wife, Sheila. He even drinks alcohol, and assaults his father, Jaggannath, and brother, Sridhar. Things get even worse when he blinds his mother, lets Chandravati and her entourage move in their family home, and asks Sheila to serve the courtesan.
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Chandni Chowk (1954)
Character: Ibrahim
A Nawab belonging to the Chandni Chowk area of Delhi gets tricked into marrying his daughter to the gardener's son.
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Changez Khan (1957)
Character: Ustad
Changez Khan is a Hindi Feature Film starring Jeevan , Leela Mishra , Tiwari , Helen , Johnny Walker , Premnath , Shaikh Mukhtar , Bina Rai and more.
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Shabnam (1964)
Character: Sipeshala Zaber
A faithful retainer tries to foil the plot to replace his country's queen with a look-alike.
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Do Phool (1958)
Character: N/A
The orphaned Poornima is consigned to the care of her grandfather by her uncaring aunt. Grandfather lives in isolation up a mountain with only goats and the boy goatherd, Jaggu, for company. Poornima enjoys an idyllic life until her aunt returns. Auntie has found a buyer for her niece. She is to become the companion of the wheelchair bound, Rupa. Forced to leave her mountain retreat, Poornima becomes firm friends with Rupa despite the presence of the scowling nanny. She receives a good education too. Even so, Poornima pines for the mountains. Jaggu pines for Poornima and, when on the doctor's advice, Poornima is returned to the hills, it's Rupa's turn to pine for her. Brought up the mountain for a visit, Rupa enjoys the health-giving properties of fresh air and goats' milk. When her wheelchair is tossed over a cliff by Jaggu (who resents the presence of the interloper)a miracle occurs. The story is adapted from the children's classic "Heidi".
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Kanoon (1960)
Character: N/A
A lawyer holds the eyewitness evidence to catch a killer, but the identified criminal is the lawyer's own mentor, prospective father-in-law, and also the judge who presides over the case.
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Kangan (1971)
Character: Hanuman
Sunil lives a middle-classed lifestyle in a village in India along with his widowed mom, Janki. He is studying Medicine in the city, is in love with his childhood sweetheart, Shanta, and everyone expects them to get married soon. However, Janki does not approve of Shanta, finds her uncouth and illiterate, and instead approves of Shobha and arranges Sunil's marriage with her. Shanta's mom, Parvati, falls seriously ill so much so that Sunil returns home, promises to wed her daughter, and she passes away. Sunil returns to the city to continue and finish his studies. After sometime he becomes a fully qualified doctor and returns to the village to open his own dispensary. It is here that he will learn that Shanta is now married to the wealthiest man in the village, Lakshmipati, who is not only a widower, father of a deceased child, but also much older than Shanta. Watch what happens when an embittered Sunil confronts Shanta to find out why she betrayed him and their promise to her late mom.
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Zindagi (1964)
Character: N/A
Beena falls in love with Rajan after he rescues her from some goons. Soon they marry and she is pregnant. The trouble starts when Beena spends the night with Gopal. What compels her to do this?
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Hulchul (1951)
Character: N/A
Kishore loves Asha, whose father raised him like a son, and sets out to earn money to wed her in great pomp. However, fate has other plans as it lands him in jail under a false charge.
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गुनाहों का देवता (1967)
Character: N/A
A drunkard falls in love with a girl, who takes on the responsibility of making him better.
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Nasbandi (1978)
Character: Raosab Banvari Lal
Inder Sen Johar's much publicized comic look at the forcible sterilization program carried out under the orders of former Indian Prime Minsiter, Indira Gandhi, and her son, Sanjay Gandhi, during the dark days of Emergency. Johar comically portrays this story, which was censored and banned for several years by the Government of India, and stars duplicates of many popular Bollywood stars, including Anitav Bachchan.
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स्टेशन मास्टर (1942)
Character: Manikbabu (Shyama's dad)
A railway employee, Kalicharan, would like Usha, the Station Master of Rangpur Railway Station's daughter, to get married to Niranjan, the DTS of Indian Railways, but Usha has fallen in love with Arun, a Guard with the Railway, wants to marry him, and refuses to marry Niranjan, who is twice as old as her and a widower as well.
