|
Scarabea - Wieviel Erde braucht der Mensch? (1969)
Character: Scarabea
A Teutonic lecher on vacation has a wager with some local peasants that he can't make a walking circle from sunrise to sunset to secure some coveted land. The middle-aged businessman embarks on his journey only to be slowed down by the beautiful reporter Scarabea. With thoughts of drunkenness and sex on his warped mind, the man tries to circumnavigate the parcel of property. The story is a retelling of an ancient folk tale told by Tolstoy where the initial victim bets his soul to Satan against the land he desires.
|
|
|
Carosello - Martini - Paolo Villaggio e i sogni proibiti - Sergente (1972)
Character: N/A
The idea of each episode is that of the forbidden dreams at Fracchia-Fantozzi. Paolo Villaggio, sitting at a bar table, is struck by the title of a book or a radio broadcast and begins to imagine himself in the shoes of various characters and in funny situations, always alongside the beautiful Nicoletta Macchiavelli. Back to reality, he orders a martini which he drinks in the company of the actress.
|
|
|
|
Carosello - Martini - Paolo Villaggio e i sogni proibiti - Barone Rosa (1972)
Character: N/A
The idea of each episode is that of the forbidden dreams at Fracchia-Fantozzi. Paolo Villaggio, sitting at a bar table, is struck by the title of a book or a radio broadcast and begins to imagine himself in the shoes of various characters and in funny situations, always alongside the beautiful Nicoletta Macchiavelli. Back to reality, he orders a martini which he drinks in the company of the actress.
|
|
|
|
Carosello - Martini - Paolo Villaggio e i sogni proibiti - Il puglie (1972)
Character: N/A
The idea of each episode is that of the forbidden dreams at Fracchia-Fantozzi. Paolo Villaggio, sitting at a bar table, is struck by the title of a book or a radio broadcast and begins to imagine himself in the shoes of various characters and in funny situations, always alongside the beautiful Nicoletta Macchiavelli. Back to reality, he orders a martini which he drinks in the company of the actress.
|
|
|
Le Malin Plaisir (1975)
Character: Melisa
Philippe Malaiseau, writer and historian, died before completing his study of Charles le Témeraire, so the publisher sent Marc Lancelot, Malaiseau's “negro”, to Fontbonne in the Midi. There are five women in Fontbonne: Julie, a ravishing and very particular secretary who seduces Marc, Malaiseau's old mother, Marianne, the distant widow, Christine, the cousin, and Melisa, an Italian friend. The four women are all related to Malaiseau. Did he die in a simple accident?
|
|
|
Policeman (1971)
Character: N/A
In order not to go hungry, as has happened to his family members, a young southern man enlists in the police where he learns to use violence and to hate anyone who opposes the established order. But his girlfriend does not share his ideas and abandons him.
|
|
|
L'homme au cerveau greffé (1972)
Character: Héléna
Professor Marcilly is a famed brain specialist who, following in-depth and extended research work, is now able to perform brain transplant surgery. One day, he finds himself in the presence of a young car accident victim for whom the only hope of survival would be a brain transplant. Marcilly, who has a heart condition and is terminally ill, decides to become the "donor". The operation is a success. But who is actually the patient discharged from the hospital: a young fellow with the brain of a young man or an old man in the body of a young one?
|
|
|
Un fiume di dollari (1966)
Character: Mary Ann
After the Civil War ends, two soldiers return home with a cache of stolen money. They are caught by Union troops. One escapes, but the other is sent to prison for five years. When he gets out and goes home, he finds that his wife has died in poverty because his partner kept all the money, and is now a major power in the area with an army of deadly gunmen to back him up.
|
|
|
Mordi e fuggi (1973)
Character: Sylva
A man and his mistress have just taken off for a weekend romp when they're kidnapped by a trio of bank robbers. They wind up becoming media "stars" as police and reporters follow them. They all wind up at the beat-up shack of a cranky old codger, with the police surrounding them and the robbers threatening to kill everybody.
|
|
|
Le castagne sono buone (1970)
Character: Teresa Lotito
A TV producer cultivates a somewhat reserved and protective young woman after interviewing her for one of his programs.
|
|
|
La cattura (1969)
Character: Anja Kovach
In the winter of 1943, deep in the frozen waste of German occupied Yugoslavia, a lone parachute drifts from the snowy skies, falling ever closer to earth and a waiting German patrol car. Suddenly shots ring out from a hidden sniper, the Germans are killed, and the parachutist scurries away into the forest. The sniper is a woman, the number one partisan terrorist on the German hit list, and her adversary is the German number one exterminator sent direct from berlin to eliminate her. The battle is on, orders from high command - capture her… alive. Both are professional, but now the hunter becomes the hunted.
|
|
|
Candy (1968)
Character: Marquita
A high school girl encounters a variety of kookie characters and humorous sexual situations while searching for the meaning of life.
