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Parohy (1947)
Character: N/A
Oldřich Nový was and will forever remain the embodiment of charm, elegance and personal charm for Czech cinema, to which all women, regardless of age, were subject. In his unforgettable lover roles, he was not only a romantic who was able to fall in love with a girl from an ancient painting, succumb to the chocolate-brown eyes of the minister's girlfriend, but also a seducer for whom infidelity was a regularly practiced sport, or, conversely, a newlywed obsessed with jealousy. This was exactly Viktorin, the main character of a crazy Art Nouveau comedy, where everything revolves around a massive deer antler. Its involuntary owner becomes the jealous Viktorin, and it is certainly not difficult to guess what such a "right" gift can cause.
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Láska jako trám (1968)
Character: N/A
An elderly couple is planning a big family gathering. The husband is thinking about what he can do to make his wife happy. While walking around town, he meets an old friend and they have a few drinks together. After a dose of alcohol, the man trades his brand-new coat for a fox-head fur coat for his wife, thinking it will please her. But his wife doesn't like the gift at all and gets angry with the man. The couple argue, exchange insults, and finally decide to cancel the celebration. The man wants a divorce "due to insurmountable resistance"...
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Přijďte všichni (1955)
Character: Commentary (voice)
Recruitment film for general training sections of competitive gymnastics units. It shows the importance of regular exercise for recharging one's batteries so that exercisers can return to work with a clear mind.
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Uloupená hranice (1947)
Character: N/A
Czech film tells the story of a border town in World War II. Family members and friends become enemies.
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Kavárna na hlavní třídě (1954)
Character: N/A
On his first day in a new place, waiter Josef Kučera stands up for his old servant Bartoš and bellhop Svát. His actions earn him the distrust of the café owner Stýbl, the admiration of the maid Jindřiška, and the hatred of her suitor, the waiter Vacek. One evening, Kučera overhears a strange conversation between two guests and confides in the editor of Rudý právo Rokos. When a scandal breaks out about the bank robbery of the minister's son-in-law Zakhar, Rokos deduces from the conversation that it was a fake robbery...
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Padělek (1957)
Character: secretary at Klimes
Olga finds her husband Karel Brand, whom she has just divorced, shot dead after returning from the cinema. It appears to be a clear case of suicide, but Lieutenant Dusek of the Public Security Service suspects that it is a murder, which, it is not impossible, as a number of evidences point against it, could have been committed by Mrs Olga. A letter from the dead man to his wife seems to dispel any doubt that it could have been murder. Lieutenant Dusek, however, investigates further. Much more than he, however, learns about the true circumstances from Mrs. Olga's legal advisor, Dr. Klimesh. He learns that the letter is indeed a forgery and that Brand's death is linked to the raids of an anti-state gang. He hesitates for a long time whether to confide in security, believing that doing so would testify in favor of Dusek's theory that the murder was committed by Olga...
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Černá sobota (1961)
Character: Hájková
In this crime story, surprisingly, neither the all-powerful criminals nor the spies or saboteurs are pursued, as was once common. The plot is almost mundane: someone unwittingly siphoned off alcohol from a tanker, unaware that it was deadly methyl alcohol, intended for industrial use. Finding out where the poison has been transported and which people it endangers requires painstaking work.
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