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Main Jatti Punjab Di (1964)
Character: N/A
Preetop (Nishi)is a beautiful girl of handicapped father, her mother is dead. She loves her father and takes responsibility of farming in their fields.
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ये दिल किस्को दूं (1963)
Character: Master Hunter
In search of love, a millionaire leaves his palatial home and roams the town disguised as a tramp. He meets and falls in love with a gypsy girl.
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Jan Pahchan (1950)
Character: Jeevan
Anil, an artist, comes to stay in a village with his friend Jeevan. While there he meets Asha and asks her to model for his statue. The two fall in love. They marry secretly but Anil must leave as his father is dying. While on the way back his car crashes and he is disfigured. Anil is now reluctant to go to Asha in case she no longer loves him, while meanwhile Asha is pregnant and being shamed by the villagers.
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ज़माना (1938)
Character: N/A
A married couple is overcoming social challenges and obstacles, with fate playing a pivotal role in their decisions.
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Badi Didi (1969)
Character: N/A
Bollywood family drama from director Narendra Suri and featuring music from Ravi.
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पटरानी (1956)
Character: Uday Mantri
The story is about King Karma Dev who gives a lot of importance to physical beauty. His mother, the Rajmata requests Mahamantri Munjal to find him a nice wife. Karma Dev often dreams of marrying an unknown beautiful woman he had once seen in the Somnath temple. Meanwhile, Mrinalla is the princess of Karnataka, who also dreams of marrying a king she had once seen in the Somnath temple. When Munjal happens to see the beautiful woman Mrinalla, he shows the King's portrait to her and she is happy to finally find the man of her dreams. So she runs away from the palace and searches for Karma Dev to marry him. Soon after, Munjal shows Mrinalla's painting to Karma Dev, who agrees to marry her. On the day of the marriage, the King finds out she is dark and refuses to marry her. After several incidents, Karma Dev realizes his mistake and at last he happily accepts Mrinalla as his Patrani.
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Intaquam (1969)
Character: N/A
Reeta Mehra gets a job at a department store to support her ailing mother. After she refuses sexual favours to an important business partner, her boss Sohanlal has her framed for shoplifting. When Reeta gets out of prison, her mother has died. She meets Heeralal, who has also been cheated by Sohanlal, and together they work out a plot for revenge. Reeta is to marry Sohanlal's son and then reveal her history, disgracing Sohanlal's name. Things quickly become more complicated than anticipated.
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Ek Paheli (1971)
Character: Joseph
Sudhir goes to take care of his family business in Goa. He is attracted to Maria, a mysterious woman who meets him in an old graveyard.
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मोती महल (1952)
Character: N/A
In the hilly state of Champa Nagar, the magnificent castle of Rai Saheb Motisagar called "MOTI MAHAL" stands there even today in all its regal glory. Our story springs from this historical palace whose ghastly memories make people shiver with fear even now. After Rai Saheb's sudden demise the rumour got currency that his restless spirit still hovered about the palace. Though nobody had any proof in support of this, but subsequent incidents gave substance to it. Just two days after his death, as his maid servant was bringing his only Son SUDHIR to Champa Nagar by train the child disappeared on the way. Hardly could the shock of this news subside, when one stormy night his nephew Jugal and sister's son Shekhar came together to "MOTI MAHAL" to hear the WILL from Vakil. But Lo! the Vakil himself vanished and his dead body was picked up in the palace-compound, sometime later.
