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The Tender Trap (1955)
Character: Ballet Actor
A young actress flirts demurely with a swinging Manhattan bachelor who thinks he has it made.
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Gentlemen Prefer Blondes (1953)
Character: Chorus Boy (uncredited)
Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus' rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.
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The Opposite Sex (1956)
Character: Dancer (uncredited)
Former radio singer Kay learns from her gossipy friends that her husband, Steve, has had an affair with chorus girl Crystal. Devastated, Kay tries to ignore the information, but when Crystal performs one of her musical numbers at a charity benefit, she breaks down and goes to Reno to file for divorce. However, when she hears that gold-digging Crystal is making Steve unhappy, Kay resolves to get her husband back. The Opposite Sex is a remake of the 1939 comedy The Women.
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Kismet (1955)
Character: Dancer/Silk Merchant (uncredited)
A silver-tongued poet and self-proclaimed "King of the Beggars" searches old Baghdad for a rich bachelor to marry his dreamy daughter, Marsinah. Along the way, he poses as the renowned sorcerer Hajj and gets in and out of scrapes with an elderly thief, a dim-witted wazir, and his wife. Meanwhile, his daughter develops feelings for a handsome caliph.
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Frankie and Johnny (1966)
Character: Dancer (uncredited)
Johnny is a riverboat entertainer with a big gambling problem. After a psychic tells Johnny how he can change his luck, the appearance of a new 'lady luck' soon causes a catfight with Johnny's girlfriend, Frankie.
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The Pajama Game (1957)
Character: Dancer (uncredited)
An Iowa pajama factory worker falls in love with an affable superintendent who had been hired by the factory's boss to help oppose the workers' demand for a pay raise.
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The Merry Widow (1952)
Character: Dancer (uncredited)
Marshovia, a small European kingdom, is on the brink of bankruptcy but the country may be saved if the wealthy American Crystal Radek, widow of a Marshovian, can be convinced to part with her money and marry the king's nephew count Danilo. Arriving to Marshovia on a visit, Crystal Radek change places with her secretary Kitty. Following them to Paris, Danilo has a hard time wooing the widow after meeting an attractive young woman at a nightclub, the same Crystal Radek who presents herself as Fifi the chorus girl. Plot by Mattias Thuresson.
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Party Girl (1958)
Character: Speciality Dancer (uncredited)
Slick lawyer Thomas Farrell has made a career of defending mobsters in trials. It's not until he meets a lovely showgirl at a mob party that he realizes that there's more to life than winning trials. Farrell tries to quit the racket, but mob boss Rico Angelo threatens to hurt the showgirl if Farrell leaves him.
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Houseboat (1958)
Character: Specialty Dancer (uncredited)
An Italian socialite on the run signs on as housekeeper for a widower with three children.
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Guns Girls and Gangsters (1959)
Character: N/A
Chuck Wheeler gets out of the Pen and sets up an elaborate heist of Vegas casino money travelling by armored truck. He enlists the help of shady club owner Joe Darren and his ex-cellmate's wife, Vi. Vi's husband Mike is a trigger happy and jealous hothead and will not grant her a divorce. Mike escapes from prison right before the armored truck job goes into motion and promises trouble as he tries to locate his associates and his wandering wife.
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The Helen Morgan Story (1957)
Character: Chorus Boy (uncredited)
Torch singer Helen Morgan rises from sordid beginnings to fame and fortune only to lose it all to alcohol and poor personal choices.
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Mame (1974)
Character: Dancer (uncredited)
The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."
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