|
|
|
Matchless (1967)
Character: Tipsy
A secret agent possesses a ring that makes him invisible for a short time, once every 10 hours. He is in pursuit of an evil criminal mastermind but, at the same time, must evade an enemy agent who also wants the ring.
|
|
|
Una lunga fila di croci (1969)
Character: Maya/Maja
Mexican's are being smuggled over the border to work as cheap labour for wealthy land baron Fargo. His gang is made up of known criminals with bounties on their heads, this greatly interests two bounty hunters who may have to team up to achieve their goals.
|
|
|
|
|
Un minuto per pregare, un istante per morire (1968)
Character: Laurinda
A famous gunman decides to change his life around and turn himself in when amnesty is declared by the new governor of the New Mexico Territory, but a vindictive sheriff sets out to stop him from reaching the Territory.
|
|
|
L'Année sainte (1976)
Character: Carla, terrorist
Two bank robbers, an old and a young, escape from prison to get to the hidden loot.
|
|
|
Temptation (1969)
Character: Carla Veraldi
The young architect Guido maintains a relationship with Carla, wife of industrialist Veraldi that despite being aware of her infidelity does nothing to prevent it.
|
|
|
Storie scellerate (1973)
Character: Duchess Catherine of Ronciglione
Locked up in prison and awaiting execution, bored young vagabonds Bernardino and Mammone pass their time competing in a vulgar storytelling competition, relating indecent accounts about castration, unsavory testicles and an atypical threesome. Not intended for the faint of heart, this audacious piece of moviemaking focuses on tales of jealousy, murder and uncontrollable desires.
|
|
|
Odia il prossimo tuo (1968)
Character: Peggy Savalas
Ken Dakota's search for the murderer of his brother, killed by bandit Gary Stevens, at the behest of land owner Chris Malone. Dakota attempts to bring the men responsible for his brothers death to justice.
|
|
|
Navajo Joe (1966)
Character: Estella
The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.
|
|
|
L'Important c'est d'aimer (1975)
Character: Luce Lapade
Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.
|
|
|
Femmine insaziabili (1969)
Character: Luisa Lamberti
We follow the Journal reporter Paulo whose close friend mysteriously been taken out of the way and it's now up to Paulo to figure out who the culprits are. The film is set in a drug-scented and "swinging" Los Angeles, where orgies and violence seem to be commonplace, and it soon appears that Paulo is on someone's hit list.
|
|
|
Tony Arzenta (1973)
Character: Anna
A mob hitman wants to retire, but his bosses don't think that's a good idea. Complications - and many bloody shootouts - ensue.
|
|
|
Le dolci signore (1967)
Character: N/A
In this delightful romantic comedy, four beautiful women attempt to deal with their sexual frustrations in fashionable Rome society.
|
|
|
Les seins de glace (1974)
Character: Jacqueline Rilson
On a beach in Nice, François meets the mysterious Peggy and falls in love with her. Following her to a villa, he meets Marc, a lawyer who has a strange relationship with the girl.
|
|
|
Giarrettiera Colt (1968)
Character: Lulu 'Garter' Colt
At the border with Mexico, a brave young woman defends herself from the attack of the fearsome bandit, "Red", mastering a gun and the game of poker. Falling in love with a young Frenchman, he asks her to give up gambling and start a quiet and normal life, but when the young man is killed by "Red", she is determined to seek revenge. Source: SWDB http://www.spaghetti-western.net
|
|
|
Monte Carlo or Bust! (1969)
Character: Dominique
Sequel to "Those Magnificent Men In Their Flying Machines". This time an international car rally from England to Monte Carlo provides the comedic farce.
|
|
|
Al di là del bene e del male (1977)
Character: Amanda
The German philosopher Friedrich Nietzsche and his Jewish companion Paul Ree meet a beautiful young Russian intellectual and draw her into a ménage-à-trois.
|
|
|
Necropolis (1970)
Character: N/A
Frankenstein's monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa.
|
|
|
Eurocrime! The Italian Cop and Gangster Films That Ruled the '70s (2012)
Character: Self
A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.
|
|
|
Una questione d'onore (1966)
Character: Domenicangela Piras
Efisio Mulas is a meek laborer who lives with occasional work, especially in Don Leandro Sanna's salon, and rounds up the slim balance by betting with colleagues in strength with the game "head against head". In the village the Sanna and Porcu families' conflict has lasted over a century.
|
|
|
Thrilling (1965)
Character: Lea
An anthology film / black comedy about three ordinary men who become involved in violent crimes.
|
|
|
Il trucido e lo sbirro (1976)
Character: Mara
A cop recruits a criminal and his cohorts to help track down a violent crime lord who has kidnapped the ill daughter of a rich family.
|
|
|
Se tutte le donne del mondo (1966)
Character: Sylvia
In this spoof of spy films, CIA agent, Kelly, is in Rio De Janeiro spying on a wealthy industrialist, David Ardonian, who secretly plans to turn the world sterile and repopulate it with his harem. UK spy, Susan Fleming, helps Kelly.
|
|