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Gambler (1971)
Character: Master (as Jeevan)
Raja (Dev Anand) has been abandoned by his biological mother at a very young age, and grows up with Master (Jeevan), a criminal don and card-sharp, who would like Raja to continue working with him on a commission basis. Raja learns all that could be learned about playing cards, quits work with Master, and starts work on his own. He succeeds considerably, and soon gets rich and wealthy. He falls in love with beautiful Chandra Gangaram (Zaheeda), and would like to marry her. But her father would like her to marry U.K. settled Ram Mehta(Sudhir), before Raja could do or say anything against this alliance, he is charged with the cold-blooded murder of Master. The climax in Raja's life is in the Court Room where he will find out about his past, and about his parents - while he awaits the outcome of the trial. From http://en.wikipedia.org/wiki/Gambler_(film)
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Shrimanji (1968)
Character: N/A
The year is 1942 and Advocate M.L. Gupta lives a wealthy lifestyle along with his wife, Maya, in Churchgate, Bombay. One day he travels to Calcutta, and during an air raid by Japanese fighter aircraft, takes shelter with a prostitute, Panna, who drugs and then seduces him. The next day Gupta returns home and decides to forget about this affair. Shortly thereafter he and Maya become parents of a male child and name him Johar.
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Durgesh Nandini (1956)
Character: N/A
Akbar deputes Raja Mansingh to conquer Orissa, where Pathan King Katlu Khan reigns. Mansingh, despite enmity, asks for cooperation. He sends Jagat Singh to Burdwan to spy on Pathan military activities, meeting Durgesh Nandini.
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Bhagwan Samaye Sansar Mein (1976)
Character: Devrishi Narad Munni
Devrishi Narad informs Bhagwan Shri Vishnu of atrocities committed by Mahaant on low caste untouchables. Narad is told that a devotee by the name of Eknath has already been born in Paithan, the grandson of Chakrapani, who will ensure equality for all. Eknath turns out to be precocious and is sent out to Janardhan Swami's Ashram. Years later he returns, weds his childhood sweetheart, Girija; visits the Char Dhams (Dwarka, Badrinath, Jaggannath Puri, & Rameshwaram) and sets out to do his fated task much to Mahaant and the Jagirdar Amar's chagrin - who arrest and put him behind bars.
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Pyase Panchhi (1961)
Character: Jamunaprasad Chaturvedi
Gangaprasad Trivedi would like his son, Kiran Kumar, to get married and settle down. He even goes to the extent of selecting a bride, Sheela Chaturvedi. But Kiran has fallen in love with Jyoti, who is trapped by her Father. This intagled mess results in a hilarious musical dramedy.
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Garam Masala (1972)
Character: Captain Kishore Chandra
Lusty womanizer, army Captain Kishore, wants a gypsy dancer for himself, and is ready to kill anyone who tries to get in the way. But his plans are foiled when the woman kills herself, leaving behind an injured father, the head of the gypsies, and a younger sister by the name of Jugnu. Jugnu swears to avenge her sister's death, and seeks training from Robert Taylor, and becomes an expert in weapons and fist-fighting. She assumes the guise of a masked male and calls herself "Garam Masala", and inflicts terror in Captain Kishore's life and army. Garam Masala's attempts to kill Kishore are foiled when she is captured. She is rescued by a mysterious masked male, who disappears into the night. Kishore is clearly baffled by the appearance of two masked men, and asks his men to search high and low for them. In the meantime, Kishore returns to his kingdom, which has it's King missing for several years, and the prince - a puppet in the hands of Kishore and his men.
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Mahabharat (1965)
Character: Shakuni
A version of the epic Indian poem "The Mahabharata", telling the story of the war between the families of the Pandavas and the Kauravas, descending from the same ancestor.
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Sanam Teri Kasam (1982)
Character: Wilson
Sanam Teri Kasam is the story of Sunil and his search for his father who has gone somewhere when Sunil was just a child. He meets Reena Roy en-route who leads him to his father Kader Khan. But unfortunately, somebody else (Ranjeet) has already been planted by Jeevan as Sunil and hence, Kader Khan neither recognises his real son, nor allows him to meet Reena Roy. In the end however, every hurdle is removed and all is well. The film is also known for its super hit songs, especially 'nisha, nisha, nisha'. The other songs 'sheeshe ke gharon mein', 'kitne bhi tu kar le sitam' were also hit.
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Lootera (1965)
Character: Wazir-e-Aazam
A Bollywood historical action film.
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Nishaan (1983)
Character: N/A
Diwan and Bhagail Singh kill Kanwar for his property. In the confusion that follows Kanwar's wife Laajvanti and her sons, Shankar and Ravi are separated. Shankar drifts around in search of his mother and Ravi. Ravi works for Diwan and loves his daughter Reeta. Shankar and Ravi are friends. Diwan and Bhagail Singh drive a wedge between them and have Shankar sent to jail on a false charge of theft.
