|
|
|
El Jorobado (1943)
Character: N/A
Historical drama/swashbuckler: Spain during the Inquisition.
|
|
|
|
|
Una mujer que no miente (1945)
Character: N/A
Headmistress of a girl's school and one of her pupils get into romantic-comedy trouble trying to keep their lies straight.
|
|
|
|
|
Siempre tuya (1952)
Character: N/A
Husband and wife leave their farm and move to the big city. Husband becomes a famous ranchera singer.
|
|
|
Nadie te querrá como yo (1972)
Character: N/A
A student-movement leftist becomes a nun and absorbs lots of deep, deep TV-movie spiritual lessons about God's glorious plan.
|
|
|
El Buen Mozo (1946)
Character: Magdalena Forestier
Unscrupulous cad sleeps his way to the top of belle epoque Paris society.
|
|
|
Hay un niño en su futuro (1952)
Character: N/A
Wacky rich woman subjects her husband, servants and friends to a series of elaborate masquerades, remodeling her house and wardrobe every couple of days to represent different historical eras or cultural milieux. Today she's Marie Antoinette, tomorrow she may be Pancho Villa's common-law wife or a nun.
|
|
|
El muerto murió (1938)
Character: N/A
The paths of a young woman and her late husband's mistress cross without their knowing it, which causes much confusion for the two women and their new partners.
|
|
|
Prohibido (1970)
Character: Laura
Two young adults, brother and sister, discover that both were adopted, and they start to develop grown-up feelings toward each other. Is this the worst, most perverse thing to ever happen? Opinions differ.
|
|
|
El derecho de nacer (1952)
Character: María Elena
In Santiago de Cuba in the early 1950s, history begins. A young woman of high society becomes pregnant with a false love, her father orders his black maid (Dolores) to kill the baby (Alberto), but she flees to Havana where Alberto becomes a renowned doctor.
|
|
|
Pecado Mortal (1955)
Character: Clara
Juan Manuel intends his wife Clara, who is blind, sign the will in his favor, but she refuses. With them lives Soledad, goddaughter Clara. A day comes Carlos, nephew of Juan Manuel, who is interested in Soledad. Carlos is going to study medicine in the United States and maintains correspondence with Soledad. Juan Manuel shows interest in Soledad but prevents Clara meet her. She is the daughter of Clara, who hid that Juan Manuel had killed the father of Soledad and also caused her blindness.
|
|
|
|
|
|
|
En la trampa (1979)
Character: Remedios
Oscar Cardenas is a free young man who dreams of being a racer. One day he is trapped by Isabel Salas, a young secretary, who while finds a husband, she is sleeping with her boss. Oscar and Isabel end at the altar. From that moment Oscar, is falling into the traps that the 'society' puts over him...
|
|
|
El caso de la mujer asesinadita (1955)
Character: Mercedes
Ghosts and premonitions; a married woman discovers the true love of her life while being plagued with supernatural phenomena relating to her imminent murder. It's a comedy.
|
|
|
Acto de posesión (1977)
Character: Marta
Raquel's not able to have children, so she and her boyfriend manipulate another young woman into bearing his child.
|
|
|
Jaque a la dama (1979)
Character: N/A
After Paula's suicide, her best friend, Ana, recalls the circumstances that united both women in the past and how they lived a close relationship that could have become more than just a friendship if social conventions had not prevented it.
|
|
|
Tentación (1943)
Character: Ana María
Upon reaching the capital, an old man and his daughter are victims of abuse, where their goodwill becomes the way to gain control of the low instincts of a man who sought favors he did for an uncontrolled temptation.
|
|
|
Rincón brujo (1949)
Character: N/A
Young peasant woman allows an army officer to woo her, as a way of drawing attention away from her father's insurgent connections... while her own affections are torn between two brothers.
|
|
|
El sol sale para todos (1950)
Character: N/A
A bullfighter suffers an accident during an afternoon of bullfighting in a town square and his ex-lover tells his story.
|
|
|
El que tenga un amor (1942)
Character: N/A
Victor must leave his life of partying and change his girlfriend, Lucero, for the bride that awaits him in his hometown.
|
|
|
Jengibre contra Dinamita (1939)
Character: N/A
He shows us a poor Cantinflas like a rat that walks with a sad hatter and ends up in a bar where he will have a clash with the dangerous bandit "Ojo Tapado" (Covered Eye).
