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Une femme qui se partage (1937)
Character: N/A
Louis Cruciol, a married man, leads a double life: he maintains his mistress by taking the identity of one of his employees, Louis Cornette. A series of misunderstandings ensues.
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La Glu (1938)
Character: Naïk
A young Breton sailor falls in love with a visiting stranger called 'La Glu'. He drops his betrothed, mother and friends so that he can live with her. La Glu is murdered. Who did it? Relatives and friends are all suspects.
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Le Baron fantôme (1943)
Character: Elfy
Elfy, Countess of Saint-Hélié's daughter, was brought up with her foster sister Anne, in an old dilapidated castle whose landlord, Baron Julius Carol, disappeared mysteriously some day. The two girls had a playmate, Hervé, the son of the gamekeeper. Now that they are adult, Anne is in love with Hervé while Elfy thinks she loves the young man. One day, the baron's mummified body is found in an oubliette and the secret of the estate is revealed...
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Grisou (1938)
Character: Madeleine
Femme fatale Madeleine Robinson is married to Raymond Aimos, a coal miner with a face like a pickled walnut and a libido to match. She wants some action, and what she can’t get from her impotent husband, she looks for elsewhere, first with his best friend Pierre Brasseur, then with his boss Lucien Gallas, who is also dating Brasseur’s kid sister Odette Joyeux.
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Le Lit à colonnes (1942)
Character: Marie-Doree
In his prison cell, the composer Remi Bonvent composed an opera, The columns bed. The director of the prison, Porey Cave, succeeds made believe he is the author of this work. The death of the two protagonists will prevent the discovery of the truth.
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Une femme a menti (1930)
Character: N/A
Robert Chapelain, a renowned lawyer, loves Annette Rollan, a salesgirl. When his children Jean and Jacqueline witness their uncle telling their father that the woman is no good for him, they invite Annette to ask her to leave Robert.
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Le secret du docteur (1930)
Character: Suzy
A young woman is married to a cad. She writes him a break-up letter and decides to run away with her lover to Egypt. But her lover is run over by a car and a doctor friend advises her to go back home.
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Orage d'été (1949)
Character: Marie-Blanche
An attractive Englishman who is spending his holidays in France, breaks into a French family.
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Échec au roy (1945)
Character: Jeannette de Pincret
Jeanne De Pincret refuses to marry Viscount Haussy De Villefort, having discovered his frivolity. After a duel against the Duke De Montgobert, whom Louis XIV recommended to Jeanne, the king forced De Villefort to marry Jeanne, then sent her to war. Separated from her husband, Jeanne discovers that she loves him.
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La bonne peinture (1967)
Character: Narrator (voice)
A light philosophical movie about a painter who has the ability to produce paintings that can feed people's stomach by watching them.
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Trois artilleurs au pensionnat (1937)
Character: Micheline
Three happy reservists are doing a military period. One evening out and about, thinking they were going back to the barracks, they enter a boarding school for young girls. They exchange their uniforms for the dresses of three teachers, which launches them into a series of incredible adventures for a few days.
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Jean de la Lune (1931)
Character: N/A
Marceline, the young wife of the florist Jean, can't help flirting with other men, but her brother Clo-Clo takes the poor husband's side against his sister.
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Leçon de conduite (1946)
Character: Micheline
Micheline is a pretty girl but rich, spoiled and whimsical as well. Jacques, the brother of her friend Danielle, is so exasperated by her behavior that he decides to give her a chance to learn about good manners. To that effect, he kidnaps her and detains her in a hut on the edge of a wood. He starts "taming the shrew" but the situation soon gets out of control when criminals - real ones this time - abduct Micheline in earnest... and for ransom!
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Dernière heure, édition spéciale (1949)
Character: Andrée Coche
A journalist who deals with the column "courier du cœur" has the absurd idea of launching an investigation into the death of a pianist whom he claims to have been murdered. To dazzle his wife, a reporter for the newspaper, he disguises the facts in such a way that the police suspect him, then declare him guilty. It takes a number of adventures to get him out of this mess and get him back into his section.
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Scandale (1948)
Character: Cécilia
A young woman who inherits her uncle's nightclub, invents a gangster husband in order to gain respect.
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Notre-Dame de la Mouise (1941)
Character: N/A
Father Vincent is trying to build a church in the California neighborhood. Greeted by stones, he must face a sinister band of deviants excited by a shady cabaret performer. The abbot resists, gradually builds his church and regenerates all the wretches with whom he lives and especially the hardest, Bibi.
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Le chant de l'amour (1935)
Character: Tote
A poor woman forced to sew in a brothel for a living, a museum guard whose daughters party, an old lady with a fiery heart, and a teacher whose daughter is dying of tuberculosis, live in the same building and everyone dreams of love.
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Altitude 3.200 (1938)
Character: Zizi
"Altitude 3.200" asks the question and provides the premise of what would happen if a group of young people----poor, rich, discontented, bored--- were given an idyllic community in which to live. Call it a colony. Call it a village. Call it one-world. Mainly call it a futile exercise in changing human nature, mores, culture and attitudes at any altitude. For t'ain't no time before clashing personalities, petty jealousy, violence and---that old demon---love create havoc. And isn't much longer before they become re-united in the face of an avalanche that threatens to destroy them. They all return to whence they came, sadder and wiser.