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Laawaris (1981)
Character: Lala
Left in the care of an alcoholic Gangu Ganpat, young Heera, who named himself after a stray dog, wrestles with life in his young age. Years later, now a young man , he works for Mahendar Singh and is in love with Mohini, who will not have anything to do with him due to his lack of ancestry. Heera is now determined to find out who his parents are, and the only one who can help him is the elusive, alcohol-induced and incoherent Gangu Ganpat.
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फूल और पत्थर (1966)
Character: N/A
Circumstances have made Shaka a career criminal. When plague empties a town of its inhabitants, he takes the opportunity to burgle a house. He finds nothing except Shanti, a widowed daughter-in-law who has been left to die by her cruel relatives. Shaka nurses her back to health. When her relatives return they are not pleased to find her alive and even less pleased to discover that someone has tried to rob them. Shanti gets the blame and a beating. Shaka saves her from worse, at the hands of brother-in-law, and the pair flee. They set up home in Shaka's house, much to the displeasure of the respectable neighbours who are all too ready to think the worst.
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Ek Gaon Ki Kahani (1975)
Character: Dharamdas
The films tells how a greedy moneylenders son Gangaram, is Saved from following in his fathers footsteps by an understanding wife. The villagers and particularly the arch-enemy of the youth, come to know the change in heart of the moneylenders son only after setting his house on fire. Later they save Gangarams wife and children from the fury of floods.
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Bandhan (1969)
Character: Jeevanlal
Jeevanlal lives in a small village in India with his wife, Sita, a son, Dharmchand and daughter, Meena, and makes a living by stealing which causes great distress to his family.
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Jeevan Mrityu (1970)
Character: (uncredited)
An honest bank manager is arrested for embezzlement on the eve of his marriage. After his release, he seeks out his fiancee and decides to take revenge on his colleagues, who falsely implicated him.
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वक़्त (1965)
Character: Orphanage Warden
A businessman's family is torn apart by an earthquake and reunited years later in a courtroom where father and sons stand opposed in the roles of accused, lawyer, and witness.
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Chowkidar (1974)
Character: Lala Dinanath
This is a story of feudalism in it's raw state. The tonga and a certain simplicity of the village folk is exploited by the Jagirdar and his cohorts. Until the Chowkidar and a doctor -the only son of the money-lender- who initially obtains goodwill by curing people, and providing financial assistance for recovery want to start a change. The influence of the Jagirdar, incites the villagers and his thugs frame the Chowkidar, the doctor and threaten the well being of two women. Throught the film the Jagirdar deals with the sins of his father, will he be able to be a man, and acknowledge the crime of his father?
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डरा सिंह (1964)
Character: Mahamantri (as Jeevan)
A poor wood-cutter is rewarded with a gold, but the rejected ruler abducts his mother for ransom.
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Do Phool (1973)
Character: N/A
A wealthy man disowns his two irresponsible sons to teach them a lesson. One of them plays a prank by claiming that he has murdered his brother but soon, a mysterious body stuns everyone.
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Humse Na Jeeta Koi (1983)
Character: Shakti's Father
Sunder Singh lives with his wife, Lajwanti, and three sons, Bheema, Kishan, and Vijay, in a small town in India. His two elder sons are slackers and up to mischief and wrestling. They find they can better their lives if they buy a tractor to till the land. Lajwanti comes up with jewelery and the brothers recover the rest of the money on hold with Lala Bhagwandas, and set forth to buy a tractor. They re-locate to the city and team up with their police inspector brother Vijay. Watch as hilarious events unfold that will encompass the trio in crime, romance, and jail-time, as they try to diligently fulfill their parents' wishes.
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Heera Panna (1973)
Character: Hari
Heera has two passions in his life, namely his love for Reema, an air-hostess, and photography. When Reema passes away during an airplane accident, Heera is left with only passion in life - photography. During one of his photographic sessions with Raja Saab, a priceless diamond is stolen by Panna, and is hidden in Heera's car. When Heera comes to know about this theft and that he is in possession of stolen property, he decides to turn Panna in to the police, and that's when he comes to know that Panna is Reema's younger sister.
