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Aquel hombre de Tánger (1953)
Character: Chico con Mary Ellen
Mary Ellen travels abroad and ends up marrying a Count while she is intoxicated. The Count disappears and with the aid of her father, George, she tracks down his address in the Casbah, only to discover he was an impostor. The real count is Henri, a nondescript man with a shrewd business sense. Mary Ellen pays him to carry on the masquerade of being her husband so she can get a divorce.
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El anacoreta (1976)
Character: Augusto
Eleven years ago Fernando Tobajas, a man of a certain age, decided to live in the bathroom, in which he created a small apartment, and never leaves it. Tobajas has given up everything except vanity, and his contacts with the world are reduced to visits from friends and messages sent through the toilet inside aspirin tubes in the hope that someone will receive them and know about his existence. Arabel Lee, a beautiful girl, finds one of those messages.
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Teatro Apolo (1950)
Character: N/A
In the late nineteenth century, Miguel Velasco, the son of a wealthy Spanish immigrant established in Mexico, comes to Madrid, where he falls in love with Celia, a chorus girl working at the Apollo theater.
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La mies es mucha (1948)
Character: Empleado inglés
Father Santiago Hernández, a Spanish missionary, arrives in Kattinga, India, to replace Father Daniel, who is seriously ill.
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Varietés (1971)
Character: N/A
Spain 1930s. A troupe of performers travel from city to city entertaining audiences and earning a living. The cast includes a magician, a ventriloquist, muscle men, dancers, singers and a full orchestra. The star of the show is Carmen Soler (Trini Alonso) a celebrated singer, now way past her prime, who refuses to retire gracefully and defends her stardom ruthlessly. On her shadow lives and works Ana Marques (Sara Montiel) a younger singer who dreams of the big time and patiently waits for her break.
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Niebla y sol (1951)
Character: Enrique
A composer decides to give up work to care for his wife after having written a ballet for the famed bailaores Antonio and Rosario. When an old flame of the wife reappears tragedy develops as well as in the ballet.
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María Morena (1952)
Character: Fernando
On Christmas Eve 1860, in a small Andalusian village, a married couple is murdered. The neighbors believe they know who committed the crime and kill him. But it turns out that the suspect was innocent. Twenty years later, the man's son arrives in the village with the aim of discovering the real culprit.
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El negro que tenía el alma blanca (1951)
Character: Actor
Peter Ward is a black singer who arrives to Madrid in 1907. He falls in love with Emma, and he offers her to be her dancer. She is restrained by her racial prejudices which will lead to an inevitable separation between them.
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Trampa para Catalina (1963)
Character: Cayetano
Catherine bears a strong resemblance to Silvia, daughter of a millionaire who has escaped with a bullfighter. A group of ruffians who intends to defraud the Silvia's father used to Catalina for their plans.
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No desearás la mujer de tu prójimo (1968)
Character: José Luis
The plot narrates how a group of inseparable friends feel, suddenly, the urgent need to deceive each other with their respective wives. Ladies, attractive, intelligent and wealthy, decide to teach a lesson to the new "Don Juans".
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El capitán Veneno (1950)
Character: Pedro Linares
In Madrid, under Queen Isabel II reign, rebellions are frequent events. During one of them Captain Jorge de Córdoba, nicknamed Veneno (poison) for his quarrelsome disposition, bad temper and outright misogyny, is hurt and taken to a house where two women, a widow and her daughter, are to take care of him.
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Mi hija Hildegart (1977)
Character: Fiscal
Madrid 1933. Aurora Rodriguez kills her daughter Hildegart and turn herself over to the police. In jail she remember the circumstances that made her committing the crime...
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Los pianos mecánicos (1965)
Character: Tom
Vincent is recovering from a nervous breakdown in a seaside village on the Costa Brava. He enters into an affair with nightclub owner Jenny, but their relationship changes when she falls for alcoholic author Pascal Regnier, who is struggling to resume his writing career. Vincent eventually returns home, leaving Jenny to stay on with Pascal and his young son Daniel.
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