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Les Deux Canards (1934)
Character: N/A
Under two different names, a journalist writes for two newspapers with opposing political doctrines and finds himself forced to fight a duel with himself.
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Champignol malgré lui (1933)
Character: N/A
A young man in love with a married woman takes the husband's place in the barracks and finds his rival there. But the fact that there are two Champignols in the ranks gives rise to many misunderstandings. But the husband preferring his painting, willingly abandons his pretty wife to the lover.
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Le Roi des palaces (1932)
Character: N/A
A hotel worker who is really an aristocrat falls for a lady customer but instead of getting married he prefers to stay at work and get what female company he can from the staff.
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J'ai l'noir ou Le suicide de Dranem (1929)
Character: N/A
A good-natured ostrich breeder gets into trouble through the fault of a family of wealthy foreigners who give him a hard time. Because of them, he loses his fortune, resumes it, goes through countless adventures, always followed like a shadow by his faithful servant.
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Miche (1932)
Character: N/A
Miche, a young girl from the town of Senlis, goes to Paris to pose for a painter, Jacques de Peyrière. During her sitting, Jacques tries to kiss her, and Miche, insulted and afraid, flees the studio. Later in St. Moritz, Miche sees Jacques among the other skiers. She decides to leave immediately.
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Ah ! Quelle gare ! (1933)
Character: Tuvache
A traveler without a ticket gets off the train he has stopped, becomes an occasional station master, fraternizes with the inspector who is chasing him, protects the loves of the wife of the real station master who has abandoned his post to make sure of his wife's fidelity, and takes the train back when everything is settled.
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La Clé de voûte (1925)
Character: N/A
Rose is a young factory worker, seduced and abandoned by her lover. She feels compelled to abandon her baby, who will grow up in a rich family, with problems of its own. Rose lives through plenty of adventures, always repenting for leaving her child, until one day.
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La Mascotte (1935)
Character: Rocco, le chambellan de Laurent XVII
The turkey keeper, Bettina, brings good luck to those who make her work. She becomes the mascot of the good King Laurent XVII whose finances are in bad shape. In order for her to retain her beneficial power, an attempt is made to separate her from her lover, but in vain.
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La Purge (1904)
Character: N/A
A comedic short about taking unpleasant medicine.
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Le Mitron (1904)
Character: Le mitron
The Clever Baker, shows a not so clever baker baking.
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Monsieur Albert (1932)
Character: N/A
Monsieur Albert is a very elegant and much-appreciated butler. One day he falls in love with a client, Sylvia Robertson, and follows her to a winter sports resort. Sylvia does not recognize him and imagines that he is related to a king who goes incognito.
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La Poule (1933)
Character: Silvestry, aka 'La Poule'
Mr. Silvestry, nicknamed "The Hen" because he is raising his five daughters alone, for whom he does the housework, the shopping and the cooking, is invited to the Côte d'Azur by a wealthy American.
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Le Ménage Dranem (1913)
Character: N/A
Monsieur Dranem cooks, cleans and sews while his militant wife gambols in pantaloons, smokes pipes, drinks pints, plays cards and assaults her cowed spouse. (Cinema's First Nasty Women)
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Un coup d'œil par étage (1904)
Character: N/A
The 1904–1905 Pathé short Un coup d’œil par étage (literally “A Glance on Each Floor”) is an inventive early comedy that presents a whimsical peek into life across multiple apartments in a single building. It plays with cinematic point-of-view and narrative structure in a way that was novel at the time. The film cuts between brief vignettes on each apartment floor: a man at a phone, a pillow fight between children, an elderly lady with a cat—and finally, a resident scrambling to extinguish curtains that have caught fire. Structured as a vertical tour ("par étage"), the short runs about 6 minutes in restored screenings and was featured in retrospectives on early cinem
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La Guerre des valses (1933)
Character: Judge
Composer Joseph Lanner is jealous when the first violinist in his orchestra, none other than Johann Strauss, wants to form his own orchestra also in Vienna and write his own compositions.
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Il est charmant (1932)
Character: Émile Barbarin
A French musical comedy film, one of the many operetta films made in the 1930s. Rejected for the law after cheating with his fellow students, a frivolous youth gets a job as a notary in the provinces where he hires his girlfriend and they have a fine musical time.
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Ciboulette (1933)
Character: Father Grenu
Duparquet is the controller of Les Halles, and plays matchmaker between the young farm-girl Ciboulette and Antonin, a young spoiled aristocrat.
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Le vrai jiu-jitsu (1905)
Character: N/A
Armand Dranem performs The True Jiu-Jitsu ("Le Vrai Jiu-Jitsu", by P. Briollet & G. Fabri / C. D'Orviet) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Dranem, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem.
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Monsieur Sans-Gêne (1935)
Character: Le souffleur
A man creates a national scandal after he mistakenly kisses the wrong woman in a darkened cinema. The following year it was remade as an American comedy One Rainy Afternoon, released by United Artists.
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Un soir de réveillon (1933)
Character: Honoré
An innocent girl is mistaken for one of the loose women at a Christmas Eve party and is pursued by a young man who doesn't know where she lives.
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Paris 1900 (1948)
Character: Self (archive footage)
Nicole Védrès' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.
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Lahury réserviste (1901)
Character: N/A
Dranem enters the barracks and takes off his field kit in preparation for some bunk time. However, every time he gets down to his skivvies, his field undress and pack reappear on him, ready for field maneuvers!
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