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Raton Ka Raja (1970)
Character: N/A
Raja is hired to steal the Anarkali, a 5000-year-old sculpture, from the "SAFEST" museum ( which is HOLLOW from the top!!).
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Ganga Ki Saugand (1978)
Character: Lala
Jeeva, the son of a elderly washer woman, is tired of the abuses at the hands of his village's leader Thakur Jaswant Singh, and vows to bring about his downfall.
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Uran Khatola (1955)
Character: N/A
When a plane crashes the pilot is saved by the beautiful Soni and the two fall in love, unfortunately, however, the local queen also falls in love with him.
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Amar Shakti (1978)
Character: Diwan Nahar Singh
In order to take over the kingdom, Shamsher Singh and Nahar Singh kill Yuvraj Gopal Singh and his wife, Roopa. The news of these deaths shocks the Maharaj who becomes seriously ill, but instead of treating him, the duo, with the help of the Hakim, poison him. They also believe that the heirs of this Kingdom, two young boys, Bada and Chhota Kumar, are also dead - paving the way for Shamsher to crown himself king. Years later Shamsher is still king, and has a daughter, Sunita, who he wants to get married to Kunver Ranjit Narayan Singh of Kishanganj. Shamsher does not know that the Bada and Chhota Kumars are still alive, while Shakti was taken in by a tribe of gypsies, Amar lives with his palace nanny, Leela, and believes she is his mother. The two princes will meet soon, not as friends and brothers though, but as enemies.
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Suhaag (1979)
Character: Bhaskar
Durga and Vikram Singh have been married for years. Vikram has taken to crime in a big way, and as a result has antagonized a rival gangster, Jaggi. Durga gives birth to twins, and Jaggi steals one of them, and sells him to a bootlegger, Pascal. Durga is upset when she finds her son missing, but is devastated when Vikram abandons her. With a lot of difficulty, Durga brings up her son, Kishan, and has given up on finding her other son. Kishan has grown up and is now a dedicated police officer. On the other hand, Pascal has exploited Amit, kept him illiterate, doing petty crime, and alcoholic. This gets him in confrontation with Kishan, but ironically the two settle their differences and become fast friends. Vikram is still alive, and is not aware of his two sons and wife being alive.
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धरम वीर (1977)
Character: Satpal Singh
An Astrologer informs Satpal Singh that his nephew will eventually kill him. When Satpal's sister, Maharani Meenakshi, gives birth to twins, he has one thrown from the castle walls, and ...
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मेला (1948)
Character: N/A
A convicted murderer is released from prison. His only possession is a broken figurine - the last token of his love. The tragic story of how he came to be incarcerated and the significance of the figurine is the subject of this tale of star-crossed lovers whose destiny is moulded by society's rigid rules and the villainy of a scoundrel.
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Aabroo (1968)
Character: Darwajalal
After being betrayed by the woman he loves, a doctor is accused of killing her husband.
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आखरी दाव (1958)
Character: Jangi
A car mechanic falls in love with a girl but discovers her father has a large debt, leading him to gamble and marry another to pay off the debt.
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Unees-Bees (1980)
Character: N/A
Siblings get separated in childhood. After years they faced each other as rivals.
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Balak Dhruv (1974)
Character: N/A
A king's second wife plots against her stepson Dhruv, the rightful heir of the throne, in an attempt to make her own son the king.
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Geraftaar (1985)
Character: Lucy's Father
Brothers Karan and Kishan are separated when Karan is framed for a murder, leading him to commit suicide. But, he is saved and grows up to become a cop. Years later, Kishan too is framed for a crime.
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Yaarana (1981)
Character: N/A
Bishan loses his fortune while helping his friend Kishan in his singing career. Now successful, will Kishan return the favour?