|
|
|
Bromas, S.A (1967)
Character: Martina Pérez y Pérez
Eccentric millionaire hires a team of young people to help him stage practical jokes.
|
|
|
|
|
El conde de Montecristo (1942)
Character: Baronesa Herminia de Danglars
Based on the famous novel by Alexandre Dumas, The Count of Monte Cristo tells the story of a man who is unjustly imprisoned alongside an old man, who before dying reveals the location of a buried treasure. When the man manages to escape from his miserable cell, he changes his identity, becoming the wealthy Count of Monte Cristo, an identity he uses to take revenge on those who betrayed him and sent him to prison.
|
|
|
Los perros de Dios (1974)
Character: Carmen's mother
After a near-drowning, Laura moves through four social worlds under different names, obsessed with God’s infinite mercy and provoking sin to test forgiveness.
|
|
|
Qué hombre tan simpático (1943)
Character: Fanny
Amable is the drinking buddy of Paquito, a former medical student who plays Fanny's love, a cabaret singer and also with Conchita, a showgirl. One day, Paquito receives a telegram that his uncle Pancho vayaa asked to see his wife and other medical eminence to heal him his kidney ailment. Among all a hoax to mount Paquino not lose the inheritance from his uncle.
|
|
|
|
|
Aquel famoso Remington (1982)
Character: Tita
Historical drama about the career of a hit-man who specialized in political assassinations in Mexico in the 1920s-30s.
|
|
|
Una carta de amor (1943)
Character: Marta Maria Mireles
Moments before he will be executed by the French Intervention Army, the liberal leader reads a love letter by his girlfriend. His memories provide the poetic pictures of this romantic historical drama.
|
|
|
|
|
Primera Comunión (1969)
Character: N/A
A very humble boy longs conditions make their first communion, but circumstances do not allow it until, after a tragic accident, Paco Malgesto and a group of people who help make his dream.
|
|
|
|
|
El Vuelo de la Cigüeña (1979)
Character: Esposa de Ramón
An erotic model has three lovers, one of them is the father of her child. Which of the three will be?
|
|
|
La tía de las muchachas (1938)
Character: Lupita
Two middle-aged no-goodniks are trying to marry two young ladies; two age-appropriate young men concoct a scheme to prevent it, which involves one of them masquerading as the young ladies' aunt.
|
|
|
Un gallo en corral ajeno (1952)
Character: Laura Montellano
A wealthy sculptor takes in a thief as a servant on her ranch, hoping to reshape him, but their situation is disrupted when she discovers a major robbery has taken place on her estate.
|
|
|
Mujer de medianoche (1952)
Character: N/A
Young woman elopes with her fiancé; during their honeymoon, things happen that cause them to be separated, and she finds herself alone in a big city with no resources to fall back on.
|
|
|
La noche y tú (1946)
Character: N/A
Tango singer exploits his popularity in high society to commit crimes.
|
|
|
|
Odio (1940)
Character: N/A
A 1940 film directed by William Rowland.
|
|
|
La posada sangrienta (1943)
Character: N/A
Young couple are trapped in an isolated mansion while members of a criminal gang are killing each other off on the premises.
|
|
|
Cruz de olvido (1984)
Character: N/A
Ambitious, insensitive mother blocks daughter's marriage by telling her fiance a lie about her.
|
|
|
|
|
La muerte es puntual (1967)
Character: María Luisa Prado, la chata
Several lives intertwine: those of a group of vandals, a drug addict, and a girl who works as a waitress in a restaurant where her mother cooks.
|
|
|
Ley fuga (1954)
Character: N/A
As he rises through the ranks of the police department, a young officer gets more deeply involved in manipulating gang activity for personal gain.
|
|
|
La venenosa (1949)
Character: Liana Romero
A snake-charmer falls in love with a circus trapeze artist who trains her and has her debut in this discipline.
|
|
|
Cada loco con su tema (1939)
Character: Josefina Larios
Julio Cesar (Enrique Herrera), writer of soap operas, is very upset nerves. Dr. Jimenez (Alberto Galán) recommends an institution that will give he a therapy to cure these scares. To avoid exposure to bad publicity, is camouflaged by the pseudonym Justiniano Conquian . By chance, a taxidermist (Joaquin Pardavé) also named. His case is different: it is a millionaire heir heritage potential, but will only be legally recognized if it meets a peculiar condition in the will, having to spend a whole month in the gloomy castle Conquian, competing with other heirs of fortune. Dr. Jimenez is bribed by a cousin of Justinian to send the false Conquian scares Castle into thinking that is the sanatorium.
