|
Prohibido enamorarse (1961)
Character: Paula
An old and seriously ill man, who lives with his son, meets an older woman, who is suffering the same cirumstances like he, and soon starts to fell better and becoming sane.
|
|
|
Cambio madre - NUYTS (2024)
Character: N/A
Cambio madre por moto is a chamber opera by the Belgian composer, Frank Nuyts to an original libretto by the best-selling Spanish author Rosa Montero. With a light touch and in contemporary Spanish, Rosa Montero’s funny libretto tells the story of a husband and wife who want to divorce and discuss this with their children for the first time. To make matters worse, the husband’s mother and the lawyer turn up. The latter is a family friend and a specialist divorce lawyer, but he turns out to be rather closer to the mother than expected; all ingredients for incisive dialogues full of familiar arguments back and forth. ‘The children come first!’ is the parents’ mantra, but whether this is actually the case remains to be seen…
|
|
|
Siempre es domingo (1961)
Character: Petri - sirvienta vecina
In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.
|
|
|
La vendedora de ropa interior (1982)
Character: Monja
A story of a family whose father tries by all means to maintain the strictest ethics and morality ... or at least appear so. His beautiful young daughter tries to emancipate hereself and looks for a job, but the chance is that the first thing that comes out is underwear seller. She starts to work and problems start for all.
|
|
|
Vuelve, querida Nati (1976)
Character: N/A
Doña Nati, the owner of a house of prostitutes, takes a little vacation to attend his niece's first communion in the village. She is accompanied on the trip by three of his pupils: Barbara, Mercedes and Eva who pretend to be her friends. But soon, men realize what they are and begin to try to flirt with them. Doña Nati makes a splendid gift to the people and thus wins the favor of its inhabitants.
|
|
|
|
Vuelve, querida Nati (1976)
Character: Rafaela
Doña Nati, the owner of a house of prostitutes, takes a little vacation to attend his niece's first communion in the village. She is accompanied on the trip by three of his pupils: Barbara, Mercedes and Eva who pretend to be her friends. But soon, men realize what they are and begin to try to flirt with them. Doña Nati makes a splendid gift to the people and thus wins the favor of its inhabitants.
|
|
|
|
|
Capullito de alhelí (1986)
Character: Rosa
Moises is a mature homosexual, which is having an affair by correspondence with Hilario, a recently widowed man who lives in Valencia. They decide to meet in Madrid and live together. But the chosen day is 23 February, the one in which Lieutenant Colonel Tejero attempts a coup d'etat.
|
|
|
Tú y yo somos tres (1962)
Character: Telefonista Hospital
When Manolina saw a picture of Rodolfo, a South American poet, she falls in love for him. Three months after marriage by proxy, Rodolfo meets with her, which takes a major surprise to meet the twin brother of her husband.
|
|
|
Escuela de seductoras (1962)
Character: Filiberta
Three friends in love, are ignored because of their lack of gift to conquer. After learning of the existence of a school of seduction, are enrolled as students.
|
|
|
Las panteras se comen a los ricos (1969)
Character: Feli
In order to access a more important position in the company, Don José, a wealthy bachelor, must get rid of his lover. To try to achieve this, he must get her romantically entangled with his friend Vicente.
|
|
|
La chica del gato (1964)
Character: Guadalupe
Guadalupe is an orphan as a child by Eulalio host and Euphrasia, who incite to steal and commit crimes. She opposes and decides to leave the house to avoid it in the company of a goldfinch and his trusty cat. The girl comes to live independently but failures will accumulate, until he accidentally meets Baby, a lady of good family, and among them emerges a sincere friendship.
|
|
|
La vida por delante (1958)
Character: Rosa Sanchidrián
Finished their careers of Law and Medicine, respectively, Antonio Redondo and Josefina Castro, a pair of young Spanish newlyweds, are looking for work to buy an apartment and start a life together, but they will face enormous difficulties throughout the process.
|
|
|
Don Lucio y el hermano pío (1960)
Character: Gracita
Brother Pío, intending to collect charity for a group of nuns who run an orphanage, travels to Madrid with a statue of the Baby Jesus. On the train ride there, he meets Lucio, a slick-talking small-time thief, who steals the statue from him in order to collect the donations for himself.
|
|
|
Mi marido y sus complejos (1969)
Character: Clara
A married man with mother expected every day and especially forward to the arrival of the night to let off steam in a nightclub and escape from the daily drudgery family.
