|
Une fille à croquer (1951)
Character: N/A
Rose Chaperon is asked by her confectioner mother Mathilde to bring jewels to her sick grandmother, Madame de Mergrand. But Hugues, the latter's brother, is prepared to do anything to get his hands on the loot. To this end he hires a villainous young man, Jean-Louis nicknamed Loup, to do the job. Will Loup engulf and devour Little "Rose "Riding Hood?
|
|
|
L'assassin est à l'écoute (1948)
Character: A taxidermist (uncredited)
April fools in a studio where a radio host pretends to shoot dead all the performers....till a true crime occurs.
|
|
|
La Maison Bonnadieu (1951)
Character: N/A
Felix is a middle-aged bourgeois husband. Much to his discomfort, he learns that his wife Gabrielle is carrying on with a young man--a very young man. Rather than express outrage, Felix decides that there's something lacking in him. He spends the rest of the picture trying to keep his wife by altering his own personality and outlook.
|
|
|
L'assassin n'est pas coupable (1946)
Character: (uncredited)
In a film studio, several actors are the victims of attempted murders. Julien Brisseau, a writer, decides to use these facts as the backbone of his new novel. But while he is working on his detective story, young actors are actually killed. Julien thence gets suspected by police inspector Vétillard. To clear his name, Julien undertakes to investigate and find the killer on his own.
|
|
|
La Ronde (1950)
Character: (uncredited)
An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.
|
|
|
Martin Roumagnac (1946)
Character: (uncredited)
The local building-contractor Martin Roumagnac is fascinated by the fashionable Blanche Ferrand. To impress Blache, Martin presents her with a villa. However, this ruins him financially. Despite Martin's many efforts for the now femme-fatal Blanche, she is not able to chose between him and the rich consul De Laubry.
|
|
|
Quai de Grenelle (1950)
Character: (uncredited)
Jean-Louis forgets to use the pedestrian crossing;Who could have believed then where it would lead the unfortunate guy to?
|
|
|
Une époque formidable (1991)
Character: N/A
Michel Berthier, a senior executive at a mattress manufacturing company, has just been fired. As he does not dare to tell the truth to Juliette, his partner, he goes into debt to maintain the family’s standard of living, showering them with gifts. But soon he can no longer lie, and he decides to leave the house. After losing his money, his car, and his shoes, he meets Toubib, Mimosa, and Crayon, three “homeless” people who wash themselves in the restrooms at the Gare de l’Est. They take him under their wing and lead him to break into his former company in order to get sleeping bags and beds.
|
|
|
Masques (1987)
Character: Maurice
In this deadly game of cat and mouse, Roland Wolf is writing a book on the life of game show host Christian Legagneur--or is he?
|
|
|
Gigi (1949)
Character: Un maître d'hôtel (uncredited)
Gilberte is a sixteen year old girl raised by her aunt and grandmother to be a demimondaine. But she's not ready for that yet, and spends her days in lessons and in teasing Mamita's old friend, the rich playboy Gaston LaChaille, and following his affairs from afar. But when Gaston throws off his latest mistress, it looks as if Gigi just might be ready to begin her destined career.
|
|
|
Madame Bovary (1991)
Character: N/A
In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.
|
|
|
Sous le ciel de Paris (1951)
Character: (uncredited)
Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.
|
|
|
Sans laisser d'adresse (1951)
Character: (uncredited)
A woman in Paris hires a taxi driver to locate her ex-lover, father to her newborn child, who left her without leaving an address.
|
|
|
|
|
Deux sous de violettes (1951)
Character: (uncredited)
Thérèse, a young flower girl, tries hard to remain virtuous but the whole world seems to conspire against her, whether her petty Paris family, or her relatives in the province bristling with false respectability, or her lustful employer, or the boy she loves who seduces her and abandons her. But at the end of the day there is Yvon, her childhood friend. Will he be the one that will love her truly?
|
|