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Preet (1945)
Character: N/A
A romantic drama exploring the various facets of love
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Hamari Manzil (1949)
Character: N/A
A social drama revolves around two lovers striving to reach their shared "destination" in life—be it marriage, success, or acceptance—despite significant challenges like class differences, parental opposition, or tragic misunderstandings.
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Kali Ghata (1951)
Character: Jhun Jhun
After his brother gets married to his former lover, a playboy meets a French archeologist and his daughter as they are studying the Ellora Caves.
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Sazaa (1951)
Character: Seth Mothumal
Kamini (Shyama) runs over a young man (Dev Anand), who is seriously injured. Kamini visits him daily even while he is unconscious. When he recovers, she is attracted to him, and sets him up with employment with her dad Seth Mothumal's (Gope) business as a manager. He dines at Mothumal's house by Kamini, where he comes across a mute maid-servant named Asha (Nimmi). Asha is attracted to him, and he also feels attracted towards her, little knowing that his past has come to re-visit him in her form, and not knowing the changes it will bring to his life.
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Sanam (1951)
Character: Rasiklal Mehta
An honest but unemployed young man, Yogen, falls for the wealthy, independent Sadhana after a chance encounter, but his desperate circumstances lead to a crime tried by Sadhana's own father, the prosecutor, creating a profound social and legal barrier to their love.
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Naata (1955)
Character: N/A
A woman describes the relationship between her sister and a postmaster
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बाज़ार (1949)
Character: Jaggu
An impecunious poet, Parwana, runs away from home in company with his pal Jagu to join a theatrical company. On the way they come across a gypsy camp and Jagu succeeds in picking up Koel, a
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Pannadai (1945)
Character: Chandan
Set four hundred years ago, Pannadai is an epic tale from Rajasthan centered on the loyal nurse Pannadai. After Rana Sang of Chittorgarh dies, his Queen Karunavati is besieged by Bahadursingh. Pannadai cleverly secures help from Emperor Humayun, but after the Queen's death, she is entrusted with safeguarding the child-king Udai Singh. Pannadai then faces the treacherous schemes of Banbir, Rana Sang's illegitimate son, who seeks to usurp the throne, leading to the ultimate sacrifice of her own son to protect the rightful heir.
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Jhankar (1942)
Character: N/A
A social drama that delves into the troubles faced by a young woman named Kuki, played by Pramila. Her path crosses with Chandramohan, whose presence appears to complicate her life. The film explores themes of societal challenges and perhaps redemption, as it's described as a "social picture."
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Society (1942)
Character: N/A
An early Indian film that explored social issues or class differences within its narrative, it highlight a commentary on contemporary societal norms, inequalities, or interactions.
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Laila Majnu (1945)
Character: N/A
Based on the timeless tragic Arab folk tale of star-crossed lovers, depicting the intense and obsessive love between Qays (Majnu) and Laila, often ending in heartbreak and separation due to societal or familial opposition.
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Laxmi (1940)
Character: N/A
A flamboyant film producer Ramesh dotes on his glamorous star, Kishori, while avoiding a return to his village — and the wife he married in childhood, Rajni, whom he hasn’t seen since. When Rajni shows up in the city after a quarrel, unaware she’s competing with Kishori for her own husband’s affection, mistaken identities and meddling antics spark a lively “wife versus mistress” comedy of love, loyalty, and chaos.
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Hindustan Hamara (1940)
Character: N/A
Feudal melodrama: Veena (Jamuna), daughter of an exploitative landlord and wife of the drunkard Chunilal (Shivdasani), defies her family and fights for the exploited peasantry. In the process she falls in love with the poor Madhu (Nandrekar). When her evil husband cannot undermine the peasants' unity he commits suicide. The heroine is disinherited by her father, but remains committed to nationalism. The film prominently deploys Gandhian symbols (e.g. the spinning wheel), and contrasts an idyllic notion of erstwhile India to the penury of its people today.
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Anmol Ratan (1950)
Character: N/A
A sweeping tale of an idealistic, struggling writer whose passion for his craft and his love for a devoted woman must withstand the harsh tests of poverty, betrayal, and society's indifference to prove that character is the true Anmol Ratan.
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Bade Sarkar (1957)
Character: Sangram Singh
Encountering a young couple on the road, an elderly lady tells them her story
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Hanste Ansu (1950)
Character: N/A
Usha, a well-educated girl, is married to Kumar by her drunkard father. Being illiterate, Kumar gets jealous of Usha's education and her frank nature. He abuses her and she leaves their home and begins to battle for women's right. She gives birth to a son and starts to work in a factory, where male workers start to dominate her.
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Surajmukhi (1950)
Character: N/A
Surajmukhi is a 1950 Bollywood film directed by O.P. Dutta, starring Rehana, Shyam, and Gope. Produced by L. Prashad under the Madhuban banner, the film also featured Yashodra Katju and Durga Khote in key roles. The music for the film was composed by Husanlal Bhagatram.
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सगाई (1951)
Character: Fooman
Chandni and her dad belong to a well-off family. Iftekhar feels that Chandni has come of age and must get married, and he selects a groom for her and asks her to marry him. She refuses and runs away from home. She meets up with Fooman and Dhaboo and gets into a series of adventures with them, including eluding the police. One of their adventures lands them aboard a ship captained by Prem, who is transporting Princess Shehzadi to her native land. The princess likes Prem and would like him to marry her, but Prem refuses, and as soon as they land, Prem is arrested by the King, imprisoned, and tortured. Fooman, Dhaboo, and Chandni plan to help Prem to escape, which jeopardizes their own lives.
