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Le Filmeur (2005)
Character: Self
From his diary, filmed over ten years, filmmaker Alain Cavalier invites us to a meditation on old age, weakness and death. Made of moments of life, fragments of images, this film composes a mosaic where the spectator is invited to also find his place by himself...
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Roger Diamantis ou la vraie vie (2005)
Character: Self
Roger Diamantis owns the Saint-André-des-Arts cinema in Paris. His discovery of the 7th art, his vocation to own a cinema where he could show films that resembled him, and his years in the restoration business to achieve this… He recalls his early days, talks about the filmmakers who found their place with him, and his film “Si j'te cherche, j'me trouve”.
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Pater (2011)
Character: Alain Cavalier
During a year, they would meet and film each other. The filmmaker and the actor, the President and his prime minister, Alain Cavalier and Vincent Lindon. In Pater, you will see them in real life and in the fiction that they invented together.
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Ce répondeur ne prend pas de messages (1979)
Character: N/A
A man repaints his apartment. Through objects, photos, drawings he plunges back into his past. His future seems so dark that he ends up painting the whole apartment in black, including the windows, to absolute black.
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L'Insoumis (1964)
Character: Un passant à Lyon (uncredited)
In this drama that alludes to the Algerian War with France of the 1960s, Thomas is a deserter from the French Foreign Legion who is on the run from authorities. He helps damsel in distress Dominique, who has been taken hostage by a group of terrorists. Thomas is wounded but manages to escape after killing the guard who inflicted the injury. Dominique gives Thomas money to escape to France after he secures her freedom, but he is caught between the Foreign Legion and the terrorists seeking revenge.
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Être vivant et le savoir (2019)
Character: Self
Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to “end it” in the wake of a heart attack. Cavalier suggests that she plays herself, and that he plays her father. One winter morning, Emmanuèle calls Alain; they will have to postpone the shoot until the spring, as she needs an urgent operation.
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L'Amitié (2023)
Character: Self
“I have on occasion experienced filmmaking as an intensely shared activity. Lively friendships result and remain. Filming that affection today is no act of nostalgia. Paths once crossed make things simple. People who have been behind the camera, or in front of it, giving the movie their all, are without illusion.” (Alain Cavalier)
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Cavalier Seul (2025)
Character: Self
Alain Cavalier is a childlike nonagenarian, a filmmaker who turns his immediate surroundings into an escape route. Yves Jeuland offered to create a portrait of him, somewhat 'in his style.' The rules of the game: five meetings in the small studio. The result: a funny and sensitive journey with this pioneering and enchanting figure of cinema, capable of doing more with less.
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Merci d'être venu (2026)
Character: Self
Alain is getting older. For years he has been filming his daily life: his partner Françoise, the people he meets, nature and animals, and life in all its splendour and cruelty. Having devoted his entire life to filmmaking, with the camera as an extension of his arm, he has observed the world with a poetic sense of authenticity and simplicity. Otherness, the approach of death, the power of life and the importance of others intertwine as he looks back on his life as a filmmaker and as a man, concealing nothing, and offering a vision of the universality of the human experience.
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