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Sylvie et le fantôme (1946)
Character: Sylvie
A teenager becomes fixated on a painting of the handsome suitor who died in a duel for her grandmother's love. On her sixteenth birthday, her father hires three men who pretend to be the ghost of the suitor to entertain her. Little do they know, the ghost of the suitor himself is roaming the castle halls.
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La Ronde (1950)
Character: Anna, la grisette
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
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Le Mariage de Chiffon (1942)
Character: Corysande 'Chiffon'
Odette Joyeux plays an eccentric young aristocrat called "Chiffon", who is struggling to comply with the social conventions of the community. A widow, her mother (Suzanne Dantes) would like to remarry a rich noble. Without realizing it, Chiffon is in love with her uncle, a ruined pioneer of aviation ...
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Si Paris nous était conté (1956)
Character: La Passementière
Historical film directed and written by Sacha Guitry follows the the history of Paris from its founding through the significant events in the city's history.
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Lettres d'amour (1942)
Character: Zélie Fontaine
A plucky businesswoman agrees to receive love letters to a prefect’s wife from a young official, and soon finds herself embroiled in a scandal that inflames a town’s class tensions.
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Messieurs Ludovic (1946)
Character: Anne-Marie Vermeulen
Anne-Marie meets three men bearing the first name of Ludovic. Each of them has a very different character than the other two. The young woman will find great love with one of them.
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Entrée des artistes (1938)
Character: Cécilia Prieur
1938, France, Paris, at the Superior Conservatory of Dramatic Art ("Conservatoire Supérieur d'Art Dramatique"). The first-year entrance exams are in full swing. Many applicants, few accepted. Isabelle (Janine Darcey) is one of the few chosen. She joins former students from the second and third years, including François (Claude Dauphin) and Cécilia (Odette Joyeux). They attend the drama class run by Professor Lambertin (Louis Jouvet). The young people, passionate and eager to become comedians, clash in tumultuous love affairs, because by dint of acting, they imagine that life is a farce. François, for example, is in love with Isabelle, who also loves him, but is pursued by Cecilia, his former mistress...
"Put art in your life and life in your art!"
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Hélène (1936)
Character: Françoise
Helene is based on Helene Wilfur, a novel by Vicki (Grand Hotel) Baum. Madeleine Renaud essays the title role, a young medical student in love with aspiring musician Pierre Regnier (Jean-Lous Barrault). Pierre's father, a noted surgeon, puts pressure on his son to give up music in favor of medicine. Unable to withstand his father's remonstrations, Pierre kills himself, prompting the grieving Madeleine to forget all about romance and dedicate her life to the cause of healing others. Wilfur avoids the usual soap-opera goo by offering realistic performances and credible dialogue (the English-language subtitles were composed by erudite film critic Herman G. Weinberg).
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L'Âge heureux (1966)
Character: Thérèse Nadal
The young heroines are the "Petits Rats de l'Opéra" =pupil of the opera of Paris ballet class .One of them,Delphine,wants to be a ballerina.It's her wildest dream.But alas,in the wake of a night on the roof of the opera -a forbidden place- ,she is fired -and however she was not alone on that roof,her friends were with her!Delphine is desperate and she hides the terrible truth from her mother .What will become of her?
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Lac aux dames (1934)
Character: Carla Lyssenhop
A handsome but penniless young man takes a summer job as a swimming instructor in a picturesque Alpine lake resort. He falls in love with a young heiress who is staying there with her father, but he also grabs the attention of tomboyish Puck who lives on the other side of the lake and who saves him from drowning one foggy night. Further havoc is caused by the arrival of Eric's old sweetheart whose husband is wanted by the police.
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Les Petites du quai aux fleurs (1944)
Character: Rosine Grimaud
A brave bookseller raises his four daughters alone, all of whom he employs in his shop. They are especially interested in their sentimental stories. Rosine, the youngest, falls in love with Francis, fiancé of Edith, the eldest. But Francis pushes her away and Rosine announces that she is going to commit suicide. Bertrand, a young doctor, decides to stop her by watching over her. After a few adventures, everything finally works out. Edith keeps her fiancé, the father, from whom the adventure has been hidden, returns to the usual course of his life and Bertrand and Rosine find themselves alone.
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Douce (1943)
Character: Douce
In Paris in 1887, Irène works as a governess to Douce, the grand-daughter of the dowager Countess de Bonafé. Douce believes she is in love with Fabien, the handsome manager of the estate. However she cannot hope to marry him because of their class difference. Douce's widowed father, the Count de Bonafé, has a wooden leg, and is infatuated with Irène. Douce discovers that Fabien is planning to flee to Quebec with Irène, and also finds out that the Count has asked Irène to marry him. So Douce tells Fabien this and convinces him to run away with her, causing consternation in the family.
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Pour une nuit d'amour (1947)
Character: Thérèse de Marsannes
Thérèse kills her lover during the very night of her wedding to the count of Vétheul. To gain a night with her, a modest local worker agrees to bury the body.
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