|
|
|
¿Chico o chica? (1962)
Character: N/A
A woman emigrates to Mexico and leaves her young daughter with relatives. After a few years she returns to look for her but they are not going to make it easy for her.
|
|
|
Los que no fuimos a la guerra (1962)
Character: Eusebia
First World War. In a largely rural area of neutral Spain, two families confront one another and play a part in embarrassing situations because they don't support the same side in the war. This will influence the breakup of an engagement.
|
|
|
El turista (1963)
Character: Paz
Alfredo is a homeless man who happens upon a truck full of fruit that appears to be abandoned and takes the opportunity to eat some. Once he's satisfied his hunger, he discovers a fortune inside one of the crates. It's the loot hidden by some thieves who crash during their getaway. Frightened, he hides the money under the church statue and confesses what happened to the local priest. The situation worsens when the robbers reappear in town.
|
|
|
Juicio de faldas (1969)
Character: Engracia Sánchez Moreno
When truck driver Manolo is accused of a grave crime by a young woman from a nearby town, his fate hangs in the balance. Enter Marta—a sharp, determined lawyer whose brilliance quickly shatters his initial mistrust. As she digs through layers of small-town secrets and conflicting testimonies, Marta becomes convinced of Manolo’s innocence. But with circumstantial evidence stacked against him, the only way out is to uncover the real culprit—before the law forces a choice between prison or a marriage he refuses to accept.
|
|
|
Mi amigo el vagabundo (1984)
Character: Pija
Nazario is a wanderer who makes his living playing an old guitar in the streets of Madrid. From what he gets, he lives together with Sam, an orphan of eight years, which he hosted for charity and adores. The problem is that a wealthy and childless marriage intends to take the child
|
|
|
Long Play (1968)
Character: Greisy Morales
A rainy day forces Joaquin, Joe Luis and Alvaro to refuge in Martins' house. They also go there two Swedish girls who want love and spanish ham; a nun with hobbies of racing driver; a fat priest; a policeman unable to establish order; and the father of Joaquin, a fortune hunter. In the chaos that is triggered, the five young people discover their common love for music and they form a band.
|
|
|
Buenos días, condesita (1967)
Character: Mariruxa
A young woman, who sells music recordings in the flea market in Madrid, passes herself off as a friend's girlfriend so that he doesn't lose his inheritance.
|
|
|
Vacaciones para Ivette (1964)
Character: Rafaela
Andrés' parents, in Madrid, and Pierre's parents, in Paris, have agreed to a school exchange for their children during the summer. However, when they go to the station to pick up Pierre, 10 years old, they meet an attractive young woman who takes his place. The presence of Ivette is a shock to the family, especially for the older son, who is strongly attracted to the French.
|
|
|
Objetivo: BI-KI-NI (1968)
Character: Justina Salguero Cascajo
In Cape Kennedy, a con man accidentally swallows a valuable microfilm, believing it a pill for heartburn. Parody of the James Bond films.
|
|
|
Casi un caballero (1964)
Character: Guía turística
An inexperienced and naive thief, Susan, associated with two other thieves of the same character meets a skilled thief and elegant, Alberto. The rivalry between them arising initially manifested in the fact that Alberto always robs his opponents of stealing the product. But the love that seems to come between the expert professional and amateur cause an awkward turn of events. Based on the book "All right, Susan?" of Carlos Llopis.
|
|
|
Sor Citroen (1967)
Character: N/A
Madrid, Spain. When a religious community running an orphanage buys a car, the vivacious and intrepid Sister Tomasa accepts the task of getting behind the wheel.
|
|
|
Novios 68 (1967)
Character: Lucía, criada
Comedy that chronicles the ups and downs in dating of several people in Spain in 1968.
|
|
|
¡Cómo está el servicio! (1968)
Character: Vicenta Verruguillo Tolomé, criada
Vicenta Verruguillo came to Madrid to work as a bridesmaid in the house of a doctor and falls in love with his son. The boy, to keep his family is left without service, follow the advice of his father and pretends to be in love with her. Meanwhile, his cousin Manolo, a likeable rogue, who works as a nurse, several maids dupes that get her salary every month because he has promised to buy a flat before marrying them.