|
|
|
¡Qué lindo es Michoacán! (1943)
Character: Gloria
When her father dies, a young woman must go to Michoacán to take charge of her lands, where she meets a young man and they both fall in love.
|
|
|
La casa del ogro (1939)
Character: La hija del ogro (Clara)
Lives of the tenants in a shabby-genteel apartment house. Miserly landlord learns valuable life lessons.
|
|
|
|
El criado malcriado (1969)
Character: Esperanza
Man hiding from the police is trapped into posing as a butler at a rich family's country estate.
|
|
|
Crepúsculo (1945)
Character: Lucía
Doctor Alejandro Mangino falls in love with Lucía just before he goes on a round-the-world trip. Pining for her all the while, he returns to find that she’s married his best friend.
|
|
|
El socio (1946)
Character: Anita Velasco
A former singer, determined to succeed in business, comes up with a partner and just believing their existence. In the end, wake up ...
|
|
|
|
|
Historia de un gran amor (1942)
Character: Soledad
Manuel leaves town leaving Soledad in deep sadness. After several years of absence, the young man returns to find Soledad married to Antonio. However, the woman continues to be in love with him and both are determined to consummate their love.
|
|
|
|
|
Cuando los hijos se van (1941)
Character: Nini
Unjustly accused of theft, the noble Raimundo is forced to leave his paternal home. A new incident, caused by the ambition of his brother José, causes Raimundo to be disowned by his girlfriend María and by his father, the just and strict Don Pepe. The only one who believes in Raimundo is his mother, Dona Lupita, a woman who suffers deeply because of the wrong decisions of her children.
|
|
|
Cantinflas Ruletero (1940)
Character: N/A
Cantinflas Ruletero is one of his most famous short films, where the great comedian acts as a taxi driver, making his passengers work without taking them to their destination.
|
|
|
El Coyote (1955)
Character: Leonor de Acevedo
California, 1848. An invading army has defeated the few opposing forces and the territory has become part of the United States. Don César de Echagüe, an old gentleman, begs his son César to return from Europe, confident that he will know how to confront the oppressor.
|
|
|
El Coyote Y La Bronca (1980)
Character: Señora Marcia
A murder forces Juan "El Coyote" and Trinidad "La Bronca" to escape from a life of easy money and prostitution and become a real couple.
|
|
|
La virgen que forjó una patria (1942)
Character: Xochiquiáuit
On the eve of the Grito de Dolores and faced with the threat of being arrested by the viceregal government, Miguel Hidalgo suggested to Captain Allende that the flag of the insurgent movement be the banner of the Virgin of Guadalupe.
|
|
|
Canaima (1945)
Character: Maigualida Ladera
College-educated emigre has to get macho when he returns home to the Venezuelan outback.
|
|
|
El gendarme desconocido (1941)
Character: Amparo
A gang of thieves has jeopardized the city and even the police, whose chief urges their forces to captured the band within 48 hours. Meanwhile, band members meet in a cafe run by a widow and her daughter and her suitor, Cantinflas, who maintains a scuffle with the robbers running all at the station. Since then, Cantinflas become a member of the police force for special missions.
|
|
|
Las Visitaciones del Diablo (1968)
Character: Arminda
A young architect returns from Europe to live in the house of his uncles and cousins, where someone pretends to be the Devil.
|
|
|
La justicia del Coyote (1956)
Character: Leonor de Acevedo
California, 1840s. Wealthy landowner César de Echagüe, secretly acting as El Coyote, the legendary masked hero, continues his fight against the injustices and abuses suffered by the Hispanic population at the hands of the US Army.
|
|
|
Presagio (1974)
Character: Eladia
While attending the birth of Isabel, the wife of foreigner Felipe, Mama Santos predicts that "something terrible is going to happen in the town." From this omen, calamities will torment the locals.
|
|
|
Mecánica Nacional (1972)
Character: Dora
A mechanic takes his family to a car race and a series of events occur which brings problems, betrayals, violence and the unexpected death of an elderly person.
|
|
|
|