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अफ़साना (1951)
Character: Chatpat
Ratan and Chaman are twins brothers who love the same girl, Meera. During a fair, all three are separated. While Chaman and Meera are found, Ratan is untraceable. Years later, Chaman is no longer attracted to Meera, but in a dancing girl named Rasily, while Meera awaits word of her childhood sweetheart Ratan, who she feels is still alive. Then the unexpected happens, Chaman gets into a fight with another man, killing him, and is on the run from the police. Misunderstandings are clarified, and the law declares this to be an accidental death, and as a result Chaman returns. But this is not the same Chaman any more. For one thing, he has lost interest in Rasily, and is more interested in Meera - could it be that Ratan has returned in place of Chaman? If so, what has happened to Chaman?
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Aag (1967)
Character: Lala
Shanker is a young man who lives in a small village community with his mute sister, Durgi, and his mom, Shanti. Shanker's efforts to get Durgi married are all in vain. The local money-lender, Lala, in his early 60s, comes to know about this and proposes to marry Durgi, but is refused, and asked to leave. Lala plots vengeance, and gets his chance to rape Durgi, resulting in the death of Durgi. Shanker hunts him down, and kills him. Lala's death involves the police, and Shanker must run from them. He does so, and joins a gang of dacoits and pledges to be part of their gang, not knowing that in so doing, he will be spending the rest of his life, hiding in caverns and the countryside, unable to see his mother anymore, nor any normal human being, for the rest of his life.
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आँखें (1968)
Character: Doctor
Shortly after independence India faces terrorists attacks in Assam. A group of concerned citizens, who are not connected with the government, decide to do something to stop this carnage. Spy Sunil Mehra (Dharmendra) must travel to Beirut and foil the terror group.
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नसीब (1981)
Character: Professor Prem
Naseeb, a story of destiny and fate, begins with a lottery ticket. A drunk who cannot pay his restaurant bill trades his recently purchased ticket with a waiter. Naseeb becomes a poignant story about love, friendship, sacrifice, deceit, revenge and above all, destiny.
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Laparwah (1981)
Character: Vakil saab
Reckless Shera is hired by prowler Johnny to execute his plan to earn money by marrying wealthy Thakur's daughter Sandhya.
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Ishk Ishk Ishk (1974)
Character: Ghanshyam Dayal
Dhun comes from a wealthy and talented family and desires to see the world on his own. He sets upon this travel and on his journey comes upon an inn called Five Daughters, run by Pahar. Deciding to stay there for a while, he meets Pahar's daughters and falls in love with Pooja. Pooja reciprocates his love and both hope to get married. Just when their marriage is being planned, Pooja's family comes to learn that Dhun and Pooja are related.
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Bandish (1980)
Character: N/A
Kishan (Rajesh Khanna), the rich and spoiled son, studying medicine in college, of a wealthy man (Om Prakash) is taught a lesson in humility by fellow student, Madhu (Hema Malini), and he undergoes a dramatic transformation, and also falls in love with her. Their dreams are shattered when Madhu is killed by Kapilkumar (Danny Denzongpa), and a devastated Kishan relocates to a small village to practice medicine. He meets with Chanchal, an exact look-alike of Madhu, and finds himself drawn towards her, and she too is attracted to him. But does fate have positive results for Kishan?
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जॉनी मेरा नाम (1970)
Character: N/A
When a gangster named Heeralal gets arrested, he befriends Johny, a petty thief, in prison. He seeks Jony's help in executing his mission of smuggling a few diamonds. Johny, however, is an undercover CID officer named Sohan.
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जॉनी मेरा नाम (1970)
Character: Heera Lal
When a gangster named Heeralal gets arrested, he befriends Johny, a petty thief, in prison. He seeks Jony's help in executing his mission of smuggling a few diamonds. Johny, however, is an undercover CID officer named Sohan.
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Shareef Budmaash (1973)
Character: Diwan Saheb
The Government of India has devised plans for a new kind of super aircraft. A gangster, Diwan, manages to procure this plan from corrupt military officials, and hides it in his safe along with other valuables. The police find out that the plans have been stolen by a "Diwan", and start a manhunt for all Diwans in Bombay.
