Jim Anderson

Personal Info

Known For

Acting

Known Credits

0.1134

Gender

Male

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Place of Birth

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Also Known As
  • James Anderson

Jim Anderson

Biography

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Credits

La sensualità è un attimo di vita La sensualità è un attimo di vita (1975) Character: N/A
The two brothers Marcella and Mario live with other young people in a neighboring country from that of their parents. The arrival of a stranger ignites the contrast with the adult world in them.
Paradise Now Paradise Now (1970) Character: Self
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
The Brig The Brig (1964) Character: Tepperman
Jonas Mekas’s film captures The Living Theatre’s stage production of The Brig, an unflinching portrait of life inside a U.S. Marine Corps jail in Japan in 1957. Over the course of a single day, prisoners endure relentless drills, abuse, and dehumanization, exposing the brutality of military discipline with stark immediacy.
The Connection The Connection (1962) Character: Sam
Eight drug addicts are waiting for their connection in a New York apartment while a two-man documentary team films the proceedings. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
Amore e rabbia Amore e rabbia (1969) Character: (segment "Agonia")
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.



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