|
Lusting Hours (1967)
Character: Partygoer / Call Girl's Client / Voices
Presented as an inquiry into the ways of lust, this film is staged as a documentary. It moves from rural prostitution (the roadhouse) to pornographers, then on to streetwalkers, male hustlers, and high-class call girls. The madam runs the bordello, she depends on the photographer to supply her with pornography; he's in the city, using his camera to lead him into depravity. The streetwalkers risk arrest from the cops and abuse from the johns. Even the call girls have a tough time: from their expenses to their lack of self-reflection. Their motto: "Live fast, die young, and make a beautiful corpse."
|
|
|
Take My Head (1970)
Character: Narrator (voice)
Shot without sound, this is little more than a series of soft-core vignettes strung together via narration. Not a highlight in the careers of NYC sexploitation filmmakers Michael and Roberta Findlay.
|
|
|
Party Levitation (2021)
Character: (archive footage)
Sickening image of love, sex, death and birth in black and white.
|
|
|
Snuff (1976)
Character: Detective (archive footage) (uncredited)
The followers of a charismatic cult leader set out to murder a pregnant actress.
|
|
|
A Thousand Pleasures (1968)
Character: Richard Davis
Henpecked misogynist Richard Davis murders his shrewish wife and goes out to dispose of her corpse. However, things go awry for Richard after he's abducted by a pair of insane lesbians who take him to their house where they keep a grown woman called Baby in a crib.
|
|
|
The Slaughter (1971)
Character: Detective (uncredited)
A famous movie star filming on location in Buenos Aires becomes involved with a Manson-like cult. Years after this flopped at the box office, it was purchased by Michael Findlay and became the backbone for the notorious film Snuff (1975).
|
|
|
Shriek of the Mutilated (1974)
Character: Decapitation Onlooker (uncredited)
An anthropology professor has invited his class to a remote cabin in the mountains to research the mythical Abominable Snowman. Soon after they arrive, strange events begin to befall the students, including sightings of a huge, white, furry creature.
|
|
|
Body of a Female (1964)
Character: Bruno (as Robert West)
A stripper is kidnapped by a drifter and taken to the home of a wealthy pervert. The pervert proceeds to strip her and beat her with a whip. She escapes, and he has to track her down and kill her before she can notify the police.
|
|
|
Take Me Naked (1966)
Character: The Bum's Friend
A man's sexual obsession with a neighbor ends in bloodshed.
|
|
|
The Sin Syndicate (1965)
Character: Bearded Man (uncredited)
At a Senate crime hearing, four young girls testify as to how, shortly after their arrival in New York, they became "zero girls," also known as "party girls".
|
|
|
The Curse of Her Flesh (1968)
Character: Richard Jennings / Joe Davidson
Continuing his quest to rid the world of sex-crazed females, Richard ups the ante - and bodycount, devising an array of increasingly gruesome methods of dispatching his victims all while planning the ultimate revenge against his wife's lover, Steve.
|
|
|
The Kiss of Her Flesh (1968)
Character: Richard Jennings
Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria, is hellbent on putting an end to his orgiastic rampage.
|
|
|
Janie (1970)
Character: Homeowner (as Richard Jennings)
A sadistic teenager searching for "Daddy" murders and dismembers anybody who picks her up hitch-hiking.
|
|
|
The Touch of Her Flesh (1967)
Character: Richard Jennings
Richard Jennings returns from a business trip to discover his wife in bed with a lover. Panic stricken, he staggers to the street and is hit by a car, losing an eye. Scorned and vengeful, he adopts a new identity and begins a murderous rampage against all women he deems "immoral."
|
|
|
|
|
Mnasidika (1969)
Character: N/A
A man awakes from his sleep to discover that he's in ancient Greece. He witnesses a scantily-clad woman whom he woos, then kills with a club. A group of lesbians find the man, tie him to a tree, then partake in an incredible deed.
|
|
|
Virgins in Heat (1976)
Character: Richard Jennings
A masked man breaks into a Times Square adult movie theater and forces the projectionist at gunpoint to show assorted pornographic scenes to him.
|
|
|
Wet and Wild (1976)
Character: N/A
Wet & Wild is no exception.We open with his camera prowling 42nd Street. It's like traveling back in time, before the sacred Deuce was defanged by greedy politicians and Disney. Rows of lit-up marquees, peepshows, X-rated theatres and nudie bars bring a lump to the throat. (Snuff is shown playing at the National!) In a Times Square grindhouse, a ski-masked sex fiend, brandishing a .38 caliber pistol, busts into the projection booth. He forces the projectionist to run porno flicks. We're taken on a foot-to-the-floorboards ride on a sexual safari through New York City's gutter. ("A steamy, seedy jungle of unfettered sex!")
|
|
|
Bacchanale (1970)
Character: 3rd Mourner / Timothy (voice)
A sleeping woman leaves her body and finds herself in a series of bizarre, surreal and highly lascivious scenarios.
|
|
|
The Altar of Lust (1971)
Character: Dr. Rogers (voice) (uncredited)
A psychiatrist probes deep into the erotic traumas experienced by a young woman who has turned to lesbianism.
|
|