Alain Lahaye

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Alain Lahaye

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Credits

Les femmes savantes Les femmes savantes (2003) Character: Un Valet
The Learned Ladies is a comedy by Molière in five acts, written in verse. A satire on academic pretension, female education, and préciosité (French for preciosity), it was one of his most popular comedies and the last of his great plays in verse. The character Trissotin, the main antagonist, is a caricature of Charles Cotin, an adversary of Nicolas Boileau and Molière, who both saw him as the perfect example of a pedantic scholar and mediocre scribbler.
Meurtres A Domicile Meurtres A Domicile (1982) Character: N/A
A murder is committed in the building where Aurélia Maudru, inspector of the judicial police in charge of the investigation, lives.
Manège Manège (1986) Character: N/A
Max, a 40 years old gay, chases in railway stations. He takes his "prey" to the Parisian park, the Bois de Boulogne."Manège" will be the genesis for Nolot's later feature film "La chatte à deux têtes" (2002).
Train d'Enfer Train d'Enfer (1985) Character: Poli
Hell Train is a French film based on a true story. One evening at a ball in a small town, a fight breaks out in an atmosphere tinged with racism. Three of the ringleaders end up at the police station. The next day, November 14, 1983, on the Bordeaux-Ventimiglia train, the three men who were candidates for enlistment in the Foreign Legion beat Habib Grimzi, a 26-year-old Algerian, before throwing him out of a window. A young woman, who witnessed the murder, alerted the police. The investigation begins in a climate of extreme tension. In the city, provocations and attacks are increasing...
Le Misanthrope Le Misanthrope (2000) Character: Basque
Célimène, a beautiful young widow, chooses to keep her many suitors hoping in order to preserve her freedom, even though she is drawn to one of them, Alceste. An idealist, Alceste refuses to play the social game; he seeks to persuade the young woman to abandon her strategy and give herself over to an exclusive love. Theater play "Le misanthrope" played by the "Comédie française" in 2000. Rather than a simple recording of a live theater performance, this version was explicitly structured as a television movie. It blended cinematic camera work with the theatrical script.



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