|
Tres huchas para Oriente (1954)
Character: Carmen
Pedro Manolo and Juan, three naughty and full of enthusiasm children go out with their piggy banks collecting money for missions. Near the end of the day, a car ran over one of them and is driven to a nearby hospital. The head of school, not knowing which of the children was injured calls the parents of the three to attend the health center. In parallel, we know the story of the three families. In the upper-class family, the father will leave his mother for another woman, in the middle class one, one sister invites her boyfriend to lunch and family revolutionizes and, finally, in that of lower class, the boy's father is about to be complicit in a crime
|
|
|
La guerra de Dios (1953)
Character: N/A
A young priest encounters major problems in the diocese where he must preach the word of the Lord, mainly as a result of hatred caused by differences in classes
|
|
|
El secreto de Tomy (1963)
Character: Abuela de Tomy
The racing stables of Gandia family go to auction. Tomy, son of the owner, manages to save his favorite horse, "Cantador". Now, his only obsession is to resolve the problems of his father, providing him a new wife and riding his horse at the races. After a while, in the Official Prize, "Cantador", ridden by Tomy wins. This fact causes everyone to be interested in the horse and eventually Tomy will be forced to auction it to liquidate their debts. But the new owner is the father of Luchy, Tomy's classmate , and he will do everything possible to recover it.
|
|
|
Cerca de las estrellas (1963)
Character: N/A
Based on the eponymous play Ricardo López Aranda. It narrates the life of the components of a large family for a whole day, with their problems and illusions.
|
|
|
Así es Madrid (1953)
Character: Regina
In Madrid during the fifties' the calm life from some neighbors will be changed since the arrival of Antonio, a man without scruples who lives running the risk.
|
|
|
Puebla de las mujeres (1953)
Character: Concha Puerto
A young man arrives at Puebla de las Mujeres, a village of Andalusia with the tradition that man that arrives, man that marries there. The foreigner is going to solve some issues of interest of an aunt who lives in the village. Soon as he arrives all women mobilize, captained by the mayor, for electing bride and organize the wedding. The designated Juanita de la Rosa, does not want to participate and he laughs at the arrangements saying that he has a girlfriend in Madrid.
|
|
|
El destino se disculpa (1945)
Character: Benita Arnal
Ramiro and Teófilo are great friends and endure their misfortunes together. Their attempts to succeed as artists fail, so they both promise that the first to die will become the guide to the survivor's life.
|
|
|
Lecciones de buen amor (1944)
Character: N/A
Eugenio asks his best friend, Federico, a wealthy lawyer, to take care of his son Titín while he deals with a family problem related to Elvira, his wife; but Federico, a single man, knows nothing about babysitting, so he begs Clarita, his secretary, to help him… (Film partially lost. Only 65 minutes of footage remain of the original 91; but this circumstance does not prevent the understanding of the plot.)
|
|
|
La señora de Fátima (1951)
Character: N/A
The story of the 1917 miracle of Fatima, in which the Virgin Mary appeared to three children--two girls and one boy..
|
|
|
Las inquietudes de Shanti-Andía (1947)
Character: Señora de Andía
Shanti Andía, a veteran sailor, puts together the fragments of a personal diary that he has written through years of tribulations: his childhood in the Basque Country, his youth in the lands of Cádiz, and his many adventures and misadventures as a ship captain.
|
|
|
Tormento (1974)
Character: Celedonia
A rich emigrant returns to Madrid where he meets the beautiful Amparo . The girl, however, lives a secret affair with a priest
|
|
|
La madrastra (1974)
Character: Amelia
In Segovia at the beginning of the thirties the hoarder widower and Marcos must be prudent but has relations with the sterile prostitute Mercedes every week.
|
|
|
|
|
Reina santa (1947)
Character: Doña Betaza
A virtuous Spanish princess becomes queen of Portugal, and soon is affected by the social struggles and the reckless fight to power between the king's faction and that of his son's.
|
|
|
Ronda española (1951)
Character: Lola
Over a hundred members of the chorus girls and dance groups from the Spanish "Sección Femenina" embark to America to show the richness of their national folklore. The girls have left parked their daily tasks to enjoy this great adventure aboard "Mount Albertia". During the trip, the relationship between the girls and the crew is very lively and in all scenarios where they perform, success always accompanies them.
|
|
|
El fantasma y doña Juanita (1945)
Character: Ernestina
Fearing that her niece Rosita will abandon her true love and enter into a marriage of convenience, doña Juanita tells her the story of when, many years ago, she fell in love with an accountant who worked in a circus.
|
|
|
Novios 68 (1967)
Character: Doña María
Comedy that chronicles the ups and downs in dating of several people in Spain in 1968.
|
|
|
El mundo sigue (1963)
Character: Mother
Madrid, Spain. Eloísa, a self-sacrificing wife and efficient mother, lives in the neighborhood of Maravillas with her husband, a violent policeman; her sanctimonious son, who spends his life studying and praying to atone for the sins of his family; and her two daughters, obsessed with wealth, who hate each other deeply.
|
|
|
Don Quijote de la Mancha (1947)
Character: La Molinera (uncredited)
The old hidalgo Don Alonso Quijano, maddened by the excessive reading of books on chivalry and determined to become a famous and heroic knight-errant, leaves his village and sets out on the road in search of adventure, accompanied by his faithful friend Sancho Panza.
|
|
|
La verbena de la paloma (1963)
Character: Antonia
In Madrid, Spain, an omniscient narrator transforms Mari Loli and Merche, two beautiful sales clerks, into Susana and Casta, who flirt with Don Hilarión, an old apothecary, which arouses the jealousy of Julián, who is in love with Susana.
|
|
|
El clavo (1944)
Character: Authoritarian Lady
Spain, late 19th century. Judge Javier Zarco finds in a cemetery a skull pierced by a nail and suspects that a murder has been committed. When he investigates the case in depth, his suspicions fall on the woman who was going to marry the deceased.
|
|
|
Mi hijo no es lo que parece (1974)
Character: Martina
Love, music and entanglements: a showgirl tries luck in tragedy, but she will be surprised by the arrival of her son from Bombay, with ideas very different from those of Spain; while the successor of this one - and neighbor - gains a plus doing "favors" to the gentle admirers.
|
|
|
|
|
Don José, Pepe y Pepito (1961)
Character: Viuda
The arrival of Francis, who owns a factory of surgical material in New York, caused a real stir in a family composed by her grandfather, Pepe, the son, Jose, and grandson, Pepito. Pepito falls in love with her even though Francis consider him a child. But Don Jose is also in love with the American. This situation creates a difficult situation between parent and child, that Francis seeks to remedy returning to the United States. But the grandfather, Pepe, has the solution ...
|
|
|
La gran mentira (1956)
Character: La Molina Neighbor #2
César Neira, an almost forgotten Spanish actor, gets involved by chance with Teresa, a teacher from a small village in the province of Cáceres, who has won a radio contest. The prize is a trip to Madrid to experience just for a fortnight the life of the famous and wealthy people.
|
|