|
|
|
Mi noche de bodas (1961)
Character: Enriqueta
Afther their wedding ceremony, Fernanda and Cosme Martínez go to a luxury hotel to consummate. They receive there some gifts and they find one fabulous diamant bracalet with a note for Fernanda thanking her for unfforgetable nights. Cosme feel jelause and Fernanda offended and during their wedding night they go from one place to another to find out the misunderstanding.
|
|
|
La graduada (1971)
Character: La Rubia
Naive small town girl, Benita, moves to the capital to start a new life, but things don't go as planned - until she meets Don Carlos, a handsome doctor.
|
|
|
|
|
Canción triste de... (1988)
Character: La abuela
Aurelio is a famous opera singer who, while is been interviewed, receives a call which inform aboy his wifes' death. During the funeral there is a terrible mess.
|
|
|
Atraco a las tres (1962)
Character: Enriqueta
When their beloved boss is ousted for a tyrannical one, a group of bank employees plot to rob the bank themselves.
|
|
|
El taxi de los conflictos (1969)
Character: La chacha
Taxi driver Tadeo is about to encounter a busy shift. Throughout the day heterogeneous characters get into his taxi and the most varied situations arise. One of them leaves a baby in the taxi and Tadeo must find out where the little one belongs. He tackles this daunting task while keeping in the back of his mind that at the end of the day he has an appointment with a mysterious woman who apparently needs to tell him something very important.
|
|
|
Vuelve San Valentín (1962)
Character: Felisa Martínez Cañete
As there are still a lot of problems in the relationships of the Spanish couples Saint Valentine returns to earth and especially to Madrid in order to fix these problems.
|
|
|
Operación cabaretera (1967)
Character: Hipólita 'Lita'
Your job as a hostess in Malaga allows Hippolyta meet many men. One of them is a Chinese traveler, just in time to take her to her room, is killed. So, the blame falls on another Hippolyta customers.
|
|
|
Nuevo en esta plaza (1966)
Character: Trini
Film that tells the biography of the great bullfighter Sebastian Palomo Linares Linares, with the very skilled actor who plays the character. Palomo Linares belongs to a poor family but with great human values. He, like many others of his age, has a dream: to be a bullfighter. He works as an apprentice shoemaker fights secretly at night in the meadows. After a career of suffering and obstacles, the boy never lost hope, typical of his strong Christian convictions, and became a teacher, finally achieving success in the sand. The film shows with particular clarity the great Spanish tradition, as is the art of bullfighting.
|
|
|
Hoy como ayer (1966)
Character: Basilisa
An incredulous journalist witnesses how a gentleman in a portrait of the twenties comes out from the photo and becomes alive to discuss what has not progressed as much as he believed, and to confirme that living was better at his time
|
|
|
Historias de la televisión (1965)
Character: Esposa embarazada de Eladio (1)
Film divided into two stories: 1. Cuando los gorilas hablan por teléfono 2. Una chica de fortuna
|
|
|
A mí las mujeres ni fu ni fa (1971)
Character: La Chanel
Pedro is a famous singer who fall in love with a psychiatrist girlfriend, he decides to attend to the doctor with the story that he does not like women. The psychiatric nurse helps him with the girl as she is in love with the doctor.
|
|
|
Pero… ¡en qué país vivimos! (1967)
Character: Rosarito
Antonio Torres, a serious singer of Spanish popular music, and Bárbara, a vivacious yé-yé singer, face off in a chaotic contest promoted by Rodolfo Sicilia, an overworked publicist.
|
|
|
Maribel y la extraña familia (1960)
Character: Nini
The life of Maribel, a disilluisoned prostitute working the Madrid of 1960, suddenly changes when a simple man that she meets by chance without knowing her profession, decides that she is the woman of her life and that he wants to marry her and to meet his odd family.
|
|
|
Mi calle (1960)
Character: Purita
Life events around a city street and its residents are told along the years while time goes by, wars break out and end and life evolves.
|
|
|
Crónica de nueve meses (1967)
Character: Inés
Three couples, three journeys, one life-changing moment. From newlyweds Alejandro and Mercedes to seasoned partners Margarita and Enrique, and hopeful dreamers Inés and Luis, each pair faces the joy, chaos, and wonder of expecting their first child. As cravings kick in, names are debated, and families react, their stories unfold with humor and heart. Different paths, different personalities—but when labor begins, every heartbeat races the same.
|
|
|
¡No hija, no! (1987)
Character: Piluca
The movie is about a candidate for mayor of Madrid who is immersed in a huge mess during the pre-election night, when a body needs to be disappeared.