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Hangama (1952)
Character: N/A
A 1952 drama directed by Ram Kamlani, starring Nasir Khan and Nutan.
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Baghi Sipahi (1958)
Character: N/A
A Roman military commander falls in love with Ranjana, a devout Christian. The Roman Empire's atrocities toward the Christians prompt the commander to become a rebel soldier to protect the Christian community from the Roman Emperor.
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సంతోషం (1955)
Character: N/A
Intelligent revenge story by two friends on greedy money lender.
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Naya Andaz (1956)
Character: N/A
Chand, a poet and lyricist who leaves home due to differences with his father, finds great success as an artist in the city. He falls in love with Mala, a first-class dancer. But the scheming theatre owner plans to separate them.
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अदा (1951)
Character: N/A
Arrival of The Great Variety Show is the topic of the town. The show ends with a challenge thrown from the stage for a shooting contest. Carefree Madan accepts it and wins the heroine Meena's necklace. Reaching the theatre, Madan finds to his utter chagrin that Meena has left along with Singh-the hero. In search for Meena one day Madan stumbles against Rajini heroine of Rang Mahal Theatre, Rajni falls for him and invites him to witness her show. Madan is astonished to see Meena dancing there. He is shocked to learn from Rajni that Meena is soon to mary Singh Rajni.
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Mehbooba (1954)
Character: N/A
Mehbooba, directed by K. Amarnath, is a Hindi-language costume drama set in a historical or mythological backdrop. The film stars Shammi Kapoor, Nalini Jaywant, Gope, Achala Sachdev, and Hiralal. The music for the film was composed by Roshan, with lyrics penned by Majrooh Sultanpuri.
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Pyar Ki Jeet (1948)
Character: N/A
Radha, a young woman's journey through love, betrayal, and resilience. It explores her experiences with a broken promise of marriage and her subsequent struggle for independence and dignity, all set amidst a backdrop of intertwined romantic relationships and significant musical numbers.
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ज़माना (1938)
Character: N/A
A married couple is overcoming social challenges and obstacles, with fate playing a pivotal role in their decisions.
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Ek Nazar (1951)
Character: Pandit Kalicharan Mahamahopadhyay
Two friends arrive in the city seeking work and find themselves in a theater company, where love, fortune, and hidden motives test their bond and their hearts.
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Shisham (1952)
Character: N/A
A 1952 Hindi movie starring Nasir Khan and Nutan, directed by Kishore Sharma.
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Baadbaan (1954)
Character: N/A
An orphaned boy from a fishing village, adopted and educated by a wealthy family, must choose between his sophisticated wife and a new love in his rural birthplace as he dedicates his life to uplifting his long-lost community.
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Khazana (1951)
Character: N/A
A renowned but solitary singer discovers the true treasure of life when a forbidden romance with a wealthy patron's daughter forces her to choose between the glittering promise of fame and the genuine wealth of love.
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Patanga (1949)
Character: Natharam Gope
Two movie actors are confronted by startling and hilarious obstacles.
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Mirza Sahiban (1947)
Character: N/A
The movie revolves around a young mischievous boy named Mirza who is sent away to his uncle's home for further studies. Mirza is passionate about archery and is an expert at it. He starts living with his uncle where he meets his uncle's daughter Sahiban.
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Beqasoor (1950)
Character: N/A
When Brijmohan moves out with his ailing mother due to a family dispute, he comes across a runaway woman on his quest for a new job. What follows is the journey and trials and tribulations of these two strangers as they traverse, courtship, marriage and family politics.
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Sharada (1957)
Character: Hukamdas
After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!
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जेंटलमैन डाकू (1937)
Character: N/A
The story follows a brave man who rescues a sweet girl from criminals, and they fall in love. An incident causes trouble, leading to consequences for the family and the criminals.
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Nagina (1951)
Character: Dixit
A young man believes that an old, supposedly haunted ruin holds clues to both his father’s disappearance and a twelve year old murder mystery.
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तराना (1951)
Character: Toteram 'Totey'
After a plane crash, Dr. Motilal (Dilip Kumar) is left stranded in a small village, where he is given shelter by a blind old man called Surdas and his playful, young daughter Tarana (Madhubala). During the course of his stay, Motilal falls for the charms of the innocent Tarana.
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Arzoo (1950)
Character: N/A
Badal is mistakenly presumed to be dead. Kamini, his love, is heartbroken and is married off to Thakur. Badal returns and not knowing the truth, is filled with vengeance for Kamini.
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Pocket Maar (1956)
Character: N/A
Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.
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Baarish (1957)
Character: Lachchhu
City-bred Ramu is involved in petty crime. When his close friend Gopal asks him to go to the village and look after his mother and sister Chanda, Ramu does so. After coming to know both mother and daughter, they decide to re-locate to the big city to be together with Gopal. In the process, Ramu and Chanda fall in love with each other. Chanda wants Ramu to give up his life of crime, but will his crime partners allow Ramu to lead a normal life?
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