|
|
|
La locura de Don Juan (1948)
Character: Toribio
An intrascendent man pretends to be crazy to stop his family's extravagance, which is about to ruin him, victim of two scammers.
|
|
|
|
|
Fantasmas en Buenos Aires (1942)
Character: Maestro Odóñez
A counterfeiting gang implicate a bank employee in their crimes, but their cover-story about a ghost in the house where they do their printing backfires on them.
|
|
|
Una atrevida aventurita (1948)
Character: N/A
Family-owned ski resort is failing, and they've pinned all their hopes on seeing the property purchased by the Gonzalez Brothers.
|
|
|
Una atrevida aventurita (1948)
Character: Taxista
Family-owned ski resort is failing, and they've pinned all their hopes on seeing the property purchased by the Gonzalez Brothers.
|
|
|
|
|
La mujer del león (1951)
Character: N/A
A banker's mistress falls in love with a colorful writer, but to hide the situation from him, she pretends to be the banker's daughter, which causes many complications, until the situation is cleared up for the good of the young couple.
|
|
|
Liceo de señoritas (1951)
Character: N/A
A fifty-year-old teacher suffers from an inferiority complex, lives dominated by his mother and does not dare to propose to the woman he loves. One night he gets drunk and that will change his life.
|
|
|
Bárbara atómica (1952)
Character: N/A
A wayward female singer and a vet hate each other but end up falling in love.
|
|
|
|
|
|
|
|
|
|
|
La doctora quiere tangos (1949)
Character: Gerente Hotel
Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.
|
|
|
Buenos Aires a la vista (1950)
Character: N/A
A group of young people is torn between the established order of the professional world and their rebellion.
|
|
|
|
|
La mejor del colegio (1953)
Character: inspector Saporiti
Misunderstanding comedy in a girls' boarding school that requires its teachers to be married, causing some to just pretend they are.
|
|
|
Así te quiero (1942)
Character: N/A
A bohemian reluctant to marriage and work will get sudden wealth.
|
|
|
Un hombre solo no vale nada (1949)
Character: Ordenanza Carmelo
An employee progresses in the factory where he works by having his wife pass by an attractive Cuban singer.
|
|
|
|
|
La edad del amor (1954)
Character: Sr Mendiondo
Many years ago, a young aristocrat wanted to marry a famous singer, but his father destroyed the marriage before twediing, believing that singer is not suitable wife for future diplomat. After several years their adult children now met in the theater of Buenos Aires.
|
|
|
|
|
|
|
Con la música en el alma (1951)
Character: N/A
An orchestra director had a son as a result of an affair in his youth and hides the fact from his wife. But the young man succeeds as a musician and the truth soon comes to light.
|
|
|
La muerte camina en la lluvia (1948)
Character: Conserje
A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.
|
|
|
Veraneo en Mar del Plata (1954)
Character: Saporiti
The Five Greats of Good Humor (Los Cinco Grandes Del Buen Humor), a group of comic actors that emerged in the 1940s: Luz, Carret, Gueñol, Rico and Cambón, film a movie in Mar del Plata.
|
|
|
|
|
Miguitas en la cama (1949)
Character: Tertuliano
A young woman must alternately live with her separated parents and while her mother gives her a severe upbringing, her father amuses her with his carefree life.
|
|
|
María Rosa (1946)
Character: N/A
A woman who misses her husband, who died in prison, is disputed between wine growers.
|
|
|
Historia de una noche (1941)
Character: N/A
A man returns to town after a long time and meets his ex-girlfriend, who is married to a husband in desperate economic situation.
|
|
|
En el último piso (1942)
Character: Edgardo Figueroa
By trying to maintain her millionaire appearance, a young woman goes through a series of entanglements and finds a love that is also millionaire.
|
|
|
El seductor (1950)
Character: Don Perfecto
A train stops for a break in the station of a small town. That random moment allows the railway chief to fall in love with a beautiful passenger, who ends up wrapping him in a complex police plot.
|
|
|
Amor a primera vista (1956)
Character: Valentín Saporiti
Matilda, a girl from a wealthy family, is in love with Mario de Larosa, a singer and heartthrob who is adored by women everywhere. She knows all his songs by heart and prays to heaven to give her the opportunity to meet her idol in person. Her dreams come true — Mario is scheduled to sign autographs at an appliance and record store, and Matilda and her cousin rush to this fateful meeting, which will fundamentally change the lives of the young woman and Mario himself...
|
|
|
|
|
Novia para dos (1956)
Character: Salvador Pintos
A shopkeeper who dreams of singing songs and her bosses dispute it, believing her heir to a fortune.
|
|
|
Dios se lo pague (1948)
Character: N/A
Nancy, a gambler's wife, holds elegance to disguise their poverty. While she waits, dreaming of a wealthy man to appear and save her from that situation, she talks to an old beggar at the door of a casino. Soon after, a mysterious man offers her a life of luxury.
|
|
|
Un pecado por mes (1949)
Character: N/A
Paloma and Marcelo are in love, but only dare meet once a month- see, she doesn't know that he is only pretending to be the son of rich ranchers, and he doesn't know that she is only pretending to be the daughter of the great business tycoon B. Quintana... she is in reality just an employee! But when a desperate Marcelo must take a job at Quintana's company, both their lies begin to unravel.
|
|