Marion Vernoux

Personal Info

Known For

Directing

Known Credits

0.5714

Gender

Female

Birthday

29-Jun-1966

Age

(60 years old)

Place of Birth

Montreuil, Seine [now Seine-Saint-Denis], France

Also Known As
  • NO INFO PROVIDED

Marion Vernoux

Biography

Marion Vernoux (born 29 June 1966) is a French director and screenwriter. Born in Montreuil, Seine-Saint-Denis, Vernoux was the only daughter of a casting director and of a set decorator. In 1991 she made her feature film debut with Pierre qui roule, which was well received by critics. Her 1999 film Empty Days was entered into the main competition at the 56th edition of the Venice Film Festival, winning the President of the Italian Senate's Gold Medal. Description above from the Wikipedia article Marion Vernoux, licensed under CC-BY-SA, full list of contributors on Wikipedia.


Credits

Je n'en ferai pas un drame Je n'en ferai pas un drame (1996) Character: N/A
A couple finds themselves for a decisive weekend in the countryside after three months of dissonant relationships. She is playful and philanthropist, he is Protestant, she is an atheist, he is thoughtful, she is impatient, he is dreamer.
Grave Grave (2017) Character: Nurse
Stringent vegetarian Justine encounters a decadent, merciless, and dangerously seductive world during her first week at veterinary school. Desperate to fit in, she strays from her principles and eats raw meat for the first time. She soon experiences terrible and unexpected consequences as her true self begins to emerge.
Bonhomme Bonhomme (2018) Character: Une cliente
After a violent car crash, Marilyn must take care of her man, who suffers from severe head trauma.
Jacques Audiard, le cinéma à cœur Jacques Audiard, le cinéma à cœur (2021) Character: Self - Jacques' Wife (archive footage) (uncredited)
In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.



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