Alexandra Von Hummel

Personal Info

Known For

Acting

Known Credits

0.0634

Gender

Female

Birthday

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Age

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Place of Birth

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Also Known As
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Alexandra Von Hummel

Biography

NO BIOGRAPHY AVAILABLE


Credits

"Historias Nocturnas 2" - El Marciano (2020) Character: N/A
An innocent woman who is recovering from a great loss, for which she volunteers at a help center. Suddenly, she receives a call from someone who claims to be a Martian, which will make her life take an unexpected turn.
"Historias Nocturnas 3" - La Fiesta de cumpleaños (2020) Character: N/A
In this love special of "Historias Nocturnas", an anonymous call will reveal many secrets from beyond the grave.
"Historias Nocturnas 1" - La Pizza mortal (2020) Character: N/A
A man wakes up in a house that is not his house. He doesn't remember how he got there. A woman enters via Zoom, and they begin to piece together what the hell is going on. But as the minutes pass, the man discovers that he is nothing more than the pawn in a sinister plan.
"Historias Nocturnas 4" - La maldición de Verónica (2020) Character: N/A
In the last horror story, realities become confused, leading to a devastating and absurd ending.
La salamandra La salamandra (2018) Character: Mother in the Streets
In a violent city where a man succumbs to the loneliness and delirium of his unfulfilled desires. He wishes to belong somewhere. And the only way to achieve this goal is projecting in his own mind another version of himself, a "second man", someone -who will be accepted.
Cazadora Cazadora (2023) Character: Emilia
In a dystopian future, a mother and her teenage son go hunting in the mountains and encounter a stranger who threatens to upend their relationship.
Destacadores Destacadores (2025) Character: Woman
Inside a bathroom, a woman dissolves. Not into water—but into identity. Set in an oneiric, liminal space, this experimental short dissects the most banal of routines—eliminate, change, wash—and refracts them through the prism of identity. What do we flush away, what do we conceal with powder and polish, what residue do we scrub from the self? The film doesn't offer answers. It exists in the space between viewer and image, where meaning is slippery and selfhood runs down the drain.



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