François Léotard

Personal Info

Known For

Acting

Known Credits

0.4026

Gender

Male

Birthday

26-Mar-1942

Age

(84 years old)

Place of Birth

Cannes, Alpes-Maritimes, France

Also Known As
  • NO INFO PROVIDED

François Léotard

Biography

François Gérard Marie Léotard (26 March 1942 – 25 April 2023) was a French politician. Singer and actor Philippe Léotard was his brother. A member of the Republican Party, the liberal-conservative component of the Union for French Democracy (UDF), he appeared in the foreground of the political scene in the 1980s. He led a new generation of right-wing politicians, the "renovationmen", who opposed the old right-wing leaders Jacques Chirac and Valéry Giscard d'Estaing. In 1981, he was selected to be one of the first Young Leaders of the French-American Foundation. His political career started with being elected as the mayor of Fréjus in 1977. He served two terms as the deputy of Var. As culture minister from 1986 to 1988,[3] he sold the main public TV channel TF1. He returned to the French cabinet as defense minister, from 1993 to 1995. Supporting the candidacy of Edouard Balladur in the 1995 presidential election, he was dismissed after Chirac's election. Elected president of the UDF in 1996, he could not prevent the split of this confederation two years later with Alain Madelin's secession. This and the party's poor showing in the 1998 regional elections prompted his resignation. After a mission in Macedonia in 2001 as representative of the European Union, he retired from politics. In 2003, he created together with other prominent European personalities the Medbridge Strategy Center, whose goal is to promote dialogue and mutual understanding between Europe and the Middle East. He later authored several books. Léotard died in Fréjus on 25 April 2023, at age 81. Source: Article "François Léotard" from Wikipedia in English, licensed under CC-BY-SA.


Credits

Mitterrand, président culturel Mitterrand, président culturel (2021) Character: Self
On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.
Pas vu, Pas pris Pas vu, Pas pris (1998) Character: Self
On April 2, 1995, the television channel Canal+ censored the documentary "Pas vu à la télé" (Not Seen on TV), directed by Pierre Carles, which had been commissioned a few weeks earlier by the program director, Alain de Greef. "Pas vu à la télé" was slated to be featured in Canal+'s "TV Day" segment, under the heading "Television, Power, Morality." Carles recounted this censorship in the feature film "Pas vu pas pris" (Not Seen, Not Caught), released in theaters on November 18, 1998. It drew over 160,000 viewers. Eighteen years later, "Pas vu à la télé" remains unaired on French television. As for "Pas vu, pas pris," it has still not been broadcast on French television. However, it has been shown on television in Belgium, Quebec, and Switzerland. Since then, nine billionaires now control more than 80% of the media in France, while eleven of them account for 57% of the television audience.
10 mai 1981 : Changer la vie ? 10 mai 1981 : Changer la vie ? (2021) Character: Self
Fourty years ago, in May 1981, with François Mitterrand's election, some people were letting themselves dream about a better life while others were predicting the coming of soviet tanks upon the Champs-Élysées. If we gladly remember the turning point of austerity in 83, there were also the wage rises, the fifth week of paid leave, the abolition of death penalty, the decriminalisation of homosexuality, or the advent of independent radio stations. Rare archives and accounts by those who were at the heart of this story give an overview of it and shed light on lesser-known aspects.
Un jeune homme de bonne famille Un jeune homme de bonne famille (2026) Character: Self (archive footage)
From his childhood in a modest family in the Pyrénées to his unexpected career as a porn actor in the 1970s, the film traces the life of Claude Loir, who set out to fully embrace life. His homosexuality and curiosity guide him through encounters that lead into the shadowy, liberated circles of a pre-AIDS era, caught between conservatism and sexual freedom. Loves and lovers, flamboyance and fragility… the film offers a striking portrait of a fearless, hedonistic man navigating desire, identity, and society’s constraints.



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