|
|
|
El pico 2 (1984)
Character: Adela
Following the events of El pico, the heroin-addicted Paco faces jail time due to his involvement in a double murder.
|
|
|
Los Palomos (1964)
Character: Virtudes Palomos
Emilio and Virtudes Palomo are invited by Don Alberto, Emilio's boss, to a dinner at his chalet. Don Alberto, who confuses simplicity with stupidity, intends to frame the Palomos for a crime he has committed.
|
|
|
Un vampiro para dos (1965)
Character: Luisita
A Spanish couple emigrates to Germany looking for employment, in a desperate attempt to reconcile their marriage. The only work they can find, however, is in a castle inhabited by a strange baron, who is actually a vampire.
|
|
|
Si Fulano fuese Mengano (1971)
Character: Cleo
Raúl Arévalo and Miguel García seem like a drop of water to another, but there the similarity ends. Raul is a famous singer, womanizer, despotic, cruel and millionaire. Instead Michael is an honest worker, cheerful and loving who enjoys the simple things forward. Fate will know them and life will never be the same for either.
|
|
|
La visita que no tocó el timbre (1966)
Character: N/A
Two unmarried siblings live together without problems until the day a friend leaves her baby in their apartment because she does not have time to take care of him.
|
|
|
Vamos a contar mentiras (1962)
Character: Luisita
A happily married woman lies with surprising ease because, according to her husband, she leads too idle a life.
|
|
|
40 grados a la sombra (1967)
Character: Filomena
Three men, one scorching Madrid summer, and wildly different escape plans. Evaristo braves the beach chaos with his wife Filomena, dreaming of peace amid tortilla brawls and crowded sands. Máximo retreats to the mountains with his entire clan—mother-in-law included—hoping nature will soothe the family storm. Meanwhile, Jacinto, a gym owner turned solo “rodríguez,” stays behind in the city, savoring his freedom while the family suns in Benidorm.
|
|
|
|
|
Más bonita que ninguna (1965)
Character: Fany
Roberto (Luigi Giuliani) and Luisa (Rocío Durcal) are a couple but are not as sincere as they should be. She tells him she works at Telefónica when she actually sells cigarettes at "The Green Windmill" cabaret. She's surprised when she discovers plans for a bachelor party there in honor of Roberto, who is marrying a wealthy heiress. In revenge, Luisa adopts the role of Luisito and faces Roberto in disguise.
|
|
|
El grano de mostaza (1962)
Character: Mujer de Evelio
Evelino Galindo, the serious owner of a porcelain store, argues with the womanizer jeweler Orcajo for an insignificant game of dominoes. Evelino, enraged, challenges him the next day to a duel in the gym. But after meditating a bit he starts to get scared. That is why, with the help of his friend Leoncio, he sharpens his wit to find a way to escape from combat. However, the situation is becoming more complicated.
|
|
|
091: Policía al habla (1960)
Character: Dependienta
A police inspector makes his service in a patrol car attenging emergency calls. A memory hauns him, the death of her daughter, who was killed hit by a car that fled. The car is located and the inspector goes there and confrontation will be violent.
|
|
|
Diferente (1962)
Character: Girl With Ice Cream
A young man from the gentry rejects all the values his family upholds while they rejects his own; so that, despite his efforts to please and the fact that he works in the family business, he ends up finding out that his uptight and competent brother calls him useless and effeminate.
|
|
|
Despedida de casada (1968)
Character: Pacita, la criada
A newlywed couple already wants to separate, but the apartment they live in belongs to both in equal parts, so they must go on living together until they discover--after solving many problems--in the end how much they really do love each other.
|
|
|
El donante (1985)
Character: Monja #1
Tato Montini (Andrés Pajares), a popular radio show host and ladies man, agrees to donate his penis for a transplant after his death. He dies, goes to Heaven and discovers that even in afterlife he would have still needed his penis.
|
|
|
La ciudad no es para mí (1966)
Character: Filo
Agustin, a widower who lives in a village in Aragon, where he is much loved by all neighbors, is lonely and decides to go to the big city, where his son, a famous doctor, lives with his wife and daughter. Agustineis received by his children with great coolness, as he does not fit in the environment in which they operate. The life of his son, his daughter-in-law, and even the maid is too sad for this simple town man.
|
|
