Mohamed Yahia

Personal Info

Known For

Acting

Known Credits

0.6334

Gender

Male

Birthday

29-Jun-1953

Age

(73 years old)

Place of Birth

Egypt

Also Known As
  • Мохамед Яхья
  • Мохаммед Яхья
  • محمد يحيى

Mohamed Yahia

Biography

NO BIOGRAPHY AVAILABLE


Credits

الشيطان الصغير الشيطان الصغير (1965) Character: Issam - child
The Devil's Little Movie was produced in 1964 and directed by Kamal Al-Sheikh
الحفيد الحفيد (1975) Character: Sami
The film's events revolve around a family consisting of seven children, and the work discusses the problems of each son, such as Nabila, whose husband refuses to have children and threatens to separate her when he learns of her pregnancy, as well as the problems of university students between ambition and love. The film reviews the difficulties that parents face in bearing the burdens of their children.
شيء في حياتي شيء في حياتي (1966) Character: الطفل (أحمد)
Aida lives a quiet life with her much older husband. When she meets the young doctor Ahmed at the train station in Alexandria, they fall in love, but Aida feels that she is betraying her husband, and she is torn between love and a stable life.
دمي ودموعي وابتسامتي دمي ودموعي وابتسامتي (1973) Character: Mohamed
Nahed is a gorgeous girl who marries a young man as a cover for her affair with a businessman. As their relationship turns loving and Nahed falls for him, she is forced to sacrifice him to save her family from a miserable and poor life.
بلا رحمة بلا رحمة (1971) Character: نبيل
Sergeant Radwan works in a reformatory for the youth and treats them harshly, until the social worker Karima arrives and treats everyone gently, which angers Radwan, especially as three prisoners, Samir, Abdel Fadil, and Nabil, plan to escape.
فجر يوم جديد فجر يوم جديد (1964) Character: Kid
The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”



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