|
Hablamos esta noche (1982)
Character: Víctor
Victor is the engineer who has set up the Nuclear Power Plant Zapater. Alongside his professional problems he also hasa difficult family situation: a divorce, a teenage homosexual son, a relationship that is not satisfactory, the emergence of a new woman. With just a few days to the inauguration, Luis Maria, an engineer close friend of Victor, responsible for a serious accident in the past and addicted to alcohol, warns of the possibility of a malfunction of the plant. Nothing guarantees the truth of this warning, but to find it out the inauguration is suspended
|
|
|
El mercader de Venecia (1967)
Character: Lorenzo
A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him. The Merchant of Venice is a play written by William Shakespeare between 1596 and 1598, which was not published until 1600.
|
|
|
Sesión continua (1984)
Character: Actor que representa a 'El ministro'
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
|
|
|
El corazón del bosque (1979)
Character: Suso
Told in a manner more common during the Franco era, this movie tells the story of a man who fought with the Republican forces during the Spanish Civil War (1936-39) and has been hiding in the hills for 10 years. Local people help him avoid constant searches by the police, who know he is there. A returning exile seeks him out to try and get him to surrender, with tragic consequences for both of them.
|
|
|
El límite del amor (1976)
Character: Luis
Manuela and Juan, a young couple who has been married for four years, likes to practice sexual games. As part of that games they want to include Juan's secretary, an old nun, secretly in love with Manuela.
|
|
|
Batida de raposas (1976)
Character: Mario
Ignazio is a depressed businessman after he suffers heavy losses in the financial markets. His wife Helena soon finds distraction elsewhere. Germano lives a double life. Leandro, the gamekeeper of the rich and powerful, soon uses his knowledge of the masters to dominate them - and their wives.
|
|
|
Onofre (1974)
Character: Víctor
Onofre, who is forty years old, is still a virgin. He's going to put great efforts to leave this state...
|
|
|
Las obsesiones de Armando (1974)
Character: Ramón Garciáñez
Armando, a natural prodigy with lethal attributes, capable of killing both his wives at first glance on their wedding night, decides to visit a psychiatrist friend and falls in love with his wife, her twin sister, and everything in between.
|
|
|
Loco veneno (1989)
Character: Portela
Verónica (Maru Valdivielso) is a young executive who works in a dairy company. One day before going on holiday to the carnivals of Rio Janeiro, the company is blackmailed by a batch of poisoned yogurts. The president of the company gives a heart attack and Veronica goes to visit him to the hospital. There he meets a young man (Pablo Carbonell) who runs away from someone who wants to kill him. Suddenly, the young woman is involved in a series of entanglements, blackmail and persecutions, caused by men who cross their path, all obsessed with crazy love for a puzzling woman fatal.
|
|
|
Senda torcida (1963)
Character: Rafael Ruiz
After committing a robbery, Rafael joins Silvestre and they begin a long run to escape the Police that takes them to Puigcerdà, near the French border they want to cross. Silvestre is tougher and they have some quarrels.
|
|
|
José María (1963)
Character: El capitán
Biography of the famous bandit El Tempranillo, acting with impunity in Sierra Morena during the reign of Ferdinand VII.
|
|
|
Trampa mortal (1963)
Character: Raúl Vela
A former convict, named Raul Vela, and a cabaret singer, called Clara, are a couple who tries to lead a normal life. He has found an employment and she wants to leave the cabaret. One day an old chief, who wants to disappear, proposes him to justify his supposed death in a supposed accident. In exchange, Raúl will receive one hundred thousand pesetas as gratification. Raul refuses to engage in the deception. Shortly after, he reads in a newspaper about the death of Cervera, which makes the police relate him to the case.
|
|
|
La familia y uno más (1965)
Character: Alberto Muñoz Aguilar
The life of the family inordinate surveyor Carlos Alonso has undergone several changes over the course of the years: the birth of child number 16, little Maria, coincided with the death of the mother, who left behind a hollow refillable. The grandfather also died. The Godfather pastry married, and the boys have been growing rapidly ...
|
|
|
Coto de caza (1983)
Character: Jorge
A female lawyer passionately defends criminals, believing that everyone deserves a second chance. But her latest defendants have no qualms about making her their next victim.
|
|
|
Margarita se llama mi amor (1961)
Character: N/A
Margarita is a beautiful and explosive girl studying in the Faculty of Arts somewhere in Galicia. To the chagrin of the rest of the girls in the class, all the boys want to date her, to the point moniker of "the bride of the Faculty". However, who really steals the heart Margarita is another person ...
|
|
|
Gary Cooper, que estás en los cielos (1980)
Character: N/A
A woman nearing her forties, Andrea Soriana, has always pushed aside personal questions and romantic relationships in pursuit of professional success. Now a major illness forces her to reconsider her life--work, family, friendships, men-- causing a psychological and emotional crisis pushes her toward a drastic decision.
|
|
|
Vera, un cuento cruel (1974)
Character: Alfredo Quiroga
South of France, XIX century. Alfredo de Quiroga, a Spanish gentleman in exile, is reluctant to admit that Vera, his wife, has died. Very concerned, begins to rebuild its surroundings as if she were still alive. The objects, dialogues, gestures ... again everything is back to make sense to him. Even his faithful butler rests on this fiction. But one day, by accident, he meets the daughter of the notary and his world begins to crumble.
|
|
|
Doña Perfecta (1977)
Character: Pinzón
Pepe Rey, Doña Perfecta's nephew, arrives in Orbajosa, a quiet and provincial city, with the task of building a reservoir. However, the presence of Pepe, a man of liberal ideas to whom unfounded revolutionary and even anticlerical intentions are attributed, is not well received in the town. So each of its inhabitants will have a reason not only to hate Pepe, but to want him to get out of there as soon as possible
|
|
|
Cuernos de mujer (1995)
Character: Casablanca
Ana works in an office where the things are going very badly. One night after having dinner with nasty rich people, she has a discussion with her husband. He dissapears and then the life of Ana changes: she has incredible luck in gambling.
|
|
