|
Roma violenta (1975)
Character: Vigilantes (uncredited)
A detective sick and tired of the rampant crime and violence in his city, and constantly at odds with his superiors, is finally kicked out of the department for a "questionable" shooting of a vicious criminal. However, he is soon approached by a representative for a group of citizens who themselves are fed up with what they see as criminals going unpunished, and they make him an offer he may very well not refuse.
|
|
|
La via della droga (1977)
Character: Holiday Inn Hotel Client (uncredited)
Drug use in the city of Rome is at an all-time high. Children score from dealers in front of their schools, mules waltz straight through airport security, and Interpol's main man, Mike Hamilton, is at his wits' end. Fed up to the back teeth with the local police force's incompetence, his only hope is to rely on one of his own men, Fabio, an officer so deep undercover that no-one but Hamilton knows who he really is. Even as Fabio gains the trust of cartel leader Gianni, however, the dealers are edging ever closer to the truth, and when his cover is blown, the hunter becomes the hunted as Fabio finds himself alone in a desperate fight to survive.
|
|
|
Il secondo tragico Fantozzi (1976)
Character: Casinò Guest (uncredited)
The frustrating adventures of a humble employee who all the time has to fullfill the wishes and desires of his bosses.
|
|
|
Roma (1972)
Character: Luxury Brothel Client (uncredited)
A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.
|
|
|
Toh, è morta la nonna! (1969)
Character: N/A
Relatives brawl over the estate of a deceased grandmother who owned an insecticide factory.They stop at nothing, including bumping each other off.
|
|
|
La messa è finita (1985)
Character: Judge (uncredited)
The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.
|
|
|
I cannibali (1969)
Character: Capitalist (uncredited)
On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
|
|
|
Cento giorni a Palermo (1984)
Character: Politician (uncredited)
In the late 1970s and early 80s, assassinations in Sicily get the attention of Communist deputy, Pio La Torre, who appeals to General Carlo Alberto Dalla Chiesa to become prefect in Palermo and take on the Mafia. Dalla Chiesa approaches the job with the same focus and methods he used in hunting down the Red Brigade.
|
|
|
Sacco e Vanzetti (1971)
Character: Court Stenographer (uncredited)
Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchist political beliefs.
|
|
|
La terrazza (1980)
Character: Private Screening Audience Member (uncredited)
Eight Italian politicians from the communist party gather on a terrace in Rome for a get-together. They discuss about their past, present and future.
|
|
|
Femina Ridens (1969)
Character: Politician (uncredited)
Beautiful PR woman, Maria finds herself trapped in the home of the sinister and troubled Dr. Sayer, where she is subjected to a series of increasingly bizarre, terrifying, and degrading sex games. Sayer admits that he has murdered several women after the same ordeal, always killing them at the point of orgasm. But all is not what it seems, and through a series of twists and turns, the whole situation is slowly turned on its head.
|
|
|
Fango bollente (1975)
Character: Surgeon's Friend (uncredited)
By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.
|
|
|
|
|
Un amore oggi (1970)
Character: N/A
Albert is a neurotic photoreporter constantly hearing voices in his head reminding him some childhood thraumas; he has also nightmares about his Vietnam experience. Myra is a hippie girl: she seems happy and free, but her memory goes often to her mother who died in Auschwitz. With these premises a love story between them will surely become a drama...
|
|