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नया दौर (1957)
Character: N/A
Shankar lives in a remote village in rural India with his mother and sister, Manju, and drives a horse-carriage for a living. The main employer in the region is a kind-hearted businessman Maganlal. When Maganlal announces that he would like to undertake a religious pilgrimage, his son, Kundan, takes over and wants to cut back on labor and mechanize the business - thus leading to loss in jobs
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Phaansi (1978)
Character: Lala
In seeking to avenge his father's murder, a young man puts an entire village at risk of retribution.
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वारिस (1954)
Character: Gangwa
An inheritance melodrama about Kunwar (Mahmood), the son of zamindar Himmat Singh (Sethi). Kunmar marries Shobha (Suraiya) and is disinherited, forcing him to join the army during WW2. When he is reported missing and presumed dead, a repentant Rana invites Shobha to stay with him. However, it is Kanta (Nadira), a young woman betrayed by Rana's villainous secretary Kailash (Yakub), who arrives at the house and his mistaken for Shobha. Masquerading as Shobha, who lives nearby in absolute poverty, Kanta moves in, causing a moral dilemma and generating suspense since she could be caught at any moment.
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तीसरी आँख (1982)
Character: Paul
Childless Malti is married to a honest man, Kailash Nath, who one day brings home a newborn baby boy and asks her to take care of him. Malti names the boy Ashok, and brings him up as her very own. Thereafter she gives birth to two boys, Amar and Anand. When Kailash testifies against dreaded bandit & devil worshiper, Jabbar Singh, he is threatened with death. Jabbar is sentenced to be hanged, but before that could happen he is killed. Jabbar's son, Sheroo, avenges his father's death by killing Kailash. Sheroo is arrested by Kailash's friend, Inspector Om, and sentenced to 20 years. A dying Kailash informs Malti that Ashok is Devki's, his first wife's son, and makes her promise that she wil continue to love Ashok as her own, which she does, and Kailash passes away. When she returns home she finds out that Amar is missing, possibly drowned. She blames this on Ashok and starts hating him. Sheroo escapes from prison, abducts Inspector Om and holds him prisoner, whipping him regularly.
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अमर अकबर एन्थोनी (1977)
Character: Robert / Albert
Bollywood action comedy film with a lost and found theme, about three brothers separated during their childhood who grew up in three homes, adopting three religions. They meet in their youth to fight a common villain. It was the biggest blockbuster of 1977, and won several awards at 25th Filmfare Awards including Best Actor, Best Music Director and Best Editing.
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तराना (1951)
Character: Diwansaheb
After a plane crash, Dr. Motilal (Dilip Kumar) is left stranded in a small village, where he is given shelter by a blind old man called Surdas and his playful, young daughter Tarana (Madhubala). During the course of his stay, Motilal falls for the charms of the innocent Tarana.
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Ashanti (1982)
Character: Malik
During the process of a police investigation Police Inspector Kumar Chandra Singh himself becomes a suspect.
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Surakksha (1979)
Character: Hiralal
In a bid to locate a missing employee, Jackson, the Central Bureau of Investigation assigns Agent Gopi to locate him. Gopi accepts this assignment and must battle women, venomous snakes, gangsters, kidnappers, a robot-human, as well as Priya Varma - who believes that he killed her father, Dr Varma, Neelam - who is determined to seduce and then enslave him, and the unknown and mysterious head of an organization simply known as S.S.O.
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तलाश (1969)
Character: N/A
A business man must choose between keeping his promise to marry a poor village belle, or making it big by wedding his boss's daughter: a wealthy Westernized girl who bares a striking resemblance to his first love.
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Choron Ki Baaraat (1980)
Character: N/A
Anju lives a wealthy lifestyle with her widowed dad, Dhanraj, on a privately owned island. She studies in a hostel, plays on the football team, but is known for getting into fights with other girls, rather then taking part in this sport. But before that could happen, six men men who had duped by Dhanraj several years ago, arrive on the island incognito, enlist the assistance of the island's native people, led by Heera, who have been oppressed by Dhanraj and Captain Ashok, to recover their loot and kill Dhanraj and Anju. It is here that Anju will find out that the reason Shekhar accompanied her was not because he loves her, but for quite some other unknown and devious reason.
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