Yuri Obitani

Personal Info

Known For

Directing

Known Credits

0.5006

Gender

Male

Birthday

NO DOB PROVIDED

Age

NO AGE PROVIDED

Place of Birth

Hyōgo Prefecture, Japan

Also Known As
  • 帯谷有理

Yuri Obitani

Biography

Yuri OBITANI, born in Kamakura in 1964, is now a composer and filmmaker. In his current projects, he explores the relationships between sound, visuality, kinetics and linguistics.


Credits

Oto o Karu Oto o Karu (2013) Character: N/A
Production and sale of Fujichrome RT200 sound film stock ended in 1999. It was the ultimate analogue technology allowing audio to be simultaneously recorded. As the director develops his film shot with expired RT200 stock, unique visuals and sounds begin to emerge.
Ensei Fufu Ensei Fufu (2000) Character: Yoshirou
Two disaffected hoodlums, one of them of Korean ancestry; his sister, her girlfriend, and a mad scooter girl. The failure of their relationships as a critique of modern Japan.
毛髪歌劇 毛髪歌劇 (1993) Character: Himself
A somewhat perverted man who has a peculiar interest in hair starts dating a female artist who opens her own exhibition of pubic hair gathered from men she had slept with. Their abnormal relationship is established by exchanging visual letters shot on 8mm.
裸 over8 裸 over8 (2007) Character: N/A
"Over 8" is a joint project from a Shimokitazawa theater and young directors to create new wave films. Their latest is an omnibus film on the theme of "nakedness," directed by five up-and-coming directors. The producer is Shu Kageyama, who has worked with directors Shozin Fukui and Hideaki Anno on their films as one of the main crew members. Truth, emotional problems, trauma, desire, minority....some things can only be fully revealed through "nakedness." Come and witness the freshly-told stories of five vividly different colors and styles, all about "nakedness."
行き暮れども待ち明かず 行き暮れども待ち明かず (1994) Character: Guy
Fragments of scenes from the lives of men and women who are tormented and bullied appear in this film. Using the film camera as a medium, the film attempts to objectify the never-ending time of their lives, but in fact the actions that unfold here are staged in order to generate a physical voice, and at times it seems that it is the landscape itself that witnesses their actions.



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