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Il poeta, la fanciulla e la laguna (1922)
Character: N/A
A Venetian girl falls in love with a poet. But the latter is too cynical and boastful to bother to reply to the young girl's passionate letter and instructs his secretary, a shy dreamer, to keep the exchange of letters alive. From this intertwining of letters, a tender love is born between the girl and the secretary.
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L’ombra di un trono (1920)
Character: N/A
Violette Miroy is a young woman in Paris whose well-off parents recently died having largely spent all their resources. She meets the mysterious Georges and they fall in love, yet being a well-brought-up lady she insists on marriage; The wedding takes place and they have five happy years together. Violette discovers by chance that her husband is the second son of the Queen. Prince Harold, the Crown Prince, is deeply envious of his younger brother, whose happiness with Violette is in stark contrast to his own betrothal to the haughty Princess Augusta. After a heart-to-heart with Violette, Harold realizes he’ll never be loved for himself alone, and in a fit of despair he kills himself. Georges is called to his mother’s side, and the formidable Queen insists the new heir apparent give up his wife, ordering Lolet kidnapped in order to convince Violette to renounce any thoughts of remaining married to her husband.
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La cavalcata ardente (1925)
Character: N/A
In Naples in 1860, a girl named Grazia, a strongly pro-Flobonic Montechiaro, is betrothed to the general of Santafè. She is secretly in love with John, a patriot and revolutionary.
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Maman poupée (1919)
Character: Susanne di Montalto, detta Maman Poupée
Soava Gallone plays an unhappy housewife in this Italian diva film.
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Diva Dolorosa (1999)
Character: N/A
In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of the World War One-era cinema diva. In all-but-lost gems such as La donna nuda (1914), and Tigre reale (1916), superstars such as Lyda Borelli and Pina Menichelli portrayed heroines teetering dangerously between defiant indulgence in sexual passion and hysterical remorse at their own cruelties. Delpeut’s inventive celebration of Black Romanticism is both striking and heartbreaking in its composition—a beautifully woven narrative of tempted fate and self-torment, elegantly guided by Loek Dikker’s original score. Zeitgeist Films is proud to present Delpeut’s stunningly experimental work in all its heaving bosomed, luridly tinted glory.
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Il romanzo di un torero (1914)
Character: Rosita
A powerful dramatic plot constructed around the "Human Triangle" handled in such a way that no bad taste is left in the mouth. Scenes in a big bull ring while a bullfight is in progress deal intimately with the story and will prove very interesting. In two reels.
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Cabiria (1914)
Character: N/A
Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?
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Avatar (1916)
Character: N/A
Based on Théophile Gautier's novel of the same name, the film tells of the tragic love affair of Ottavio de Saville. He falls madly in love with Madame Prascovie Labinska, a woman very faithful to her husband, the Polish count Olaf Labinski. Alarmed by the growing physical and mental weariness of the desperate young man, his relatives and friends decide to turn to Doctor Balthazar, who has just returned from a trip to the Indies where he was initiated into the secrets of Brahman.
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