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Olga's Dance Hall Girls (1969)
Character: Blonde on Couch
This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.
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Return of the Secret Society (1968)
Character: Phyllis
Babette and her sexual exploits, narrating her Emmanuelle-style lustful encounters in the big city. Babette needs cash, contacts a photographer, and enters a new society where she satisfies her carnal desires. Soon, as her lesbian awakening flourishes, Babette will meet the "daughters of lesbos" and the rest is history.
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Passion in Hot Hollows (1969)
Character: Jean
Cruel, conniving Norma Sue returns to her backwoods hometown with her stud lover to wreak havoc on the local denizens. Her main target is her sexually repressed sister, who runs the local hotel. At the same time, jobless slacker Billy Joe commences an affair with a broke immigrant lady whose husband is overseas. Pressured by his cheating wife to earn some cash, he decides to pimp his new paramour. Norma Sue's scheming eventually involves all these characters in intense, often nasty, interlocking liaisons, betrayals, seductions and violations
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The Love Cult (1966)
Character: Cult Priestess
A magician/hypnotist gets the idea that he can make more money (and have a better time) by starting a sex cult than by continuing his magic act, so he becomes Brother Eros whose motto is "Love is all that counts."
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Daughters of Lesbos (1968)
Character: Monika
Exploitative look at a secret club for women where they can go to be with other women.
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Marcy (1969)
Character: Marcy Wiggins
Marcy is forced to change her sexual orientation because of town rumors.
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Sex Circus (1969)
Character: N/A
A sadistic lion tamer recruits girls for a circus style nightclub.
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Monique, My Love (1969)
Character: Fantasy Woman #2
Monique is so anxious to become a movie star that she gets naked for a producer, watches other naked girls in the producer’s other naked movies, and finally ends up starring in a naked skinflick where she’s tied up by a fetish freak. All of which is dutifully chronicled by her obsessed roommate Rita.
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Love Me... Please! (1969)
Character: Ante / Jenny
A young woman looking for love in the big city instead finds herself being used for sex, posing for a nudie photographer and seeing a shrink.
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Sin in the City (1966)
Character: N/A
Three girls head from boarding school to NYC, arriving by bus at Port Authority and vowing to "get into trouble." These "girls gone wild" forerunners head to a Greenwich Village bar where they copycat a girl stripping to dance topless atop the bar, then head to a Village party and finally crash a posh uptown party before catching the bus home.
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Anything Once (1969)
Character: N/A
A lesbian actress in a Broadway play sets her sights for her two beautiful co-stars.
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Appetites (1967)
Character: N/A
Sarah, a girl with a colorful reputation, takes a spin with the extremely wild boys.
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She's Doing It Again (1969)
Character: Evelyn Kruger
An inventor is pursued by two prospective clients at a weekend getaway, both of whom attempt to have their wives seduce him into a deal with them.
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Private Relations (1968)
Character: Wilhemina 'Willi' Trueblood
A P.R. man having financial problems attempts to blackmail a country singer.
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Torture Me, Kiss Me (1970)
Character: Banana Woman (uncredited)
Count Henri de Prave revisits the French bistro where he played a small part in the downfall of the Nazis years earlier. He recounts the story of how the evil Nazi Commandant Max von Hildebrandt, a friend of the Count, came to France with his sadistic ways and his ultimate downfall.
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Wendy's Palace (1971)
Character: Lola
Small town gal Wendy resorts to prostitution after moving to New York City. Wendy gets busted by corrupt vice cop Vince and winds up spending 90 days in jail. In the wake of finishing her sentence, Wendy decides to quit working the streets by owning and operating her own brothel instead.
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See How They Come (1968)
Character: Mrs. Mallory
A young woman working for a private detective on a case becomes involved with blackmail, loan sharking, conspiracy and suburban mate swapping.
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Electronic Lover (1966)
Character: Fantasy Girl - Blonde
The Master is a peeping tom who sends his minion to follow various women around with a video camera, the images being sent back to the Master's lair where he can enjoy it in solitary.
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The Sex Killer (1967)
Character: Hooker
A loner who works in a mannequin factory stalks and strangles women in Times Square.
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She Came on the Bus (1969)
Character: N/A
A gang of horny, sadistic juvenile delinquents looking for kicks invades the suburban home of a housewife, injects her with dope and waylays her. A passing saleswoman receives similar treatment. The gang steals the housewife's car and heads for the open road. They hijack a bus, kill the driver when he objects, and assault two female passengers, one of whom enjoys it. She convinces her friend to play along, and they all get their kicks
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A Thousand Pleasures (1968)
Character: Maggie
Henpecked misogynist Richard Davis murders his shrewish wife and goes out to dispose of her corpse. However, things go awry for Richard after he's abducted by a pair of insane lesbians who take him to their house where they keep a grown woman called Baby in a crib.
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Beware the Black Widow (1968)
Character: Tootsie
Previously lost proto-slasher involving Mafia members bumped off by a black-clad, veiled "Black Widow" within the New York City underworld, as seen by newspapermen sifting through a cast of prostitutes and thugs.
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Love Toy (1971)
Character: Mary
A degenerate gambler, unable to come up with the cash necessary for a high-stakes gin rummy game, bets his nubile daughter. And loses. His daughter becomes the delectable property of a hot-to-trot sex fiend and becomes involved in a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, among other retrogrades.
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The Curse of Her Flesh (1968)
Character: Stella's Stage Partner (uncredited)
Continuing his quest to rid the world of sex-crazed females, Richard ups the ante - and bodycount, devising an array of increasingly gruesome methods of dispatching his victims all while planning the ultimate revenge against his wife's lover, Steve.
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The Kiss of Her Flesh (1968)
Character: Maria
Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria, is hellbent on putting an end to his orgiastic rampage.
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Mnasidika (1969)
Character: (as Artimidia Grillet)
A man awakes from his sleep to discover that he's in ancient Greece. He witnesses a scantily-clad woman whom he woos, then kills with a club. A group of lesbians find the man, tie him to a tree, then partake in an incredible deed.
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Seeds (1968)
Character: Sex Insert (uncredited)
An angry, alcoholic matriarch tyrannizes her spoiled, grown-up children during an unwanted family get-together, where someone begins killing them one by one.
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Sex Slaves Of Satan 2 (2010)
Character: (archive footage)
Satan is back, and he's hungry for more. There is no forgiveness for the chosen beauties he compels into submission. They fight, they claw, they spit and they shriek. Satan finds pleasure and in this pleasure, he feeds his craving for flesh. These are the Sex Slaves of Satan. Like the original Sex Slaves of Satan, the sequel features some of the more extreme scenes created in what has come to be known as the Golden Era of XXX movies. Handpicked from the vault of VCX the films represented are: Angel Above, Devil Below, Easy, Call Girl, Saturday Night Special, Bacchanale, Two At Once, Joy of Fooling Around, Visions of Clair and Vista Valley PTA.
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Dynamite! (1972)
Character: Uta Erickson, President of Yvonne Calling
A pretty young woman has a job selling sex aids door-to-door. One of her products is a cream that's "guaranteed" to keep an erection for a long period of time. She soon finds out that the product works all too well.
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Bacchanale (1970)
Character: Ruth
A sleeping woman leaves her body and finds herself in a series of bizarre, surreal and highly lascivious scenarios.
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